Rudolf Steiner’s architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings’ paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the ‘complete work of art’ that was the first Goetheanum burned down on New Year’s Eve 1922 – so today we can only get an impression of the lost paintings and windows from Rudolf Steiner’s pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner’s draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983.

"Whether or not Steiner's insights are valid is for each of us to determine. His work is not easy, and he challenges our usual thinking every step of the way. The insights are radical, in the original meaning of that word: they go to the roots. We are forced more and more to realize that only through such thinking can actions arise that are truly healing and constructive." --Henry Barnes (from the introduction) Few people today recognize Rudolf Steiner's name, yet those who are aware of him know that his presence pervades every forward-looking aspect of contemporary life. Nearly all fields of life have been fructified by his insights--not abstractly or theoretically, but in a concrete way that changes lives. No wonder, then, that Steiner has been called "the best kept secret of the twentieth century." Born in 1861 in Kraljvec, Austria, Steiner showed evidence early on of the most varied gifts--a precise and probing scientific mind combined with a natural clairvoyant ability to see into the spiritual world, a determined need to think things through for himself, and a profound reverence for the divine. He first made his mark as a philosopher and the editor of Goethe's scientific writings. He also recognized the revolutionary spirit in Nietzsche. But Steiner's destiny led him in a different direction. Profound cognitive experiences determined that his task would lie in service to the spirit. While recognizing the integrity of modern science's phenomenological empiricism, he also knew that the time had come to extend the field of science to include investigation of the supersensible. Working at first within the Theosophical Society, but always speaking and writing out of his own experience, Steiner developed the foundations for a thoroughly modern spiritual-scientific discipline that would transform spiritual and cultural life. Until his death in 1925, in countless lectures and books, Steiner created the body of knowledge and practice known as "anthroposophy," which not only challenged and extended the underlying methods of modern knowledge, but stimulated many practical cultural initiatives such as: Waldorf education, biodynamic agriculture, the art of eurythmy, the movement for a threefold social order, and anthroposophical medicine. Henry Barnes--the author of Into the Heart's Land: A Century of Rudolf Steiner's Work in North America--recounts the dynamic life of this remarkable man. He does so by placing Steiner in the crosscurrents of history and showing him not as a spectator or ivory-tower philosopher, but as a leading actor in the drama, one whose entire being was given in service to humanity and to the spirit. Contents: Foreword by Robert McDermott Introduction: In Search of a New Thinking The Twentieth Century: Battleground for Human Individuality Child of Middle Europe: Biographical Foundations The Weimar Years: Nietzsche, Steiner, and the Redemption of Thinking The Years of Inner Testing: Berlin The Work Unfolds The Building Rises Insight Becomes Life: The Three fold Movement for Social Reform The First Waldorf School and the Independence of Education The Healing Arts Religious Renewal Out of Fire Renewal from Within: The Christmas Foundation Months of Grace Afterword: The Battle Continues--What Can I Do?

The being of the arts; Goethe as the founder of a new science of aesthetics; Technology and art; At the turn of each new millennium; The task of modern art and architecture; The living walls; The glass windows; Colour on the walls; Form - moving the circle; The seven planetary capitals of the first Goetheanum; The model and the statue 'The Representative of Man'; Colour and faces; Physiognomies.

From ancient times, people had knowledge of the zodiac’s intimate involvement in the creation of physical life. They understood that the twelve realms of constellations of fixed stars in the sky emanated specific forces that were brought to life and movement by the planets. These spiritual energies created and formed all living beings on earth – including, of course, the human being. This traditional awareness has been reenlivened and given new meaning in our time through Rudolf Steiner’s anthroposophy. Steiner gave specific indications involving twelve individual gestures and colours that depict the forces of the twelve zodiacal regions. In this richly-illustrated collation of original artistic research – which features exciting new work on the zodiac via the mediums of sculpture, graphics and painting – these new insights are explored and illumined in twenty-seven essays and numerous full-colour images. Led by editor Gertraud Goodwin, the various contributing artists offer a rich tableau of authentic, individual approaches to understanding the zodiac, throwing light on the vast realm of creative forces around us whilst acknowledging their primary source. ‘From the many relationships to other qualities, like the consonants, virtues, areas of the human body, colours, eurythmy gestures, elements (earth, water, air, fire), musical keys and many more, in which the zodiacal forces express themselves as if through different instruments, a harmony begins to emerge, which informs me of an ever rounder picture of one particular force of the Zodiac.’ – Gertraud Goodwin

"I conceived the task of creating an up-to-date history of Greek color theory and practice, which is inextricably intertwined with the philosophy of the Four Elements, using all the scholarly resources of the twentieth century. On the other hand, I realized the necessity of preparing a separate treatise (which is The Inner Nature of Color) to relate the results of my research to the inexhaustibly fruitful spiritual research of Rudolf Steiner, so as to try to contribute to a new understanding of the background out of which it arose. The fact that any intimate knowledge about the spirituality of the ancient world and, above all, its relation to the present has not only dropped out of the intellectual life of today, but in some quarters is actually impugned, seems reason enough to offer this study for whatever use anthroposophists or anyone else can make of it." --J. Leonard Benson In this fascinating work, J. Leonard Benson describes the spiritual and esoteric nature of color in relation to the four elements--fire, earth, air and water. Based on insights provided by Rudolf Steiner and a deep knowledge of classical cosmology and color theory, this book shows how an understanding of the inner nature of color leads to a completely different view of the world and evolution than is current in our present civilization--one completely at odds with the ruling neo-Darwinian paradigm. The Inner Nature of Color will be of interest to artists, art historians, spiritual seekers, and anyone who has ever been struck by the remarkable beauty of our colored world and wondered what it means.

‘Approaching the different and manifold sequences in this book... one will gradually come to realise that metamorphosis can become an ideal for knowledge, a guiding path for self-knowledge and knowledge of the world – as intuitive contemplation and as artistic creation.’ – Dr Peter Wolf What is metamorphosis? Through the medium of art, sculptor Gertraud Goodwin invites us to enter the realm of time and continuously changing movement in this highly original book. With chapters by various artists and writers, interwoven with her key insights, Goodwin offers numerous points of entry to understanding the mystery of metamorphosis. Profusely-illustrated in colour, we are shown many sequences of images – of sculptures, reliefs and graphic works – which, with the aid of informed commentary, we are invited to ‘read’. These images belong together, developing from one to the next – just as single experiences and events in life belong to our biographies. One motif, one movement, passes through all stages, from simple beginnings and more differentiated formations, to a culmination – and, from there, back to a more mature simplicity and concentration, which makes a new beginning possible. ‘In relation to the transcendent, where ordinary words fail, the language of form, texture and relations in space, like those of music in time, offer alternatives to words, perhaps less encumbered by preconceptions. These pages offer many examples of the beauties and mysteries of metamorphosis, which is itself an essential component of Nature’s creative language.’ – Dr Philip Kilner

"Is there also such a thing as 'the essence of color'? For me, the essence is the spiritual aspect that lives in color. Making this spiritual aspect accessible is the purpose of this book." -- Kees Veenman We are all familiar with the world of color, but can we learn to experience color more intensely? Can we learn to penetrate colors in a more profound way? This book takes the reader into the activity of the colors of the spectrum by investigating them meditatively. The author explains aspects of color phenomenology and prepares the reader for color meditations, including some that he has incorporated into his own personal practices. Kees Veenman, a phenomenologist who specializes in colors, begins by observing the spring gold and the autumn gold of trees before introducing the phenomenological method whereby his research connects with Goethe's theory of color and that of Rudolf Steiner. Using numerous examples and experiments, Veenman guides the reader toward the dynamics and essence of colors, describing his research into the nature of colors along with fresh questions that help us penetrate the world of colors ever more deeply. The author also considers light therapy and the relationship of colors to the seasons, as well as to fairytales. The reader is encouraged to meditate with and in colors to discover and experience, among other things, consciousness of Christ. All of this is presented with clear descriptions supplemented with color images. Color Meditation is for those who want to appreciate the phenomena and wonders--the being--of color more deeply and fully understand how color can enrich one's soul and spiritual activity. "The correspondence between the emergence and effect of a color outside us and the appearance within us is found in the polarity between light and darkness. Light is a symbol of clear day consciousness, whereas darkness represents the impenetrability of the will. Here we come to the intimate relationship between the world of colors and that of human consciousness with its active and passive side." -- Christine Gruwez (foreword) Translated by Laura Liska from Kleurmeditatie (Uitgeverij Pentagon, Amsterdam, 2015). Cover image by Beppe Assenza (1905-1985): Eklipse, watercolor, 23.5 x 20.5 in.

Saved by good fortune from the flames that engulfed the first Goetheanum, Rudolf Steiners wooden sculpture of the Christ, "the Representative of Humanity," standing between the adversary forces of Lucifer and Ahriman, remains intact, although unfinished, and on display to this day. Unique in the history of art, the Sculptural Group was deeply connected to Rudolf Steiners inner being. The great Christian initiate even died by its side, having made efforts to work on the sculpture days before he crossed the threshold.

The origins and nature of architecture; The formative influence of architectural forms; The history of architecture in the light of mankind's spiritual evolution; A new architecture as a means of uniting with spiritual forces; Art and architecture as manifestations of spiritual realities; Metamorphosis in architecture; Aspects of a new architecture; Rudolf Steiner on the first Goetheanum building; The second Goetheanum building; The architecture of a community in Dornach; The temple is the human being; The restoration of the lost temple.

This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys --are only now coming fully to light. In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe's Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index