The classic, gritty, and tragic tale of desperation and betrayal in Ireland that inspired John Ford’s Academy Award–winning film. Dublin, 1920s. In the aftermath of the Irish Civil War, strong but simpleminded Gypo Nolan is at the end of his rope. Desperate to escape to America with his girlfriend, all he needs is money. Meanwhile, his friend and former comrade Frankie McPhillip is a dedicated member of the IRA—and wanted by the police for murder. When Gypo informs on Frankie in exchange for twenty pounds, his path to freedom is clouded over by his own guilt. But as he squanders his newfound wealth in Dublin’s pubs and brothels, the Party seeks revenge for Frankie’s killing. Winner of the James Tait Black Memorial Prize, The Informer is a classic of twentieth-century Irish literature with a “slowly increasing atmosphere of terror, so perfectly unfolded that the book must be ranked very highly indeed. . . . Unforgettable” (The Sunday Times).

The setting is Catalonia, Spain. The year: 1159. There is ongoing tension between the Christian population and the economically powerful Jewish community in its midst, the former scorning the latter as infidelesnonbelieversand resentful of its financial success, which, through its aptitude for trade, far-reaching connections, and tax-farming, keeps the States treasury solvent. On the other hand, the Jews, while legally owned by (that is, under the protection of) their ruler, live in constant fear that even his authority, though empowered by law, would be unable to contain a rioting mob when incited against them. The main protagonists are Juana, illegitimate daughter of Count Berenguer IV, ruler of Catalonia, whose contrariness and free spirit make her defy the proprieties of life at court, and Vidalon, scion of one of the wealthiest Jewish families in Barcelona, who is addicted to gambling and rebels against the strictures of religious conformity. They are no Romeo and Juliet from rival houses, however. Their affair is born of lust and a shared impulse to flout convention, spiced by the inherent danger to them both. Their adventures are set against and interwoven with the royal politickings and social life of the day and the internal life of the Jewish community. The characters are a mix of real-life persons (Benjamin of Tudela, Count Berenguer, Queen Petronilla, Rabi Abad, and Queen Melisende of Jerusalem) and fictional creations.

Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays, and the devices which Shakespeare and Jonson constantly revisit, this book offers critical insight into intrinsic connections between informers and authors, discovering an uneasy sense of common practice at the core of the metadrama, which drives both its self-awareness and its paranoia. Drama is most self-revealing at these moments where it reflects upon its own dramatic register: where it is most metadramatic. To understand their metadrama is therefore to understand these most seminal authors in a new way.

When a prominent figure from the Paris restaurant world turns up dead, Inspector Maigret is on the case The body of a well-known Parisian restaurateur turns up on Avenue Junot in Montmartre, having seemingly been killed elsewhere. Inspector Maigret dives into the investigation and soon discovers that the murder may be gang-related after a colleague working in the red-light district receives a tip from an anonymous informer. Deeply engrossing, and revealing insights about the class-conscious world of the Paris elite, Maigret and the Informer draws the reader into a complicated case that could hinge on one man's word.

"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.