Reprint of the original, first published in 1861.

Martin Chuzzlewit is suspicious — and with good reason. His relatives think he's dying and they're flocking to his side from near and far in eager anticipation of inheriting his vast wealth. Their greed and selfishness has made him a misanthrope, and when he finds his namesake grandson romancing his ward, the old man's wrath drives young Martin off to America to seek his fortune. Already famous as the author of The Pickwick Papers and Oliver Twist, Charles Dickens declared this, his sixth novel, as "immeasurably the best of my stories." The scheming Mr. Pecksniff, the corrupt Mrs. Gamp, the criminal Jonas Chuzzlewit, and other vividly realized characters populate this powerful black comedy, which features a parody of American mores and manners inspired by the author's 1842 visit to the United States. A captivating tale of hypocrisy and redemption, the novel is distinctive among Dickens' work for its combination of antic humor, searing satire, and lively melodrama.

This book explores the aesthetic practices used by Dickens to make the space which we have come to know as the Dickensian City. It concentrates on three very precise techniques for the production of social space (counter-mapping, overlaying and troping). The chapters show the scapes and writings which influenced him and the way he transformed them, packaged them and passed them on for future use. The city is shown to be an imagined or virtual world but with a serious aim for a serious game: Dickens sets up a workshop for the simulation of real societies and cities. This urban building with is transferable to other literatures and medial forms. The book offers vital understanding of how writing and image work in particular ways to recreate and re-enchant society and the built environment. It will be of interest to scholars of literature, media, film, urban studies, politics and economics.

Although enjoyed my many as a masterpiece of Dickens’ comic writing, Martin Chuzzlewit has long been underrated by professional critics. This volume redresses the balance by devoting its attention to a full critical discussion of the novel and by including a full survey of the critical positions held in the past. As well as discussing the themes of selfishness and hypocrisy, the history of the text is also explored, as is the complex relationship between Dickens and the United States which played a great part in the development of the novel and exerted considerable influence on it early reception.