Examines the impact of television crossing national boundaries and influencing such issues as political autonomy, cultural sovereignty, ethnicity, and individual liberty. Includes case studies of recent conflicts between governments and within countries, and speculates on future problems and solutions. Annotation copyrighted by Book News, Inc., Portland, OR

The Politics of Reality Television encompasses an international selection of expert contributions who consider the specific ways media migrations test our understanding of, and means of investigating, reality television across the globe. The book addresses a wide range of topics, including: the global circulation and local adaptation of reality television formats and franchises the production of fame and celebrity around hitherto "ordinary" people the transformation of self under the public eye the tensions between fierce loyalties to local representatives and imagined communities bonding across regional and ethnic divides the struggle over the meanings and values of reality television across a range of national, regional, gender, class and religious contexts. This book will be of interest to undergraduate and postgraduate students on a range of Media and Television Studies courses, particularly those on the globalisation of television and media, and reality television.

The central focus of this study is to provide an improved basis for articulating the politics of transnational television and its potentials for improving relations among nations. In this context, the politics of transnational television means the decision-making process that determines the degree of freedom of the press tolerated by individual governments and how that could affect broadcasting mode and attitudes toward other nations.The motivation for this research stems from a conviction that the cultural imperialism perspective on the nature and modes of transnational television are erroneous and therefore susceptible to a wide and often misleading theoretical assumption, with wide ranged implications.In reevaluating the concept of cultural imperialism, some fundamental questions are raised to determine to what extent its arguments are true. Using the elite theory of power in various societies, aided by Johan Galtung's model of a global communication in four worlds, we see a pattern of global television that suggests a similar motivation underlying media ownership in all societies.We acknowledge, with the support of a literature review and other data sources, the existence of a global systemic order where technology rich nations dominate technology over poor nations. But there is also substantial evidence to prove some of the poorer nations exercise some degree of autonomy. This makes it more difficult to explain cultural imperialism simply as a relationship where developed and developing nations are arranged in dominant/subordinate or top/down order.Through a strategy of original intent, we are able to show the elite in various societies acquire television mainly to satisfy their political, economic, or social interest. Media attitudes, therefore, are largely the ideological expression of local elite who determines foreign policy.

Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984) helped to raise and sustain skepticism about the Soviet Union. World Politics on Screen: Understanding International Relations through Popular Culture uses films and television shows like these as well as contemporary including 24, The Simpsons, South Park, and The Daily Show to guide readers to a deeper understanding of enduring issues in international politics. In this unique and insightful volume, author Mark Sachleben demonstrates that popular culture reflects societal beliefs about the world, and that the messages captured on television and film transcend time and place. Using films such as Secret Ballot (2001), Under the Bombs (2007), and Wall E (2008), he addresses topics such as international relations and diplomacy, the study of war, nuclear weapons, poverty, immigration and emigration, human rights, and genocide. An engaging read for students and for anyone with a general interest in politics and popular culture, World Politics on Screen succeeds in its argument by illuminating unexplored assumptions about international policy.

In the late 1980s and 1990s, the advanced industrial countries considered replacing the existing analogue television infrastructure with a new digital one. A key common feature to the debates over digital TV (DTV) in the United States, Western Europe and Japan was the eventual victory of the ideas of digitalism (the superiority of everything digital over everything analogue) and of digital convergence (the merging of computing, telecommunications and broadcasting infrastructures made possible by digitalization) in public debates over standards. Jeffrey Hart's book shows how nationalism and regionalism combined with digitalism to produce three different and incompatible DTV standards in the three regions, an outcome which has led to missed opportunities in developing the new technologies. Hart's book contributes to our understanding of relations between business and government, and of competition between the world's great economic powers.

"This is a masterful examination of fantasy films and television series, and the ways that they illustrate political themes. The book effectively employs constructivist theory to show how fantasy franchise norms, values, and institutions have changed over time. Looking in detail at Game of Thrones, Lord of the Rings, the Harry Potter movies, along with fairytales and children's tales, readers gain a sense of the usefulness of these stories as vehicles for understanding politics. They also come to appreciate these movies and TV shows as allegories of contemporary politics and international relations." -Hieyeon Keum, University of Seoul, South Korea "Fantasy movies create...a broad canvas on which authors and filmmakers weave amazing yarns that express our fondest hopes and greatest fears. This book is one of the best studies of fantasy films and television and their expression of political ideas. I was particularly struck by the author's illustration of the changing roles of women and girls in many of these stories, as female empowerment recently has become a major theme of fantasy projects. You can learn much about both fantasy stories and politics. Buy this book." -Barry Pollick, Okinawa University, Japan This book uses several fantasy movies or movie series and television series to explain political and international relations (IR) concepts and theories. It indicates the importance of fantasy in literature, film and television, and its increasing impact on politics and International Relations. It then presents the political, IR, and social issues in each franchise, and in five chapters uses these tales' key story arcs or plot points to illustrate major political and IR themes. The volume pays particular attention to such fantasy franchises as Lord of the Rings, Game of Thrones, the Harry Potter films, recent fairytale and children's stories, and female-led fantasy projects. Joel R. Campbell is Associate Professor of political science at Troy University. He teaches in the Masters of Science in International Relations (MSIR) program in Troy's Pacific Region (Japan and Korea).

In 1995, United Nations Secretary-General Boutros Boutros-Ghali said of the Cable News Network, “CNN is the sixteenth member of the [15 member United Nations] Security Council.” Scholars as well as diplomats have recognized the existence of a link between communications and diplomacy, but up until now the implications of this relationship have been left unexplored. This work examines the historic interconnectedness between communications and diplomacy, how communications have historically determined the practice of diplomacy, and how global television in particular can determine diplomatic outcomes under certain conditions. This work also examines the ways in which today’s broadcasting will shape foreign policy processes in the future and the future impact of global television in world politics.

This book is about the processes of globalization, demonstrated through a comparative study of three television case histories in Asia. Also illustrated are different approaches to providing television services in the world: public service (NHK in Japan), state (CCTV in China) and commercial (STAR TV, based in Hong Kong). Through its focus, Global Media addresses a considerable lacuna in the media studies literature, which tends to have a heavy Western bias. It provides an original addition to the literature on globalization, which is often abstract and anecdotal, in addition to making a major contribution to comparative research in Asia. Finally, it offers a thoughtful causal layered analysis, with a concluding argument in favor of public service television.