Traumatized by a tragic accident at the wizardry school where he is a student, Tvrdik retreats to the solitude of the ancient forest. But his fragile peace is shattered when his old Master shows up to recruit him for a classic battle of good and evil. Tvrdik may be the only person who can tip the balance, and the stakes are frighteningly high. If he is to succeed, he must team up with Lady Jorelial Rey, the spirited, dragon-riding regent of a kingdom in chaos, and they must convince the established powers of the land to embrace decidedly unconventional methods of winning the fight. Together with a ragtag assortment of courageous allies, including dragons, unicorns, bards, talking beasts, and one very wild water sprite, the pair set about saving their beloved homeland from a ruthless usurper, using their wits, creativity, and a sprinkling of magic. But will hope and determination be enough for the very last wizard of Eneri Clare, and his friends, to meet the daunting challenges ahead, and set the trajectory of history itself back on course? This is a story about finding a new way to fight for what is precious, an adventure filled with second chances, surprise twists, and, above all, the power of hope, fellowship, and love, to move mountains.

No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.