T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.

It is estimated that around 15% of the population suffer from atopic dermatitis or eczematous disorders at some point in their lifetime, causing a significant percentage of visits to dermatologists, primary care physicians, and allergists. Despite much current research interest, the pathophysiology of these disorders and their optimum treatment remain uncertain. In Atopic Dermatitis & Eczematous Disorders, the authors discuss all clinical aspects and treatment of atopic dermatitis and other eczema variants, including: Seborrheic dermatitis Nummular eczema Stasis dermatitis Exfoliative erythroderma HIV-related dermatoses Ichthyosis vulgaris Hand dermatitis Immunodeficiency disorders The book also discusses complications such as secondary infection and ophthalmic disease, as well as legal aspects. It contains almost 300 high-quality color clinical images, making it an invaluable visual reference for dermatologists in practice and training, candidates for post-registration qualifications, primary care practitioners, medical students, and allergists.

This intriguing book examines Lincoln's assassination from a behavioral and medical sciences perspective, providing new insights into everything from ballistics and forensics to the medical intervention to save his life, the autopsy results, his compromised embalming, and the final odyssey of his bodily remains. In this book, E. Lawrence Abel sheds much-needed light on the fascinating details surrounding the death of Abraham Lincoln, including John Wilkes Booth's illness that turned him into an assassin, the medical treatment the president is alleged to have received after he was shot, and the significance of his funeral for the American public. The author provides an in-depth analysis of the science behind the assassination, a discussion of the medical care Lincoln received at the time he was shot and the treatment he would have received if he were shot today, and the impact of his death on his contemporaries and the American public. The book examines Lincoln's fatalism and his unbridled ambition in terms of empirical psychological science rather than the fanciful psychoanalytical explanations that often characterize Lincoln psychohistories. The medical chapters challenge the long-standing description of Lincoln's last hours and examine the debate about whether Lincoln's doctors inadvertently doomed him.

In Experiments in Skin Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.

A keyword listing of serial titles currently received by the National Library of Medicine.