The uncovering in the mid-1700s of fossilized mastodon bones and teeth at Big Bone Lick, Kentucky, signaled the beginning of a great American adventure. The West was opening up and unexplored lands beckoned. Unimagined paleontological treasures awaited discovery: strange horned mammals, birds with teeth, flying reptiles, gigantic fish, diminutive ancestors of horses and camels, and more than a hundred different kinds of dinosaurs. This exciting book tells the story of the grandest period of fossil discovery in American history, the years from 1750 to 1890. The volume begins with Thomas Jefferson, whose keen interest in the American mastodon led him to champion the study of fossil vertebrates. The book continues with vivid descriptions of the actual work of prospecting for fossils--a pick in one hand, a rifle in the other--and enthralling portraits of Joseph Leidy, Ferdinand Hayden, Edward Cope, and Othniel Marsh among other major figures in the development of the science of paleontology. Shedding new light on these scientists feuds and rivalries, on the connections between fossil studies in Europe and America, and on paleontologys contributions to Americas developing national identity, The Legacy of the Mastodon is itself a fabulous discovery for every reader to treasure.

The Legacy: South Florida Museum is an account of the origins, founding, and development in twentieth-century Florida of a people's museum about archeology, Spanish exploration, manatees, and space. As a museum founded in the immediate post-World War II era, with its origins in the prehistoric past, its narrative reflects Florida's changes through Spanish exploration, statehood, tourism, endangered manatees, and space development over a thousand years. The Legacy is a story of volunteerism, in the spirit of voluntary action for the common good, by dedicated individuals. It leads to today's South Florida Museum and its several facilities, including the Bishop Planetarium, Parker Manatee Aquarium, and Spanish Plaza. For more information, please see the following article from The Herald-Tribune. http://www.heraldtribune.com/article/20101130/ARTICLE/11301026/1238?p=1&tc=pg

Although cultural diplomacy has become an increasingly fashionable term embraced by academics, foreign-service personnel, and private sector commercial and cultural interests, the very practice of this idea remains conspicuously challenging to define. This book takes on this problem, advancing a new understanding of cultural diplomacy that results from a historical investigation of a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to “tell America’s story” with the goal of “winning hearts and minds.” To illustrate this point, selected exhibitions and the intentions of the policymakers who proposed them are interrogated for the first time beside archival documentation, writings from the history of design, advertising, science, as well as art historical and museum studies theories that address various aspects of the history of collecting and display, all of which explore the reality of how these exhibitions were conceived and prepared for foreign audiences. Most importantly, personal interviews with the designers and government representatives responsible for the ultimate appearance of these events upturn preconceived notions of how these events came to be. Seventy-five photographs from the exhibits make this history come alive. Through this discussion these questions are answered: What was America showing of itself through these exhibitions? And, more urgently, what do these exhibitions tell us about U.S. interest in verisimilitude? This investigation spans the crucial years of American exhibitions abroad (1955-1975), beginning with the formation of an official system of exhibiting American commercial wares and political ideas at trade fairs, through official exchanges with the U.S.S.R., to pavilions at world's fairs, and finally to museum exhibitions that signaled a return to the display of founding American values. They are thus complex ideological symbols in which concepts of national identity, globalization, technology, consumerism, design, and image management both coincided and clashed. The investigation of these exhibitions enhances the understanding of a significant chapter of U.S. cultural diplomacy at the height of the Cold War and how America constantly reimagined itself.

DIV In the voluminous literature on Thomas Jefferson, little has been written about his passionate interest in science. This new and original study of Jefferson presents him as a consummate intellectual whose view of science was central to both his public and his private life. Keith Thomson reintroduces us in this remarkable book to Jefferson's eighteenth-century world and reveals the extent to which Jefferson used science, thought about it, and contributed to it, becoming in his time a leading American scientific intellectual. With a storyteller's gift, Thomson shows us a new side of Jefferson. He answers an intriguing series of questions—How was Jefferson's view of the sciences reflected in his political philosophy and his vision of America's future? How did science intersect with his religion? Did he make any original contributions to scientific knowledge?—and illuminates the particulars of Jefferson's scientific endeavors. Thomson discusses Jefferson's theories that have withstood the test of time, his interest in the practical applications of science to societal problems, his leadership in the use of scientific methods in agriculture, and his contributions toward launching at least four sciences in America: geography, paleontology, climatology, and scientific archaeology. A set of delightful illustrations, including some of Jefferson's own sketches and inventions, completes this impressively researched book. /div

A Companion to the History of American Science offers a collection of essays that give an authoritative overview of the most recent scholarship on the history of American science. Covers topics including astronomy, agriculture, chemistry, eugenics, Big Science, military technology, and more Features contributions by the most accomplished scholars in the field of science history Covers pivotal events in U.S. history that shaped the development of science and science policy such as WWII, the Cold War, and the Women’s Rights movement

A little-known, fascinating story about Thomas Jefferson and his obsessive quest to find America's first complete mastodon skeleton. Thomas Jefferson: Third president of the United States. Author of the Declaration of Independence. Obsessive prehistoric mammal hunter?? It's true! In this little-known slice of American history, see Thomas Jefferson as never before! In the late 1700's, America was a new nation, with a vast west that held age-old secrets: Bones! Massive tusks and enormous animal skeletons were being discovered and Thomas Jefferson - politician AND scientist - was captivated. What were these giant beasts? Did they still roam on American soil? Jefferson needed to find out. Funding explorers, including the famed Lewis and Clark, Jefferson sought to find a complete prehistoric mastodon skeleton - one which would advance the young science of paleontology, but would also put this upstart young country on the world stage. Follow along on the incredible journey - full of triumphs and disappointments, discoveries and shipwrecks, ridicule and victory. Author Candice Ransom researched this amazing story for years before telling this tale, closely collaborating with Jefferson scholars and natural history experts. Jamey Christoph's moody, luminous illustrations paint the scene: A young country, a president with a thirst for knowledge, and an obsessive, years-long quest to find the prehistoric bones that would prove the importance of a growing nation.

Thousands of years ago, science let go of man, leaving him one step away from extinction. The world re-emerged from these unequaled beings, with a lost history and the same intelligence, they raised houses and walls. The inheritance of ancient legends were the pinnacle of the ascent, since these wonders created exemplary men, skillful and versatile with just one of them. For centuries the foundations were created between conflicts with these magnificent objects, mistakes and injustices, they would predict wars and a religion angry with the means of exercising the power given by some god. Misguided or not, the differences would lead the continent to tremble once more hand in hand with science and its legacy. The penalties for our beloved Hansa begin upon learning of the loss of the hunter's mask, the only sustenance for the families of his class, where his father loses it in a bet. His mother decides to try to protect the future of her son, working for a strange duke just outside the walls. His little son, with the help of Roni, his best friend, tries to make up for his alcoholic father's big mistake, searching for his only treasure.

Over the past thirty years, humanity has made a huge mistake. We handed over to big tech decisions that have allowed them to build what has become our "space of the world" – the highly artificial space of social media platforms where much of our social life now unfolds. This has proved reckless and has huge social consequences. The toxic effects on social life, young people’s mental health, and political solidarity are well known, but the key factor underlying all this has been missed: the fact that humanity allowed business to construct our space of the world at all and then exploit it for profit. In the process, we ignored two millennia of political thought about the conditions under which a healthy or even a non-violent politics is possible. We endangered the one resource that is in desperately short supply in the face of catastrophic climate change: solidarity. Is human solidarity possible in a world of continuous digital connection and commercially managed platforms, and what if it isn’t? In the first book of his trilogy, Humanising the Future, Nick Couldry offers a radical new vision of how to design our digital spaces so that they build, rather than erode, both solidarity and community. This trenchant and vividly written book stresses that we cannot afford not to care for our space of the world. We need to rebuild it together.