An illustrated version of the folk song in which a fox travels many miles to get dinner for his wife and ten cubs.

"The nature of William Blake's genius and of his art is most completely expressed in his Illuminated Books. In order to give full and free expression to his vision Blake invented a method of printing that enabled him to created works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through the pages as originally conceived and published by the poet himself that Blake's meaning can be fully experienced."--Publisher's description.

English Writers - A Bibliography with Vignettes

This major work of historical and interpretative scholarship draws upon fresh evidence to set the Songs in a new perspective. Blake's etchings are substantially discussed alongside the poems they illustrate. The plates of both Innocence and Experience are considered in detail as Blake's response to social circumstances between 1782 and 1794. The reader is asked to re-think the nature of 'the Two Contrary States', and the relationship of the designs to the understanding of Blake.

The central and later decades of the twentieth century have not only been marked by the popularity of fantasy in general but of fantastic graphics in particular. As a literature relatively new to academic consideration, however, fantasy lacks a universally accepted definition, and no previous author has adequately studied the genral differences between the literalness of realistic illustration and the paradoxes of fantastic illumination. In "Illuminated Fantasy," James Whitlark presents a detailed analysis of the significance of picture/text discrepancy - its history, its various forms, and its psychological complexities.

"The Torn Book: UnReading William Blake's Marginalia argues for the connection between British poet and painter William Blake's marginalia (the annotations he made in the volumes he owned and borrowed) and the role that often multivalent symbols like pens, writers, readers, and books play throughout his art." "The Torn Book pays particular attention to original Blake items, including the various annotated volumes housed at the Huntington Library, Houghton Library, Cambridge's University Library and Wren Library, Dr. Williams's Library, and the British Library, among others."--BOOK JACKET.

William Blake's series of interpretive illustrations to six poems by John Milton represent Blake's rethinking of Milton's themes. The author insists upon the integrity of the separate series and investigates the distinctive properties of each. Illustrated.

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

Milton is a difficult and cryptic poem for those uninitiated in the ways of Blake's allusive and allegorical style. In an introductory essay, the editors directly address the nature of the poem's complexity, demonstrate how Blake's methods set out to disconcert conventional concepts of time, space, and human identity, and suggest some ways readers coming to Milton for the first time can understand and enjoy the challenges it offers. The editors also present a plate-by-plate commentary on how the illustrations contribute to the creation of a composite, visual-verbal experience. The extensive notes to the newly-edited letterpress text will also assist readers through Milton, its central themes and its byways, its heights and its depths. An equally helpful introduction and notes are provided for the three shorter works. Scholars will find much new information in this volume.

DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div