This volume, the sequel to "Jews in Rome 1," recreates through a register and apt citation the second thousand acts of an archive known informally as the 'Notai ebrei', a collection of as many as 10,000 such acts drawn by Roman rabbis between 1536 and 1640. The acts in this volume cover the years 1551-1557. They form a mirror of Jewish social and cultural life, including such matters as litigations, broken engagements, adoption, synagogal disputes, as well as rentals contracts, and apprenticeships. Most noteworthy is the ownership of property by women. This encouraged and reflected the treatment of both men and women as individuals. Indeed, individualism, which also promoted the amalgamation and ethnic levelling of a society that after about 1500 was notably one of immigrants, was this society's most salient characteristic.

Rev. translation of: Yehude Mitsrayim ha-Helenistit veha-Romit be-maavakam al zekhuyotehem.

With a new introduction by Aleksandar Hemon In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.