Eyewitness accounts and testimonies given at the First International Liberators Conference held in Washington, D.C. in Oct. 1981.

Drawing on documentary and oral sources in Yiddish, Hebrew, German, Dutch and French, this book challenges many sterotypes about Belsen, and reinstates the groups hitherto marginalized or ignored in accounts of the camp and its liberation.

If the practice of war is as old as human history, so too is the need to reflect upon war, to understand its meaning and implications. The Pre-Socratic philosopher Heraclitus asserted in 600BC that War (polemos) is justice, thus inaugurating a long philosophical tradition of consideration of the morality of war. In recent times, the increased specialisation of academic disciplines has led a to a fragmentation of the thematic of war within the academy - the topic of war is as likely to be addressed by sociologists, cultural theorists, psychologists and even computer scientists as it is by historians, philosophers or political scientists. This diversity of disciplinary approaches to war is undoubtedly fruitful in itself but can lead to an isolation of respective disciplinary analyses of war from each other. In July 2002, at Mansfield College, Oxford, an inter-disciplinary conference on war (entitled 'War and Virtual War') was held so as to redress some of this disciplinary isolationism and to forge an integrative dialogue on war, in all its facets. The papers in this volume were nominated by delegates as the most paradigmatic of the ethos of the original project and the most successful in achieving its aims of inter-disciplinarity and critical dialogue.

During the final weeks of World War II, the American army discovered multiple atrocity sites and mass graves containing the dead bodies of Jews, slave laborers, POWs and other victims of Nazi genocide and mass murder. Instead of simply reburying these victims, American Military Government carried out a series of highly ritualized “forced confrontations” towards German civilians centered on the dead bodies themselves. The Americans forced nearby German townspeople to witness the atrocity site, disinter the bodies, place them in coffins, parade these bodies through the town and lay them to rest in town cemeteries. At the conclusion of the ceremony in the cemetery in the presence of dead bodies, the Americans accused the assembled German civilians and Germany as whole of collective guilt for the crimes of the Nazi regime. This landmark study places American forced confrontations into the emerging field of dead body politics or necropolitics. Drawing on the theoretical work of Katherine Verdery and others, the book argues that forced confrontation represented a politicization of dead bodies aimed at the ideological goals of accusing Germans and Germany of collective guilt for the war, Nazism and Nazi genocide. These were not top-down Allied policy decisions. Instead, they were initiated and carried out at the field command level and by ordinary U.S. field officers and soldiers appalled and angered by the level of violence and killing they discovered in small German towns in April and May 1945. This study of the experience of war and forced confrontations around dead bodies compels readers to rethink the nature of the American soldier fighting in Germany in 1945 and the evolution, practice and purpose of American political and ideological ideas of German collective guilt.

This volume comprises 11 essays--most of them revised versions of lectures given 1996-1997 at the Albert-Ludwigs University in Freiburg--by German historians of the younger generation (all born since 1951). The purpose of the lecture series was to "leave behind the stale and rigid terms of Holocaust scholarship and public discussion of the issue" (from the editor's foreword). The essays, focusing on Poland, the Soviet Union, Serbia, and France, aim to identify the impulses that drove German activities in each area and to identify how various political goals and ideological convictions combined to produce policy. Annotation copyrighted by Book News, Inc., Portland, OR

Struggles for Representation examines over 300 non-fiction films by more than 150 African American film/videomakers and includes an extensive filmography, bibliography, and excerpts from interviews with film/videomakers. In eleven original essays, contributors explore the extraordinary scope of these aesthetic and social documents and chart a previously undiscovered territory: documentaries that examine the aesthetic, economic, historical, political, and social forces that shape the lives of black Americans, as seen from their perspectives. Until now, scholars and critics have concentrated on black fiction film and on mainstream non-fiction films, neglecting the groundbreaking body of black non-fiction productions that offer privileged views of American life. Yet, these rich and varied works in film, video, and new electronic media, convey vast stores of knowledge and experience. Although most documentary cannot hope to match fiction film's mass appeal, it is unrivaled in its ability to portray searing, indelible impressions of black life, including concrete views of significant events and moving portraits of charismatic individuals. Documentary footage brings audiences the moments when civil rights protestors were attacked by state troopers; it provides the sights and sounds of Malcom X delivering an electrifying speech, Betty Carter performing a heart-wrenching song, and Langston Hughes strolling on a beach. Uniting all of this work is the "struggle for representation" that characterizes each film–an urgent desire to convey black life in ways that counter the uninformed and often distorted representations of mass media film and television productions. African American documentaries have long been associated with struggles for social and political empowerment; for many film/videomakers, documentary is a compelling mode with which to present an alternative, more authentic narrative of black experiences and an effective critique of mainstream discourse. Thus, many socially and politically committed film/videomakers view documentary as a tool with which to interrogate and reinvent history; their works fill gaps, correct errors, and expose distortions in order to provide counter-narratives of African American experience. Contributors include Paul Arthur, Houston A. Baker, Jr., Mark F. Baker, Pearl Bowser, Janet K. Cutler Manthia Diawara, Elizabeth Amelia Hadley, Phyllis R. Klotman, Tommy Lee Lott, Erika Muhammad, Valerie Smith, and Clyde Taylor.

As the Allies closed in on Hitler’s Germany the horror and scale of the Final Solution and concentration camps became all too apparent. This latest Images of War book provides the reader a truly disturbing insight into the Nazi’s brutal regime of wholesale murder, torture and starvation. While the Germans attempted to hide the evidence by demolishing much of the camps’ infrastructure, the pace of the Soviets’ advance through Poland meant that the gas chambers at Majdenak near Lublin were captured intact. Auschwitz had received over a million deportees yet when liberated in January 1945 only a few thousand prisoners were there as the vast majority of surviving prisoners had been sent on forced death marches to more westerly camps such as Ravensbruch and Buchenwald. Condition in these camps deteriorated further due to overcrowding and the spread of deadly diseases. In every camp shocking scenes of death and starvation were encountered. When British troops reached Bergen-Belsen in April 1945, there were some 10,000 unburied dead in addition to the mass graves, in addition to 60,000 starving and sick inmates in utterly appalling conditions. The words and images in this disturbing book are a timely reminder of man’s inhumanity to his fellows and that such behavior should never be repeated.

'This vital history shatters many myths about the Nazi genocide . . . . surprising . . . provocative . . . fizzes with ideas. Even if you think you know the subject, you'll probably find something here to make you think' Sunday Times 'Erudite...remarkable' The Observer 'Outstanding' The Telegraph An authoritative, revelatory new history of the Holocaust, from one of the leading scholars of his generation The Holocaust is much-discussed, much-memorialized and much-portrayed. But there are major aspects of its history that have been overlooked. Spanning the entirety of the Holocaust and across the world, this sweeping history deepens our understanding. Dan Stone reveals how the idea of 'industrial murder' is incomplete: many were killed where they lived in the most brutal of ways. He outlines the depth of collaboration across Europe, arguing persuasively that we need to stop thinking of the Holocaust as an exclusively German project. He also considers the nature of trauma the Holocaust engendered, and why Jewish suffering has yet to be fully reckoned with. And he makes clear that the kernel to understanding Nazi thinking and action is genocidal ideology, providing a deep analysis of its origins. Drawing on decades of research, The Holocaust: An Unfinished History upends much of what we think we know about the Holocaust. Stone draws on Nazi documents, but also on diaries, post-war testimonies and even fiction, urging that, in our age of increasing nationalism and xenophobia, we must understand the true history of the Holocaust.

The military and medical liberation and British government and British population response to the disclosure of what occurred at Belsen.

The remarkable stories of Rachel Genuth, a poor Jewish teenager from the Hungarian provinces, and Hugh Llewelyn Glyn Hughes, a high-ranking military doctor in the British Second Army, who converge in Bergen-Belsen, where the girl fights for her life and the doctor struggles to save thousands on the brink of death. On April 15, 1945, Brigadier H. L. Glyn Hughes entered Bergen-Belsen for the first time. Waiting for him were 10,000 unburied, putrefying corpses and 60,000 living prisoners, starving and sick. One month earlier, 15-year-old Rachel Genuth arrived at Bergen-Belsen; deported with her family from Sighet, Transylvania, in May of 1944, Rachel had by then already endured Auschwitz, the Christianstadt labor camp, and a forced march through the Sudetenland. In All the Horrors of War, Bernice Lerner follows both Hughes and Genuth as they move across Europe toward Bergen-Belsen in the final, brutal year of World War II. The book begins at the end: with Hughes's searing testimony at the September 1945 trial of Josef Kramer, commandant of Bergen-Belsen, along with forty-four SS (Schutzstaffel) members and guards. "I have been a doctor for thirty years and seen all the horrors of war," Hughes said, "but I have never seen anything to touch it." The narrative then jumps back to the spring of 1944, following both Hughes and Rachel as they navigate their respective forms of wartime hell until confronting the worst: Christianstadt's prisoners, including Rachel, are deposited in Bergen-Belsen, and the British Second Army, having finally breached the fortress of Germany, assumes control of the ghastly camp after a negotiated surrender. Though they never met, it was Hughes's commitment to helping as many prisoners as possible that saved Rachel's life. Drawing on a wealth of sources, including Hughes's papers, war diaries, oral histories, and interviews, this gripping volume combines scholarly research with narrative storytelling in describing the suffering of Nazi victims, the overwhelming presence of death at Bergen-Belsen, and characters who exemplify the human capacity for fortitude. Lerner, Rachel's daughter, has special insight into the torment her mother suffered. The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.