Beloved by generations, Mazo de la Roche’s irreplaceable Jalna saga is at last available in a single collected volume. For lovers of the series, this is truly the authoritative collection. The Jalna series is a 16-novel family saga about the Whiteoak family. First published in 1927, Jalna won the Atlantic Monthly Press’s first $10,000 Atlantic Prize Novel award. De la Roche went on to write about the Whiteoak family for the next 30 years, establishing a place for herself in popular Canadian literature. The Jalna series has been translated into many languages and was adapted for stage, radio, and television. Includes all of the Jalna novels: The Building of Jalna Morning at Jalna Mary Wakefield Young Renny Whiteoak Heritage Whiteoak Brothers Jalna Whiteoaks of Jalna Finch’s Fortune The Master of Jalna Whiteoak Harvest Wakefield’s Course Return to Jalna Renny’s Daughter Variable Winds at Jalna Centenary at Jalna

Beloved by generations, Mazo de la Roche’s irreplaceable Jalna saga is at last available in a single collected volume. This deluxe edition unites all sixteen Jalna novels and, for the first time, Heather Kirk’s extraordinary 2006 biography of author, painting a complicated portrait of a writer for whom international acclaim was a blessing and a curse. No understanding of the Jalna series is complete without this fascinating exposé of the woman who created it. For lovers of the series, this is truly the authoritative Jalna collection. Includes all of the Jalna novels The Building of Jalna Morning at Jalna Mary Wakefield Young Renny Whiteoak Heritage Whiteoak Brothers Jalna Whiteoaks of Jalna Finch’s Fortune The Master of Jalna Whiteoak Harvest Wakefield’s Course Return to Jalna Renny’s Daughter Variable Winds at Jalna Centenary at Jalna

The literary 'middle ground', once dismissed by academia as insignificant, is the site of powerful anxieties about cultural authority that continue to this day. In short, the middlebrow matters . These essays examine the prejudices and aspirations at work in the 'battle of the brows', and show that cultural value is always relative and situational.

No previous author has attempted a book such as this: a complete history of novels written in the English language, from the genre's seventeenth-century origins to the present day. In the spirit of Dr. Johnson’s Lives of the Poets, acclaimed critic and scholar John Sutherland selects 294 writers whose works illustrate the best of every kind of fiction—from gothic, penny dreadful, and pornography to fantasy, romance, and high literature. Each author was chosen, Professor Sutherland explains, because his or her books are well worth reading and are likely to remain so for at least another century. Sutherland presents these authors in chronological order, in each case deftly combining a lively and informative biographical sketch with an opinionated assessment of the writer's work. Taken together, these novelists provide both a history of the novel and a guide to its rich variety. Always entertaining, and sometimes shocking, Sutherland considers writers as diverse as Daniel Defoe, Henry James, James Joyce, Edgar Allan Poe, Virginia Woolf, Michael Crichton, Jeffrey Archer, and Jacqueline Susann. Written for all lovers of fiction, Lives of the Novelists succeeds both as introduction and re-introduction, as Sutherland presents favorite and familiar novelists in new ways and transforms the less favored and less familiar through his relentlessly fascinating readings.

What happens next? That was the question asked of early-twentieth-century authors Nellie L. McClung, L. M. Montgomery, and Mazo de la Roche, whose stories and novels appeared serially and kept readers and publishers in a state of anticipation. Each author answered through the writing and dissemination of further instalments. McClung’s Pearlie Watson trilogy (1908–1921), Montgomery’s Anne of Green Gables books (1908–1939), and de la Roche’s Jalna novels (1927–1960) were read avidly not just as sequels but as serials in popular and literary newspapers and magazines. A number of the books were also adapted to stage, film, and television. The Next Instalment argues that these three Canadian women writers, all born in the same decade of the late nineteenth century, were influenced by early-twentieth-century publication, marketing, and reading practices to become heavily invested in the cultural phenomenon of the continuing story. A close look at their serials, sequels, and adaptations reveals that, rather than existing as separate cultural productions, each is part of a cultural and material continuum that encourages repeated consumption through development and extension of the originary story. This work considers the effects that each mode of dissemination of a narrative has on the other.

Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors were all nurtured by the Macmillan Company of Canada, one of the country's foremost twentieth-century publishing houses. The Literary Legacy of the Macmillan Company of Canada is a unique look at the contribution of publishers and editors to the formation of the Canadian literary canon. Ruth Panofsky's study begins in 1905 with the establishment of Macmillan Canada as a branch plant to the company's London office. While concentrating on the firm's original trade publishing, which had considerable cultural influence, Panofsky underscores the fundamental importance of educational titles to Macmillan's financial profile. The Literary Legacy of the Macmillan Company of Canada also illuminates the key individuals – including Hugh Eayrs, John Gray, and Hugh Kane – whose personalities were as fascinating as those of the authors they published, and whose achievements helped to advance modern literature in Canada.

The first one-volume history of Canadian fiction covering its growth and development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history.

Examines the history and theory of films adapted from Canadian literature through the lens of gender studies. This study offers readings of works by well-known Canadian authors such as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatje, and by important Canadian filmmakers such as Mireille Dansereau, Claude Jutra, and Bruce McDonald.