It examines, too, the portrait as a marker both of celebrity and of modernity, in an age that ushered in the present by defining itself through advertising, public relations, and commodification."--BOOK JACKET.

Drawing heavily on the recollections and literature of the people themselves, Harrison places late Victorian Britain firmly in its social and political context.

In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.

Over a century after the death of Queen Victoria, historians are busy re-appraising her age and achievements. However, our understanding of the Victorian era is itself a part of history, shaped by changing political, cultural and intellectual fashions. Bringing together a group of international scholars from the disciplines of history, English literature, art history and cultural studies, this book identifies and assesses the principal influences on twentieth-century attitudes towards the Victorians. Developments in academia, popular culture, public history and the internet are covered in this important and stimulating collection, and the final chapters anticipate future global trends in interpretations of the Victorian era, making an essential volume for students of Victorian Studies.

People, not abstract ideas, make history, and nowhere is this more revealed than in A. N. Wilson's superb portrait of the Victorians, in which hundreds of different lives have been pieced together to tell a story - one which is still unfinished in our own day. The 'global village' is a Victorian village and many of the ideas we take for granted, for good or ill, originated with these extraordinary, self-confident people. What really animated their spirit, and how did they remake the world in their view? In an entertaining and often dramatic narrative, A. N. Wilson shows us remarkable people in the very act of creating the Victorian age.

This collection of all new essays seeks to answer a series of questions surrounding the Victorian response to poverty in Britain. In short, what did various layers of society say the poor deserved and what did they do to help them? The work is organized against the backdrop of the 1834 New Poor Laws, recognizing that poverty garnered considerable attention in England because of its pervasive and painful presence. Each essay examines a different initiative to help the poor. Taking an historical tack, the essayists begin with the royal perspective and move into the responses of Church of England members, Evangelicals, and Roman Catholics; the social engagement of the literati is discussed as well. This collection reflects the real, monetary, spiritual and emotional investments of individuals, public institutions, private charities, and religious groups who struggled to address the needs of the poor.

Victorians and Modern Greece examines the representation of nineteenth-century Greece in British magazines, fiction, poetry, and travel writing, revealing the popular reception of the modern nation in the Victorian period. Reflecting upon the tensions–ancient and modern, oriental and European, primitive and developed–emerging from Victorian texts on Modern Greece, the 12 essays in this volume analyse these texts and their role in reconceptualising the national identity and culture of Britain and Greece through their encounter with each other. Featuring writers such as Mary Shelley, Christopher Wordsworth, William Thackeray, Theodore Bent, Isabella Fyvie Mayo, Oscar Wilde, and Vernon Lee, as well as anonymous authors publishing in popular periodicals, and a broad range of topics from travel and fashion to political crises and the pervasive appeal of ruins, this book tells the story of Modern Greece from British perspectives, at a time when Greece was struggling to achieve self-definition among conflicting geopolitical interests. Victorians and Modern Greece also opens up Victorian studies to minor or marginal voices and narratives which addressed worldly concerns and Britain’s global affiliations. With its comparative perspective, this book will be of interest to scholars and students of both Victorian literature and culture and of the culture and history of Modern Greece.

The Persistence of Victorian Liberalism examines the question of where to locate the ideological break between classical liberalism and the underlying principles of the modern Welfare State. While most historians of 19th century Britain argue that such a shift occurred prior to 1900, Haggard challenges the contention that classical liberalism had been so undermined by this point that the modern Welfare State was largely inevitable. He considers the public discussion of progress, poverty, charity, socialism, and social reform, and he concludes that the vast majority of the Victorian middle and upper classes remained wedded to the tenets of classical liberalism up to the close of the century. In contrast to traditional characterizations, Haggard argues that progress, individualism, and character continued to resonate within Victorian society throughout the late Victorian period. Private philanthropy grew increasingly active as a remedy to urban poverty. The London Socialist movement, the New Unionism, the Independent Labour Party, and the New Liberalism, each proponents of socialistic reforms, found themselves marginalized politically. The key to the social debates of the day was the concept of the deserving versus the undeserving poor. Although the deserving might expect some private or public aid, the undeserving were to be punished for their lack of character. Until this notion was overturned, the Welfare State would remain outside the realm of practical politics.