The Letterbooks of John Evelyn, a collection of more than eight hundred letters selected by Evelyn himself, constitutes an essential new resource for scholars of seventeenth-century England.

An intimate portrait of two pivotal Restoration figures during one of the most dramatic periods of English history Samuel Pepys and John Evelyn are two of the most celebrated English diarists. They were also extraordinary men and close friends. This first full portrait of that friendship transforms our understanding of their times. Pepys was earthy and shrewd, while Evelyn was a genteel aesthete, but both were drawn to intellectual pursuits. Brought together by their work to alleviate the plight of sailors caught up in the Dutch wars, they shared an inexhaustible curiosity for life and for the exotic. Willes explores their mutual interests—diary-keeping, science, travel, and a love of books—and their divergent enthusiasms, Pepys for theater and music, Evelyn for horticulture and garden design. Through the richly documented lives of two remarkable men, Willes revisits the history of London and of England in an age of regicide, revolution, fire, and plague to reveal it also as a time of enthralling possibility.

The great English writer and gardener John Evelyn (1620–1706) kept a diary all his life. Today, this diary is considered an invaluable source of information on more than fifty years of social, cultural, religious, and political life in seventeenth-century England. Evelyn’s work is often overshadowed by the literary contributions of his contemporary and friend, Samuel Pepys. This new biography changes that. John Dixon Hunt takes a fresh look at the life and work of one of England’s greatest diarists, focusing particularly on Evelyn’s “domesticity.” The book explores Evelyn’s life at home, and perhaps even more importantly, his domestication of foreign ideas and practices in England. During the English Civil Wars, Evelyn traveled extensively throughout Europe, taking in ideas on the management of estate design while abroad to apply them in England. Evelyn’s greatest accomplishment was the import of European garden art to the UK, a feat Hunt puts into context alongside a range of Evelyn’s social and ethical thinking. Illustrated with visual material from Evelyn’s time and from his own pen, the book is an ideal introduction to a hugely important figure in the shaping of early modern Britain.

"This new biography ... is the first to make full use of Evelyn's huge unpublished archive deposited at the British Library in 1995. This crucial source evokes a broader and richer picture of Evelyn, his life and his friendships, than permitted by his own celebrated diaries."--Dust jacket.

This is the twenty-first volume in the Clarendon Edition of the Works of John Locke. The series aims to provide authoritative critical editions of all the writings of one of the most important intellectuals in the early-modern Anglophone world. The present volume completes the Correspondence edited by the late E. S. de Beer, published between 1976 and 1989. It contains some 300 documents: newly discovered or augmented, or newly collected, letters by or to Locke, or between his close associates. New finds have emerged from archives worldwide; previously known letters are now improved from new manuscripts or supplemented by enclosures that had become detached from them; 'epistles dedicatory' in books by Locke or addressed to him are collected; third-party letters with direct bearing on Locke are included; as also Locke's agreements with publishers for the printing of his books. The volume covers Locke's manifold interests, from childrearing to medicine to cartography; from the exercise of patronage to the political economy of England's burgeoning empire; from the management of his Somerset tenants to relations with fellow philosopher Damaris Masham; from a trial for heresy to surveillance letters when Locke was suspect; from book collecting to calendrical reform. Locke's critics and vindicators are here, attacking and defending his published works. Considerable material has come to light bearing on Locke's encounters with Carolina and policies when a founding member of the Board of Trade and Plantations. The volume is supported by Mark Goldie's introduction and by an extensive explanatory editorial apparatus.

This book is about the literary culture that emerged during and in the aftermath of the Great Plague of London (1665). Textual transmission impacted upon and simultaneously was impacted by the events of the plague. This book examines the role of print and manuscript cultures on representations of the disease through micro-histories and case studies of writing from that time, interpreting the place of these media and the construction of authorship during the outbreak. The macabre history of plague in early modern England largely ended with the Great Plague of London, and the miscellany of plague writings that responded to the epidemic forms the subject of this book.

'Alice Hunt brilliantly reanimates this most extraordinary decade. It is a gripping tale of political and cultural crisis but also one of joy and hopeful innovation, told with eloquence and passion.' MALCOLM GASKILL 'A magisterial, compelling and eye-opening biography of Britain's great and extraordinary experiment.' SUZANNAH LIPSCOMB Events moved with giddying speed in the 1650s. After the execution of Charles I, 'dangerous' monarchy was abolished and the House of Lords was dismissed, sending shock waves across the kingdom. These revolutionary acts set in motion a decade of bewildering change and instability, under the leadership of the soldier-statesman Oliver Cromwell. England's unique and distinctive republican experiment may have been short-lived, but it changed the course of British history. It transformed the relationship between England, Scotland and Ireland, reset the compact between the monarch and the people, and re-fashioned the story the British told - and continue to tell - about themselves. REPUBLIC is a richly engrossing year-by-year account of this exhilarating and daring period. It tells the story of what Britain's republic was really like: why it failed, but also, what it got right.

It would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women -- from playwright to postmistress, from lady-in-waiting to laundry woman -- acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.

John Evelyn (1620-1706) has long been known as one of the best-loved of English diarists. But he was much else besides: gardener, environmentalist, connoisseur, bibliophile, intellectual in government service, influential lay Anglican - in fact the quintessential virtuoso of seventeenth century England and a key figure in the assimilation of European culture there. These fifteen essays, all by leading experts in their fields, draw on The British Library's exceptionally rich holdings of Evelyn's books, manuscripts and family papers to explore for the first time the full range of his activity and influence.

This volume emphasizes the diversity and fruitfulness of early modern mechanism as a program, as a concept, as a model. Mechanistic study of the living body but also of the mind and mental processes are examined in careful historical focus, dealing with figures ranging from the first-rank (Bacon, Descartes, Spinoza, Cudworth, Gassendi, Locke, Leibniz, Kant) to less well-known individuals (Scaliger, Martini) or prominent natural philosophers who have been neglected in recent years (Willis, Steno, etc.). The volume moves from early modern medicine and physiology to late Enlightenment and even early 19th-century psychology, always maintaining a conceptual focus. It is a contribution to a newly active field in the history and philosophy of early modern life science. It is of interest to scholars studying the history of medicine and the development of mechanistic theories.