The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Coltrane book provides many transcriptions, plus discography, biographical data, style traits, genealogy, and bibliography.

The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Jazz Style of John Coltrane provides many transcriptions, plus discography, biographical data, style traits, genealogy, and bibliography.

A professor of jazz studies at Western Michigan University, Kynaston lays a foundation necessary before the saxophone student can venture very far into jazz. Scales, arpeggios, tonguing, and playing in tune are essentials covered here in a manner that should lead to ease in using the language of jazz.

Jazz players tend to be good sharers and good listeners--the qualities are virtually obligatory in often spontaneously conceived ensemble music. And the respect that the best players command can frequently be measured by the behavior of their fellow professionals in the audience. Bob Berg, the lean, flint-featured American saxophonist, often received that kind of attention. Berg's particular skill was the kind of high-energy, tenor-sax style that became ubiquitous after the 1960s, an avalanche of hard-edged sounds, dissonant high-register brays and a dense, accumulative melodic approach. Berg's technique, though not the equal of his contemporary Michael Brecker, was good enough to avoid emphasizing the idea that any of this was an effort (thereby relieving it of grandstanding effects) But, like Sonny Rollins (whom he often resembled), Bob Berg's unaccompanied soliloquies and intros could be among his most remarkable achievements--a little drier and less inclined to quotation and irony than Rollins, but almost as full of heart and surprise. Berg had developed a saxophone style ideally suited to a groove-based but melodically freewheeling music, Through it all, Berg's solos combine clear virtuosity with vivid thematic construction. Eminently accessible without sacrificing integrity, Remembering Bob Berg serves as a bittersweet reminder of a loss that, sadly, is greater than many truly realize. This book covers new concepts regarding post-bop and cut-ting edge jazz improvisation in a practical way. It is aimed at intermediate to advanced students. It provides new tools for performance in contemporary jazz improvisation. It covers all of my previously published books and adds brand new exercises and line phrases form transcriptions. Chromatic, linear, intervalic, arpeggios, extensions and passing tones in accordance to the chord and scale at any given time are included. Each exercise is transported to be played in all 12 keys. Always remember, JAZZ IS ALIVE.

This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Chris Potter. These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, so all these exercises will be worked accidentally. This project is an extension of my last three methods of improvisation: * Improvise Now *220 Chromatic Exercises + 1165 Jazz lines phrases *Herbie Hancock lines voicings and rhythms from transcriptions. *John Coltrane & Michael Brecker Legacy

A Living Jazz Legend, musician and composer David Baker has made a distinctive mark on the world of music in his nearly 60-year career—as player (chiefly on trombone and cello), composer, and educator. In this richly illustrated volume, Monika Herzig explores Baker's artistic legacy, from his days as a jazz musician in Indianapolis to his long-term gig as Distinguished Professor and Chairman of the Jazz Studies department at Indiana University. Baker's credits are striking: in the 1960s he was a member of George Russell's "out there" sextet and orchestra; by the 1980s he was in the jazz educator's hall of fame. His compositions have been recorded by performers as diverse as Dexter Gordon and Janos Starker, the Beaux Arts Trio, the Composer's String Quartet and the Czech Philharmonic. Featuring enlightening interviews with Baker and a CD of unreleased recordings and Baker compositions, this book brings a jazz legend into clear view.

Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.

A text for courses in jazz appreciation, focusing on American instrumental jazz and emphasizing descriptions of jazz styles rather than a decade-by-decade chronicle. Contains chapter summaries, bandw photos, a chronology, guides to jazz albums and videos, and separate appendices on elements of music for musicians and nonmusicians. In this sixth edition chapters begin on the same page numbers as the fifth. Music cassettes/CD-ROMs are available. For high school through college students with no previous knowledge of music. Annotation copyrighted by Book News, Inc., Portland, OR.

The BBC's Jazz Book of the Year for 2008. Few jazz musicians have had the lasting influence or attracted as much scholarly study as John Coltrane. Yet, despite dozens of books, hundreds of articles, and his own recorded legacy, the "facts" about Coltrane's life and work have never been definitely established. Well-known Coltrane biographer and jazz educator Lewis Porter has assembled an international team of scholars to write The John Coltrane Reference, an indispensable guide to the life and music of John Coltrane. The John Coltrane Reference features a a day-by-day chronology, which extends from 1926-1967, detailing Coltrane's early years and every live performance given by Coltrane as either a sideman or leader, and a discography offering full session information from the first year of recordings, 1946, to the last, 1967. The appendices list every film and television appearance, as well as every recorded interview. Richly illustrated with over 250 album covers and photos from the collection of Yasuhiro Fujioka, The John Coltrane Reference will find a place in every major library supporting a jazz studies program, as well as John Coltrane enthusiasts.

The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Davis book provides many transcriptions, plus discography, biographical data, list of innovations, genealogy, bibliography and comments.