A true story of love, loss, and the mother-daughter relationship across generations, this biography describes Rebecca Huntley's search for her maternal grandmother's story. Following the death of her Italian "Nonna," Huntley discovers that there was much unknown about the kind-hearted, quiet individual she thought she knew. With evocative stories and tender honesty, Huntley explores the young life of the woman who cooked masterfully and embroidered daily and those of the men and women in her family from Northern Queensland during World War II. In the process, old issues with her own mother are awakened and the concept of what it really means to be a mother is contemplated.

Reprint of the original, first published in 1874.

Set against a memorable backdrop of Lucinda Riley's trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other – a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosanna's journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the world's most prestigious opera houses. *First published as Aria under the name Lucinda Edmonds, now extensively rewritten*

From #1 internationally bestselling author Santa Montefiore comes a spellbinding new novel about dark secrets and hidden sorrows—set in war-torn Italy and the streets of New York. New York, 1979. It is Thanksgiving and Evelina has her close family and beloved friends gathered around, her heart weighted with gratitude for what she has and regret for what she has given up. She has lived in America for over thirty years, but she is still Italian in her soul. Northern Italy, 1934. Evelina leads a sheltered life with her parents and siblings in a villa of fading grandeur. When her elder sister Benedetta marries a banker, to suit her father’s wishes rather than her own, Evelina swears that she will never marry out of duty. She knows nothing of romantic love, but when she meets Ezra, son of the local dressmaker, her heart recognises it like an old friend. Evelina wants these carefree days to last forever. She wants to bask in sunshine, beauty, and love, and pay no heed to the grey clouds gathering on the horizon. But nothing lasts forever. The shadows of war are darkening over Europe and precious lives are under threat…

Immigrant girls are disappearing across fin de siècle Paris in a mystery that “shines a light on both the glamor and the grime of” the City of Light (Publishers Weekly). On a sultry night in June 1897, Pyotr Ivanovich Balenov, a young Russian, and two young women transport a dead man through the narrow streets of a working class neighborhood in northeastern Paris. They throw the body into the canal and the girls flee to the Latin Quarter to hide with one of the Russian’s anarchist “comrades.” They do not realize they, too, are being watched. Their subsequent disappearance and the violent acts that follow will set Clarie Martin, a teacher and mother of a toddler, and her husband, magistrate Bernard Martin (last seen in Cezanne’s Quarry and The Blood of Lorraine) on a dangerous quest to rescue them from a vicious killer.

This collection of essays surveys some of the artistic productions by female figures who stood at the forefront of Italian modernity in the fields of literature, photography, and even the theatre, in order to explore how artistic engagement in women informed their views on, and reactions to the challenges of a changing society and a ‘disinhibiting’ intellectual landscape. However, one other objective takes on a central role in this volume: that of opening a window on the re-definition of the subjectivity of the self that occurred during an intriguing and still not fully studied period of artistic and societal changes. In particular, the present volume aims to define a female Italian Modernism which can be seen as complementary, and not necessarily in opposition, to its male counterpart.

This book is the first epoch-spanning study on Jewish participation in the Italian women’s movement, focussing in a transnational perspective on the experience of Italian-Jewish protagonists in Liberal Italy, during the First World War and the Fascist dictatorship until 1945. Drawing on ego-documents, contemporary journals and Jewish community archives, as well as records by the police and public authorities, it examines the tensions within the emancipation process between participation and exclusion. The book argues that the racial laws from 1938 did not represent the sudden end of an idyllic integration, but rather the climax of a long-term development. Social marginalization, the persecution of Jewish rights, and the assault on Jewish lives during fascism are analysed distinctly from the perspective of Jewish women. In spite of their significant influence on the transnational orientation of the Italian women’s movement, their emancipation as women and Jews remained incomplete.

Nineteenth-Century Italian Women Writers and the Woman Question focuses on the literary, journalistic and epistolary production of Italian woman writer Neera, pseudonym for Anna Radius Zuccari, one of the most prolific and successful women writers of late nineteenth-century Italy. This study proposes to bring Neera out of the shadows of literary marginality to which she has long been confined by analyzing her contribution to literary and cultural debates as testimony to the pivotal role she played in the creation of a female literary voice within the Italian fin-de-siècle context. Drawing from the Anglo-American feminist critical tradition; modern Italian feminist theory on the maternal order and sexual difference; and a close reading of Neera’s literary, theoretical and epistolary writings this volume examines Neera’s work from a three-pronged perspective: as promoter of a maternal order in contrast to the existent paternal order, as one of few women writers to participate actively in Italy’s verismo movement and as epistolary correspondent of leading representatives within fin-de-siècle Italian literary and journalistic circles. Nineteenth-Century Italian Women Writers and the Woman Question represents the first monographic volume in English dedicated exclusively to this important Italian woman writer, repositioning her within the Italian literary landscape and canon.

This book analyzes the spread of American female consumer culture to Italy and its influence on Italian women in the postwar and Cold War periods, eras marked by the political, economic, social, and cultural battle between the United States and Soviet Union. Focusing on various aspects of this culture—beauty and hygiene products, refrigerators, and department stores, as well as shopping and magazine models—the book examines the reasons for and the methods of American female consumer culture’s arrival in Italy, the democratic, consumer capitalist messages its products sought to “sell” to Italian women, and how Italian women themselves reacted to this new cultural presence in their everyday lives. Did Italian women become the American Mrs. Consumer? As such, the book illustrates how the modern, consuming American woman became a significant figure not only in Italy’s postwar recovery and transformation, but also in the international and domestic cultural and social contests for the hearts and minds of Italian women.