First published in the Spanish periodical Anuario Musical, vols. XXVIII-XXIX, 1973 & 1974 (Barcelona, 1976), professor Kastner's article presents one of the most thorough and succinct studies on the interpretation of sixteenth and seventeenth century Iberian keyboard music. Its content has been drawn from extant theoretical sources coupled with the more than forty years of personal experience and keen insight of Macario Santiago Kastner, one of the major Hispanicists and musicologists of this century. Though dealing within the narrow frame of two Iberian centuries, the major part of this essay is pertinent to the performance and practice of all early music. --Translator's foreword.

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.

Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

This is a richly illustrated history of the clavichord, the forerunner of the modern piano.

This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.

The present study introduces the activities of the confraternity in honor of the Father-Founder of the Scuole Pie and the Blessed Virgin, Fr. Costantino Paoli, and the 100 years of musical performances that it sponsored. These occasions were staples of the city's musical, religious, and social life throughout the nineteenth century. This book explores the musical history of the Florentine Scolopians, performance practices, and the repertoire, composers, and librettists involved. An annotated catalogue of the music holdings of the Biblioteca Scolopica Provinciale Firenze at San Giovanni Evangelista is also provided.