The four canticles of Luke's birth story--the Magnificat, Benedictus, Gloria in excelsis, and Nunc dimittis--are taken to be integral components of the narrative and a sustained lyrical prelude to the author's two-volume historical work. Each composition is analyzed in three steps: proximate context; text; and macrocontext, the last displaying, in each case, a graded contribution to the cumulative preview of Luke's overall argument that the songs constitute. The summary impression made by this argument is of the author's decisive role in the creation of these passages, of which--save, perhaps, for the Benedictus--his is the originating hand.

These hymns, the Magnificat, Benedictus and Nunc Dimittis, are a familiar part of Christian liturgy; but their origin is uncertain, their meaning debated and their significance within Luke-Acts often ignored. This monograph argues that they were composed in Hebrew by Jewish-Christian poets, and were incorporated by the evangelist as anticipating certain key themes of his own work.