This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness. This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

The graphic novel is a vital and emerging genre, and this is the only book that focuses on its relation to Jewish culture, literature, and history. A highly readable and informative collection that will be of great interest to readers across a wide range of disciplines.--Deborah R. Geis, editor of "Considering MAUS: Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust."

A history of the Jewish people from bris to burial, from “muscle Jews” to nose jobs. Melvin Konner, a renowned doctor and anthropologist, takes the measure of the “Jewish body,” considering sex, circumcision, menstruation, and even those most elusive and controversial of microscopic markers–Jewish genes. But this is not only a book that examines the human body through the prism of Jewish culture. Konner looks as well at the views of Jewish physiology held by non-Jews, and the way those views seeped into Jewish thought. He describes in detail the origins of the first nose job, and he writes about the Nazi ideology that categorized Jews as a public health menace on par with rats or germs. A work of grand historical and philosophical sweep, The Jewish Body discusses the subtle relationship between the Jewish conception of the physical body and the Jewish conception of a bodiless God. It is a book about the relationship between a land–Israel–and the bodily sense not merely of individuals but of a people. As Konner describes, a renewed focus on the value of physical strength helped generate the creation of a Jewish homeland, and continued in the wake of it. With deep insight and great originality, Konner gives us nothing less than an anatomical history of the Jewish people. Part of the Jewish Encounter series

While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

The sea and maritime spaces have long been neglected in the field of Jewish studies despite their relevance in the context of Jewish religious texts and historical narratives. The images of Noah’s arche, king Salomon’s maritime activities or the miracle of the parting of the Red Sea immediately come into mind, however, only illustrate a few aspects of Jewish maritime activities. Consequently, the relations of Jews and the sea has to be seen in a much broader spatial and temporal framework in order to understand the overall importance of maritime spaces in Jewish history and culture. Almost sixty years after Samuel Tolkowsky’s pivotal study on maritime Jewish history and culture and the publication of his book “They Took to the Sea” in 1964, this volume of PaRDeS seeks to follow these ideas, revisit Jewish history and culture from different maritime perspectives and shed new light on current research in the field, which brings together Jewish and maritime studies. The articles in this volume therefore reflect a wide range of topics and illustrate how maritime perspectives can enrich our understanding of Jewish history and culture and its entanglement with the sea – especially in modern times. They study different spaces and examine their embedded narratives and functions. They follow in one way or another the discussions which evolved in the last decades, focused on the importance of spatial dimensions and opened up possibilities for studying the production and construction of spaces, their influences on cultural practices and ideas, as well as structures and changes of social processes. By taking these debates into account, the articles offer new insights into Jewish history and culture by taking us out to “sea” and inviting us to revisit Jewish history and culture from different maritime perspectives.

This book presents the discourse in Jewish law and rabbinic literature on bioethical issues, highlighting practical problems in their socio-historical contexts. Yechiel Michael Barilan discusses end-of-life care, abortion, infertility treatments, the brain death debate, and the organ market. Barilan also presents the theology and spirituality of Jewish medical law, the communal responsibility for healthcare, and the charitable sick-care societies that flourished in the Jewish communities until the beginning of the twentieth century.

This book examines how modernizing German-speaking cultures, undergoing their own processes of identification, responded to the narcissistic threat posed by the continued persistence of Judentum (Judaism, Jewry, Jewishness) by representing "the Jew"'s body--or rather parts of that body and the techniques performed upon them. Such fetish-producing practices reveal the question of German-identified modernity to be inseparable from the Jewish Question. But Jewish-identified individuals, immersed in the phantasmagoria of such figurations--in the gutter and garret salon, medical treatise and dirty joke, tabloid caricature and literary depiction, church fa ade and bric-a-brac souvenir--had their own question, another Jewish Question. They also had other answers, for these physiognomic fragments not only identified "the Jew" but also became for some Jewish-identified individuals the building blocks for working through their particular situations and relaying their diverse responses. The Other Jewish Question maps the dissemination of and interrelationships among these corporeal signifiers in Germanophone cultures between the Enlightenment and the Shoah. Its analyses of ascribed Jewish physiognomy include tracing the gendered trajectory of the reception of Benedict Spinoza's correlation of Jewish persistence, anti-Semitism, and circumcision; the role of Zopf ("braid") in mediating German Gentile-Jewish relations; the skin(ny) on the association of Jews and syphilis in Arthur Dinter's antisemitic bestseller Sin against the Blood and Adolf Hitler's Mein Kampf; as well as the role of Jewish corporeality in the works of such Jewish-identified authors as Rahel Levin Varnhagen, Heinrich Heine, Karl Marx, Max Nordau, Franz Kafka, and Walter Benjamin, as well as such "Jew"-identifying writers as Ludwig Feuerbach and Daniel Paul Schreber. The Other Jewish Question portrays how Jewish-identified individuals moved beyond introjection and disavowal to appropriate and transform this epidemic of signification to make sense of their worlds and our modernity.

Hannah Arendt (1906-­1975) was one of the most original and interesting political thinkers of the twentieth century. In this new interpretation of her career, philosopher Richard Bernstein situates Arendt historically as an engaged Jewish intellectual and explores the range of her thinking from the perspective of her continuing confrontation with "the Jewish question."Bernstein argues that many themes that emerged in the course of Arendt's attempts to understand specifically Jewish issues shaped her thinking about politics in general and the life of the mind. By exploring pivotal events of her life story ­ her arrest and subsequent emigration from Germany in 1933, her precarious existence in Paris as a stateless Jew working for Zionist organizations, her internment at Gurs and her subsequent escape, and finally her flight from Europe in 1941 ­ he shows how personal experiences and her responses to them oriented her thinking. Arendt's analysis of the Jews' lack of preparation for the vicious political antiSemitism that arose in the last decade of the nineteenth century, Bernstein argues, led her on a quest for the ultimate meaning of politics and political responsibility. Moreover, he points out that Arendt's deepest insights about politics emerged from her reflections on statelessness and totalitarian domination. Bernstein also examines Arendt's attraction to and break with Zionism, and the reasons for her critical stance toward a Jewish sovereign state. He then turns to the issue that, in Arendt's opinion, needed most to be confronted in the aftermath of World War II: the fundamental nature of evil. He traces the nuances of her thinking from "radical evil" to "the banality of evil" and, finally, reexamines Eichmann in Jerusalem, her meditation on evil that caused a storm of protest and led some to question her loyalty to the Jewish people.

The definitive history of conversion and assimilation of Jews in Europe and America from the eighteenth century to the present Between the French Revolution and World War II, hundreds of thousands of Jews left the Jewish fold—by becoming Christians or, in liberal states, by intermarrying. Telling the stories of both famous and obscure individuals, Leaving the Jewish Fold explores the nature of this drift and defection from Judaism in Europe and America from the eighteenth century to today. Arguing that religious conviction was rarely a motive for Jews who became Christians, Todd Endelman shows that those who severed their Jewish ties were driven above all by pragmatic concerns—especially the desire to escape the stigma of Jewishness and its social, occupational, and emotional burdens. Through a detailed and colorful narrative, Endelman considers the social settings, national contexts, and historical circumstances that encouraged Jews to abandon Judaism, and factors that worked to the opposite effect. Demonstrating that anti-Jewish prejudice weighed more heavily on the Jews of Germany and Austria than those living in France and other liberal states as early as the first half of the nineteenth century, he reexamines how Germany's political and social development deviated from other European states. Endelman also reveals that liberal societies such as Great Britain and the United States, which tolerated Jewish integration, promoted radical assimilation and the dissolution of Jewish ties as often as hostile, illiberal societies such as Germany and Poland. Bringing together extensive research across several languages, Leaving the Jewish Fold will be the essential work on conversion and assimilation in modern Jewish history for years to come.