The Innocence Of Writing', presented to you by Pritha Konar, a collection of poetries, quotes, short stories, prose and shayaris on different themes making it the finest work along with a variety of structures where 30 writers across the world have poured words from heart. It is an anthology of hope, conflict, courage and elucidations. Providing the readers a mix of youthful desires and finding solutions to problems. The book is a perfect read for everyone and deals with the innocence of person in dilemma and it's acceptance either by finding way to tackle it or by letting it go. The book comes out as a platform where amateur writers to first time writers are featured making the book non-partisan.

The Writing of Innocence explores the topic of innocence and the peculiar relationship to Christianity in the writing of Maurice Blanchot. Its starting point is that innocence is not a condition relegated to a mythical past but rather one resulting from the construction of the subject in and through language. Hence, we don't lose innocence; instead, we are lost by innocence. It is an excess, not a lack. This inverted notion of innocence raises new ethical and political issues that Aïcha Liviana Messina unfolds through vigorous re-readings of a series of biblical motifs, including law, grace, and apocalypse. The closing chapter turns to the convergences and divergences between Jean-Luc Nancy's and Blanchot's understandings of the deconstruction of Christianity. With a foreword by philosopher Serge Margel, The Writing of Innocence offers a fresh perspective on Blanchot's writings in general and on his dialogue with Hegel in particular. While staging innocence in its philosophical and literary dimensions, The Writing of Innocence provides singular readings of works by Kierkegaard, Agamben, Derrida, Nancy, Camus, Hugo, and Kafka.

The Nobel Prize winner’s catalog of his Istanbul museum is like “wandering past the illuminated windows of an arcade. . . . This book spills over with pleasure”(The New York Times). The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling visual images and writing, The Innocence of Objects is an original work of art and literature.

The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work. Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

For the twentieth-century naturalist and poet Loren Eiseley, the relationship between human beings and the natural world has become unnatural, divided by the era of modern technology. Loren Eiseley’s Writing across the Nature and Culture Divide analyses how the philosopher of science becomes a boundary crosser in time and space. Qianqian Cheng points to Eiseley’s method of uniting science and the humanities to reflect on human evolution and the past and future role of science with a visionary and poetic imagination. Seizing the connectedness of living beings, Eiseley, and now Cheng, makes us aware of the presence of nature even in daily urban life. Qianqian Cheng unveils Eiseley’s merits, showing the poet as a necessary voice in the urgent mission to make individuals realize their responsibility to respond ethically to the living world.

Nawal El Saadawi's books are known for their powerful denunciation of patriarchy in its many forms: social, political, and religious. Set in an insane asylum, The Innocence of the Devil is a complex and chilling novel that recasts the relationships of God and Satan, of good and evil. Intertwining the lives of two young women as they discover their sexual and emotional powers, Saadawi weaves a dreamlike narrative that reveals how the patriarchal structures of Christianity and Islam are strikingly similar: physical violation of women is not simply a social or political phenomenon, it is a religious one as well. While more measured in tone than Salman Rushdie's Satanic Verses, Saadawi's novel is similar in its linguistic, literary, and philosophical richness. Evoking a world of pain and survival that may be unfamiliar to many readers, it speaks in a universal voice that reaches across cultures and is the author's most potent weapon.

Beyond Exonerating the Innocent: Author on WAMU Radio Convicted Yet Innocent: The Legal Times Review Choice Outstanding Academic Title for 2008 DNA testing and advances in forensic science have shaken the foundations of the U.S. criminal justice system. One of the most visible results is the exoneration of inmates who were wrongly convicted and incarcerated, many of them sentenced to death for crimes they did not commit. This has caused a quandary for many states: how can claims of innocence be properly investigated and how can innocent inmates be reliably distinguished from the guilty? In answer, some states have created “innocence commissions” to establish policies and provide legal assistance to the improperly imprisoned. The Innocence Commission describes the creation and first years of the Innocence Commission for Virginia (ICVA), the second innocence commission in the nation and the first to conduct a systematic inquiry into all cases of wrongful conviction. Written by Jon B. Gould, the Chair of the ICVA, who is a professor of justice studies and an attorney, the author focuses on twelve wrongful conviction cases to show how and why wrongful convictions occur, what steps legal and state advocates took to investigate the convictions, how these prisoners were ultimately freed, and what lessons can be learned from their experiences. Gould recounts how a small band of attorneys and other advocates — in Virginia and around the country — have fought wrongful convictions in court, advanced the subject of wrongful convictions in the media, and sought to remedy the issue of wrongful convictions in the political arena. He makes a strong case for the need for Innocence Commissions in every state, showing that not only do Innocence Commissions help to identify weaknesses in the criminal justice system and offer workable improvements, but also protect society by helping to ensure that actual perpetrators are expeditiously identified, arrested, and brought to trial. Everyone has an interest in preventing wrongful convictions, from police officers and prosecutors, who seek the latest and best investigative techniques, to taxpayers, who want an efficient criminal justice system, to suspects who are erroneously pursued and sometimes convicted. Free of legal jargon and written for a general audience, The Innocence Commission is instructive, informative, and highly compelling reading.

Bob and Barbara, Jack and Caroline. Two happily married couples who have been great friends for so long. But all is not what it seems. For Barbara does not know that when Bob stays overnight with Jack and Caroline, Jack is never there. But, one night, arriving early for his usual intimate dinner with Caroline, Bob find murder instead of passion at his friends’ house. Desperately he tries to get hold of Jack to make it look as if his presence there is as innocent as it is supposed to be. Detective Chief Inspector Hewitt is sure that both Jack and Bob are concealing information from him. But it takes a second murder attempt and an anonymous letter before he is able to discover the terrible truth.

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.