A user's guide to opera—Matthew Aucoin, "the most promising operatic talent in a generation" (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera’s greatest artists have striven to fuse multiple art forms—music, drama, poetry, dance—into a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music—opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works—ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin—that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera’s greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera’s iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world.

Looks at the history of the depiction of anti-authoritarian social movements in art.

While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.

At his first cabinet meeting Premier Dave Barrett takes off his shoes, leaps onto the leather-inlaid cabinet table and skids the length of the room. “Are we here for a good time or a long time?” he roars. His answer: a good time, a time of change, action, doing what was needed and right, not what was easy and conventional. He set the tone for a government that changed the face of the province. During the next three years, he and his team passed more legislation in a shorter time than any government before or since. A university or college student graduating today in BC may have been born years after Barrett’s defeat, but could attend a Barrett daycare, live on a farm in Barrett’s Agricultural Land Reserve, be rushed to hospital in a provincial ambulance created by Barrett’s government and attend college in a community institution founded by his government. The continuing polarization of BC politics also dates back to Barrett—the Fraser Institute and the right-wing economic policies it preaches are as much a legacy of the Barrett years as the ALR. Dave Barrett remains a unique and important figure in BC’s history, a symbol of how much can be achieved in government and a reminder of how quickly those achievements can be forgotten. This lively and well-researched book is the first in-depth study of this most memorable of BC premiers.

Revisits the work of Rick Turner, a South African political theorist, and addresses contemporary debates Rick Turner was a South African academic and anti-apartheid activist who rebelled against the apartheid state at the height of its power. For this he was assassinated in 1978, at just 32 years of age, but his life and work are testimony to the power of philosophical thinking for humans everywhere. Turner chose to live freely in an unfree time and argued for a non-racial, socialist future in a context where this seemed unimaginable. This book takes seriously Rick Turner’s challenge that political theorising requires thinking in a utopian way. Turner’s seminal book The Eye of the Need: Towards a Participatory Democracy laid out some of his most potent ideas on a radically different political and economic system. His demand was that we work to escape the limiting ideas of the present, carefully design a just future based on shared human values, and act to make it a reality, both politically and in our daily lives. The contributors to this volume engage critically with Turner’s work on race relations, his relationship with Steve Biko, his views on religion, education and gender oppression, his participatory model of democracy, and his critique of enduring forms of poverty and economic inequality. They show how, in his life and work, Turner modeled how we can dare to be free and how hope can return, as the future always remains open to human construction. This book makes an important contribution to contemporary thinking and activism where the need for South Africans to define their understanding of their greater common good is of crucial importance.

To the Cardassians, it is a point of pride. To the Klingons, a matter of honour. But the eighteen-year cold war between these two empires -- euphemistically remembered in later years as the Bretaka Nebula Incident -- creates a vortex of politics, diplomacy and counterintelligence that will define an age, and shape the future. What begins as a discovery that would enable the Klingon Empire to reclaim a lost piece of its past becomes a prolonged struggle with the rapidly expanding Cardassian Union, which has claimed dominion over a region of space that the Klingons hold sacred. Enter the Federation, whose desire to preserve interstellar space leads Ambassador Curzon Dax to broker a controversial and tenuous peace -- one that is not without opponents, amongst them Lieutenant Elias Vaughan of Starfleet special ops. But there are wheels within wheels to the drama unfolding in the Betreka Nebula. Within the shadowy rooms of the Cardassian Obsidian Order, Klingon Imperial Intelligence, and even the Romulan Tal Shiar, secret scales are being balanced -- and for every gain made for the sake of peace, there will come a loss.