The first scholarly study of the phenomenon of the 'late-career novel', this book explores the ways in which bestselling contemporary novelists look back and respond to their earlier successes in their subsequent writings. Exploring the work of major novelists such as Angela Carter, V.S. Naipaul, Salman Rushdie, Ian McEwan, Julian Barnes, A.S. Byatt and Graham Swift, The Late-Career Novelist draws for the first time on social psychology and career construction theory to examine how the dynamics of a literary career play out in the fictional worlds of our best-known novelists. From here, Hywel Dix develops and argues for a new mode of reading contemporary writing on the contexts of current literary culture.

This volume applies the insight and methods of career construction theory to explore how autobiographical writing is used in different professional careers, from fiction and journalism to education and medicine. It draws attention to the fact that a career is a particular kind of artefact with distinctive properties and features that can be analysed and compared, and puts forward a new theory of the relationship between narrative methodology and the vocation of writing. Career construction theory emerged in the late twentieth century, when changes to the patterns of our working lives caused large numbers of people to seek new forms of vocational guidance to navigate those changes. It employs a narrative paradigm in which periods of uncertainty are treated as experiences akin to ‘writer’s block’, experiences which can be overcome first by imagining new character arcs, then by narrating them and finally by performing them. By encouraging clients to see their careers as stories of which they are both the metaphorical authors and the main protagonists, career construction counsellors enable them to envisage the next chapter in those stories. But despite the authorial metaphor, career construction theory has not been widely applied to analysis of professional careers in writing. The chapters in this volume remedy that gap and in various ways apply the insights of career construction theory to analyse the relationship between writing and professional life in diverse careers where writing is used. The chapters in this book were originally published in the journal Life Writing.

Everything you need to know about the psychology, rhetoric and tactics of writing grant proposals and articles in biomedical sciences.

Researching and writing about contemporary art and artists present unique challenges for scholars, students, professional critics and creative practitioners alike. This collection of essays from across the arts disciplines—music, literature, dance, theatre and the visual arts—explores the challenges and complexities raised by engaging in researching and writing on living or recently deceased subjects and their output. Different sections explore critical perspectives and case studies in relation to innovative, distinctive or otherwise leading work, as well as offering innovative modes of discourse such as a visual essay and a music composition. Subjects addressed include recent scandals of Canadian literary celebrity, late-career output, the written element of music composition PhDs, and the boundaries between ethnography and hagiography, with case studies ranging from Howard Barker to Adrian Piper to Sylvie Guillem and Misty Copeland.

This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, and industrialist as a vehicle through which to interpret and understand the African American experience. Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other. Ice-T’s iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T’s ability to inhabit conflicting pop-cultural roles including: ’hardcore’ gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed ’pimp’ and reality television house husband. As the essays in this collection detail, Ice-T’s chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed ’post-racial’.

This innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.

Gail Godwin was twenty-four years old and working as a waitress in the North Carolina mountains when she wrote: “I want to be everybody who is great; I want to create everything that has ever been created.” It is a declaration that only a wildly ambitious young writer would make in the privacy of her journal. In the heady days of her literary apprenticeship, Godwin kept a daily chronicle of her dreams and desires, her travels, love affairs, struggles, and breakthroughs. Now, at the urging of her friend Joyce Carol Oates, Godwin has distilled these early journals, which run from 1961 to 1963, to their brilliant and charming essence. The Making of a Writer opens during the feverish period following the breakup of Godwin’s first marriage and her stint as a reporter for The Miami Herald. Aware that she is entering one of the great turning points of her life as she prepares to move to Europe, Godwin writes of the “100 different hungers” that consume her on the eve of departure. A whirlwind trip to New York, the passengers and their stories on board the SS Oklahoma, the shock of her first encounters with Danish customs (and Danish men)–Godwin wonderfully conveys the excitement of a writer embracing a welter of new experience. After a long, dark Scandinavian winter and a gloriously romantic interlude in the Canary Islands, Godwin moves to London and embarks on the passionate engagements that will inspire some of her finest stories. She records the pleasures of soaking in the human drama on long rambles through the London streets–and the torment of lonely Sundays spent wrestling these impressions into prose. She shares her passion for Henry James, Marcel Proust, Lawrence Durrell, Thomas Wolfe–and her terror of facing twenty-six with nothing to show but a rejected novel and a stack of debts. “I do not feel like a failure,” Godwin insists as she sits down yet again to the empty page. “I will keep writing, harder than ever.” Like Virginia Woolf’s A Writer’s Diary, Gail Godwin’s journals brim with the urgency and wit of a brilliant literary mind meeting the world head on. An inspired and inspiring volume, The Making of a Writer opens a shining window into the life and craft of a great writer just coming into her own.

This biography of Winston Churchill discusses the author's role as the popularizer of middle class intellectual liberalism.

This collection of new essays relates James's work to the political and social issues of his day, making this outstanding literary figure accessible to a broader reading public. Contributors include Richard Godden and Charles Swann, Millicent Bell and Deborah Phillips.