Carrie, Tom, Em and Michael Fielding are at the mercy of their rotten Uncle Rudolph after a fire leaves them homeless, with their mother in hospital and their father abroad at sea. Uncle Rudolph and his vain wife Val reluctantly take the children in, but soon let them live alone at World's End, their ramshackle house in the countryside, rather than look after them. So begins a life with no grown-ups where the Fielding children can adopt as many dogs, cats, monkeys and horses as they like. Free at last from interference from their relatives, they begin to fend for themselves, adding to their already sizeable collection of animals – rescuing them from the thoughtless cruelty of adults. The House at World's End is the first adventure in The World's End series.

William Morris' classic 1896 adventure novel tells the tale of Ralph. the youngest prince of Upmeads, and his pursuit of the fabled well at world's end. His journey is a perilous one, however, fraught with all manner of danger. From impassioned knights who would sooner slay him than let him speak his piece, to tyrannical lords that rule over their people with an iron fist, Ralph must brave them all if he is ever to find the storied well, and return home to his family.

Tom, Carrie, Em and Michael are still living on their own at World's End. In between wondering where the next meal will come from, and trying to avoid interfering grown-ups, they are never short of fun and excitement. Carrie cannot stand to see an animal suffer, and when she plunges into another rescue operation, more perilous than any she has attempted before – putting her, and faithful dog Charlie, into terrible danger – things quickly spiral out of control. Desperately the children struggle to save Charlie from a dreadful fate; but it is a race against time. Summer at World's End is the second adventure in The World's End Series.

Birch Hills at World's End begins between Detroit and nowhere, in 1999, when high school senior Josh Reilly senses an apocalypse approaching. Josh's unease increases as his privileged but disturbed friend Erik schemes in a journal he calls "The Doomsday Book," where he plots revenge against the suburbia he's learned to despise. When Lindsay, a sixteen-year-old famed for dramatic self-mutilation and questionable poetry, becomes Josh's girlfriend, Erik finds companionship in a circle of bikers and small-time meth traffickers. Josh, suspecting his friend Erik has become a competitor for Lindsay's affections, peeks into the Doomsday Book and is shocked by what he learns. A web of domestic strife, romantic rivalry, and millennial anxiety challenges two boys to stand together as their youth comes apart. Columbine... Y2K... can friendships survive the end of the world? Praise for "Birch Hills at World's End" "'Birch Hills at World's End' is a terrific coming-of-age tale told in a way that feels completely fresh. Hyatt handles the important themes of alienation, young love, friendship and family with scrupulous honesty, which is why we care about his characters so deeply by the end. He perfectly captures the heartbreak and hilarity of adolescence, artfully detailing the ugliness and confusion as well as the epiphinal moments of grace. It's a great book by an exciting new author." - Don De Grazia, author of "American Skin" "Buy this book! Geoff Hyatt is the real deal, and 'Birch Hills at World's End' is proof that you're in the hands of a major talent. Hyatt is that rare author in contemporary fiction-a visionary-brilliantly meshing the apocalyptic with the absurd, and bringing to mind the best of Denis Johnson: searing prose that makes you laugh one moment and cringe the next. Birch Hills isn't John Updike's suburb, with its afternoon cocktails and key parties. No, Birch Hills is our very own suburb, and Geoff Hyatt has lifted the rock for all to see." - John McNally, author of "After the Workshop" and "The Book of Ralph" "Against the backdrop of the gas stations, Dairy Queen parking lots, and under-construction subdivisions of an economically changing Michigan town, Hyatt draws us in with his original voice and spot-on awareness of what it feels like to try to grow up and face difficult, sometimes life-altering choices during an uncertain time. At turns hilarious and heartbreaking, "Birch Hills at World's End" will make us all glad that we lived through Y2K-if for no other reason than to have the chance to read this book." - Patricia Ann McNair, author of "The Temple of Air"

The hotly anticipated new standalone from the bestselling and award-winning Queen of Historical Fiction, Emma Carroll. Britain, 1962 'Who are you?' I asked. 'You don't know who I am? You mean, it's not been on the news?' The girl glanced from Ray to me and back again. 'It's better I don't tell you,' she said firmly. Nothing ever happens in World's End Close. So when Stevie discovers a runaway girl in her coal shed, the first thing she does is fetch her best friend, Ray. Both are dying for a bit of adventure, and when the girl begs for help, they readily agree. Yet they soon realise they've taken on more than they bargained for. The girl, Anna, reveals she's on the run from people who are trying to poison her. Meanwhile, on the news, the Americans and Russians are arguing over missiles in Cuba. As the threat of war grows, Anna's behaviour becomes more mysterious. And when Stevie unearths a dark family secret, she wonders if Anna has come to World's End Close on purpose, with a special message just for her . . . An enthralling thriller, perfect for our tumultuous times. 'The Hilary Mantel of children's fiction.' The Telegraph 'Rightfully owns the title "Queen of Historical Fiction".' BookTrust 'Historical fiction at its finest.' Bookseller 'Echoes of Michael Morpurgo and Nina Bawden.' The Times

The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing. Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities. These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.

There is a place at World's End for any furry or feathered friend in need. The Fielding children live in a rambling old house, packed full of animals. Best of all – there are no grown-ups! Mum and dad are off on adventures of their own, which means the children have to take care of themselves. Carrie and Michael befriend Priscilla who has been left wheelchair-bound by a riding accident. Letting Priscilla ride Oliver is making her happy once again, but when the old barn collapses, there is nowhere for them to practise. Together Tom, Carrie, Em and Michael must come up with a scheme to raise the money to fix the roof and save Priscilla from her smothering mother. But where in the world will they find that sort of money? World's End in Winter is the third adventure in The World's End Series.

A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber’s Flying Dragon Tea Room, and the commune Gandalf’s Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World’s End was the center of punk rock. Gere’s parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World’s End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end.

The peaceful village of Middletown began it's days as it always did. The children went to school, the postman delivered the mail with typical timing and loyalty. Kenniston went to work his daily ritual without fail. In a millisecond life changed for the people of Middletown and the World. Cities burned one by one in the Nuclear Flames of World War Three. A small band of survivors vow to rebuild civilization once again