The story of the Earl of Warwick's wife Anne Beauchamp and their daughters, Isabel and Anne Neville. They were supposed to be pious, fruitful and submissive. The wealthiest women in the kingdom, Anne Beauchamp and her daughters were at the heart of bitter inheritance disputes. Well educated and extravagant, they lived in style and splendour but were forced to navigate their lives around the unpredictable clashes of the Cousins’ War. Were they pawns or did they exert an influence of their own? The twists and turns of Fate as well as the dynastic ambitions of Richard Neville, Earl of Warwick saw Isabel married without royal permission to the Yorkist heir presumptive, George Duke of Clarence. Anne Neville was married to Edward of Lancaster, the only son of King Henry VI when her father turned his coat. One or the other was destined to become queen. Even so, the Countess of Warwick, heiress to one of the richest titles in England, could not avoid being declared legally dead so that her sons-in-law could take control of her titles and estates. Tragic Isabel, beloved by her husband, would experience the dangers of childbirth and on her death, her midwife was accused of witchcraft and murder. Her children both faced a traitor’s death because of their Plantagenet blood. Anne Neville became the wife of Richard, Duke of Gloucester having survived a forced march, widowhood and the ambitions of Isabel’s husband. When Gloucester took the throne as Richard III, she would become Shakespeare’s tragic queen. The women behind the myth suffered misfortune and loss but fulfilled their domestic duties in the brutal world they inhabited and fought by the means available to them for what they believed to be rightfully their own. The lives of Countess Anne and her daughters have much to say about marriage, childbirth and survival of aristocratic women in the fifteenth century.

Elizabeth Woodville, The White Queen(2009), Margaret Beaufort, The Red Queen(2010), and Jacquetta, Lady Rivers, The Rivers Woman(2011) are the subjects of the first three novels in Philippa Gregory's Cousins' War series, and of the three biographical essays in this book. Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' Waris an exciting new addition to the Philippa Gregory oeuvre.

The little-known lives of women who ruled, schemed, and made peace and war, between the seventh and eleventh centuries: “Meticulously researched.” —Catherine Hanley, author of Matilda: Empress, Queen, Warrior Many Anglo-Saxon kings are familiar. Æthelred the Unready is one—but less is written about his wife, who was consort of two kings and championed one of her sons over the others, or about his mother, who was an anointed queen and powerful regent, but was also accused of witchcraft and regicide. A royal abbess educated five bishops and was instrumental in deciding the date of Easter; another took on the might of Canterbury and Rome and was accused by the monks of fratricide. Royal mothers wielded power: Eadgifu, wife of Edward the Elder, maintained a position of authority during the reigns of both her sons. Æthelflaed, Lady of the Mercians, was a queen in all but name, while few have heard of Queen Seaxburh, who ruled Wessex, or Queen Cynethryth, who issued her own coinage. She, too, was accused of murder, and was also, like many of the royal women, literate and highly educated. Ranging from seventh-century Northumbria to eleventh-century Wessex and making extensive use of primary sources, Women of Power in Anglo-Saxon England examines the lives of individual women in a way that has often been done for the Anglo-Saxon men but not for their wives, sisters, mothers, and daughters.

In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.

You can choose your friends, but you cannot choose your family … or can you? Under normal circumstances, Maggie and Lizzie would be delighted to meet their long-lost relatives and be reunited with those who had believed them dead, but when are the Mopsies’ circumstances ever normal? With her half-brother Claude Seacombe, Lizzie travels to Cornwall to meet her mother’s parents. Maggie goes along, too, since she is part of the family … or so one might assume. But the more time she spends in her grandparents’ clifftop mansion, the more she realizes that something is not right, and the events surrounding her own mother’s death are more mysterious—and dangerous—than anyone alive suspects. For an old nemesis is preying on the weak and proud, and she cannot stand by and watch. Maggie must straighten her spine, plunge into danger for Lizzie’s sake … and prove that no matter the name she bears, she is first and foremost what the Lady of Devices believes her to be … a lady of spirit. “Another excellent book in an excellent series. The world is wacky and immense fun, the stories exciting and all well written and well paced (and with chickens for even more fun). But the backbone of this great series is and has always been the characters—their issues, their layers, their complexity, their solid relationships and loyalties all elevate a good book to a really great one.” —Fangs for the Fantasy, on A Lady of Spirit A Lady of Spirit is the sixth novel in the Magnificent Devices steampunk series. Books 5 and 6 form a duet. No strong language, just a very proper kiss or two and a satisfying solution. If you like books by Gail Carriger, Lindsay Buroker, or Emma Jane Holloway, you’re in the right place. Enjoy!

ÿWith a documented history stretching back a thousand years, Dunster Castle in Somerset is one of Britain?s oldest and most intriguing great buildings, its turrets evoking centuries of warfare, dark deeds, bloodshed and treachery. What makes it particularly unusual is the prominent role women have played in its fortunes, from the indomitable Joan de Mohun in the 14th century, who promised as much land to the villagers as she could walk around barefoot in a day, to Lady Jane Luttrell, who saw off a Royalist attack during the English Civil War by personally commanding the cannons. Jim Lee worked for many years at the castle and knows more about it than just about anyone. Here he presents an entertaining history of the roles, from the heroic to the self-indulgent, its women have played over the centuries.

Presents a tale inspired by the daughters of "Kingmaker" Richard, fifteenth-century Earl of Warwick, who uses his daughters as political pawns before their strategic marriages place them on opposing sides in a royal war that will cost them everyone they love.

This unique collection of african novels has been designed and formatted to the highest digital standards. Edgar Wallace (1875-1932) was an English writer. During 1907 Edgar travelled to the Congo Free State, to report on atrocities committed against the Congolese under King Leopold II of Belgium and the Belgian rubber companies, in which up to 15 million Congolese were killed. Isabel Thorne of the Weekly Tale-Teller penny magazine, invited Wallace to serialise stories inspired by his experiences. These were published as his first collection Sanders of the River (1911), a best seller, in 1935 adapted into a film with the same name, starring Paul Robeson. Wallace went on to publish 11 more similar collections (102 stories). They were tales of exotic adventure and local tribal rites, set on an African river, mostly without love interest as this held no appeal for Wallace. His first 28 books and their film rights he sold outright, with no royalties, for quick money. Table of Contents: Sanders of the River (1911) The People of the River (1911) The River of Stars (1913) Bosambo of the River (1914) Bones (1915) The Keepers of the King's Peace (1917) Lieutenant Bones (1918) Bones in London (1921) Sandi the Kingmaker (1922) Bones of the River (1923) Sanders (1926) Again Sanders (1928)