The Invisible City explores urban spaces from the perspective of a traveller, writer, and creator of theatre to illuminate how cities offer travellers and residents theatrical visions while also remaining mostly invisible, beyond the limits of attention. The book explores the city as both stage and content in three parts. Firstly, it follows in pattern Italo Calvino's novel Invisible Cities, wherein Marco Polo describes cities to the Mongol emperor Kublai Khan, to produce a constellation of vignettes recalling individual cities through travel writing and engagement with artworks. Secondly, Gillette traces the Teatro Potlach group and its ongoing immersive, site-specific performance project Invisible Cities, which has staged performances in dozens of cities across Europe and the Americas. The final part of the book offers useful exercises for artists and travellers interested in researching their own invisible cities. Written for practitioners, travellers, students, and thinkers interested in the city as site and source of performance, The Invisible City mixes travelogue with criticism and cleverly combines philosophical meditations with theatrical pedagogy.

The search for the city of Kobar takes a mysterious and deadly turn...Excerpt"Confound you," said Langley in a hoarse whisper that came with effort through swollen lips, blue-black with thirst. "You've gulped about twice your share of the last water in the Lob-nor Desert." He shook the canteen which Furnham had just returned to him, and listened with a savage frown to the ominously light gurgling of its contents.The two surviving members of the Furnham Archaeological Expedition eyed each other with new-born but rapidly growing disfavor. Furnham, the leader, flushed with dark anger beneath his coat of deepening dust and sunburn. The accusation was unjust, for he had merely moistened his parched tongue from Langley's canteen. His own canteen, which he had shared equally with his companion, was now empty.Up to that moment the two men had been the best of friends. Their months of association in a hopeless search for the ruins of the semi-fabulous city of Kobar had given them abundant reason to respect each other. Their quarrel sprang from nothing else than the mental distortion and morbidity of sheer exhaustion, and the strain of a desperate predicament. Langley, at times, was even growing a trifle light-headed after their long ordeal of wandering on foot through a land without wells, beneath a sun whose flames poured down upon them like molten lead."We ought to reach the Tarim River pretty soon," said Furnham stiffly, ignoring the charge and repressing a desire to announce in mordant terms his unfavorable opinion of Langley."If we don't, I guess it will be your fault," the other snapped. "There's been a jinx on this expedition from the beginning; and I shouldn't wonder if the jinx were you. It was your idea to hunt for Kobar anyway. I've never believed there was any such place."Furnham glowered at his companion, too near the breaking point himself to make due allowance for Langley's nerve-wrought condition, and then turned away, refusing to reply. The two plodded on, ignoring each other with sullen ostentatiousness.The expedition, consisting of five Americans in the employ of a New York museum, had started from Khotan two months before to investigate the archaeological remains of Eastern Turkestan. Ill-luck had dogged them continually; and the ruins of Kobar, their main objective, said to have been built by the ancient Uighurs, had eluded them like a mirage. They found other ruins, had exhumed a few Greek and Byzantine coins, and a few broken Buddhas, but nothing of much novelty or importance, from a museum viewpoint.

In this collection of thirty-four sketches, the author captures the extraordinary range of people, experiences, places and feelings that is New York City -- the city behind the glamorous facade of Manhattan, inhabited by people who remember when this was "a great big wonderful town and they were young in its streets." These sketches, many based on actual incidents, take as their subject the "smaller dramas" of mankind, the chance encounters and random episodes that inform one's life; often twisting suddenly, surprisingly, at the end, they convey strong feelings in little space. Using all of New York as his broad canvas, Pete Hamill recreates the baffling array of human emotions, from sadness and nostalgia to home and love, with affection, grace and wry understanding.

A legendary figure in the realms of public policy and academia, John Gilderbloom is one of the foremost urban-planning researchers of our time, producing groundbreaking studies on housing markets, design, location, regulation, financing, and community building. Now, in Invisible City, he turns his eye to fundamental questions regarding housing for the elderly, the disabled, and the poor. Why is it that some locales can offer affordable, accessible, and attractive housing, while the large majority of cities fail to do so? Invisible City calls for a brave new housing paradigm that makes the needs of marginalized populations visible to policy makers. Drawing on fascinating case studies in Houston, Louisville, and New Orleans, and analyzing census information as well as policy reports, Gilderbloom offers a comprehensive, engaging, and optimistic theory of how housing can be remade with a progressive vision. While many contemporary urban scholars have failed to capture the dynamics of what is happening in our cities, Gilderbloom presents a new vision of shelter as a force that shapes all residents.

In 1972, Italo Calvino published Invisible Cities, a literary book that masterfully combines philosophy and poetry, rigid structure and free play, theoretical insight and glittering prose. The text is an extended meditation on urban life, and it continues to resonate not only among literary scholars, but among social scientists, architects, and urban planners as well. To commemorate the 50th anniversary of Invisible Cities, this collection of essays serves as both an appreciation and a critical engagement. Drawing from a wide array of disciplinary perspectives and geographical contexts, this volume grapples with the theoretical, pedagogical, and political legacies of Calvino’s work. Each chapter approaches Invisible Cities not only as a novel but as a work of evocative ethnography, place-writing, and urban theory. Fifty years on, what can Calvino’s dreamlike text offer to scholars and practitioners interested in actually existing urban life?

The Invisible City is printed with special paper and a special tritone printing.

These five studies represent a detailed view of monetary production, forms of exchange and processes of state formation. They uncover the infrastructures of a common life that, the author argues, stretches across Asia and Europe and underlies all regional and local developments.

This book offers an original and detailed reading of Plato's Republic, one of the most influential philosophical works in the emergence of Western philosophy. The author discusses the Republic in terms of discursive events and political acts. Plato's act is placed in the context of a politico-discursive crisis in Athens at the end of the fifth and the beginning of the fourth century B.C that gave rise to the dialogue's primary question, that of justice. The originality of Dr. Ophir lies in the way he reconstructs the Republic's different spatial settings - utopian, mythical, dramatic and discursive - using them as the main thread of his interpretation. Against the background of Plato's critique of the organisation of civic-space in the Greek polis, the author relates the spatial settings in the Plato text to each other. This provides a basis for a re-examination of the relationship between philosophy and politics, which Plato's work advocates, and which it actually enacted.

A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast