This unique book explores the lives and work of nearly 300 New Jersey women from the Colonial period to the present century. Included are biographies of notable, often nationally known individuals, as well as less celebrated people, whose vibrant personal stories illustrate the richness of women's experiences in New Jersey—and, really, in America—from 1600 to the present. Researched, written and illustrated by The Women's Project of New Jersey, this volume both recovers and re-tells the life stories of women who have helped shape our world. Past and Promise is a long-overdue celebration of the accomplishments of these individuals who succeeded, often against overwhelming odds. Past and Promise: Lives of New Jersey Women incorporates an inclusive view of history that understands the past as the history of all of the people, not merely those who held a monopoly of power. As such this work contains biographies of artists, activists, entertainers, scientists, scholars, teachers, factory and agricultural workers, businesswomen, social engineers, and community builders. This easy-to-use and beautifully presented volume is indexed, and full of illustrations. The biographies are arranged alphabetically within four sections covering the following time periods: 1600-1807, 1808-1865, 1866-1920, and 1921 to the present. Each section is introduced by a historical overview, and each biographical entry includes a brief bibliography for further reading and research. This unique and very readable collection of biographies belongs in every public and personal library and deserves a wide audience of general readers from high school age through college and beyond.

Long regarded as folklife classics, Henry Charlton Beck's books are vivid recreations of the back roads, small towns, and legends that give New Jersey its special character.

According to Sara Crosby, the new popular ‘power of horror’—in writings by Poe and many others—gave American authors a new way of moving beyond beauty through the ‘poisonous muse.’ This new power corresponds to the vitalizing changes in Jacksonian America and brings with it a major change in US literary history. Her study of these changes in the US cultural scene is an incredibly engaging, vibrant narrative.

This landmark study offers a rogues’ gallery of women—from the Colonial Era to the 20th century—who answered abuse and oppression with murder: “A classic” (Gloria Steinem). Women rarely resort to murder. But when they do, they are likely to kill their intimates: husbands, lovers, or children. In Women Who Kill, journalist Ann Jones explores these homicidal patters and what they reflect about women and our culture. She considers notorious cases such as axe-murderer Lizzie Borden, acquitted of killing her parents; Belle Gunness, the Indiana housewife turned serial killer; Ruth Snyder, the “adulteress” electrocuted for murdering her husband; and Jean Harris, convicted of shooting her lover, the famous “Scarsdale Diet doctor.” Looking beyond sensationalized figures, Jones uncovers different trends of female criminality through American history—trends that reveal the evolving forms of oppression and abuse in our culture. From the prevalence of infanticide in colonial days to the poisoning of husbands in the nineteenth century and the battered wives who fight back today, Jones recounts the tales of dozens of women whose stories, and reasons, would otherwise be lost to history. First published in 1980, Women Who Kill is a “provocative book” that “reminds us again that women are entitled to their rage.” This 30th anniversary edition from Feminist Press includes a new introduction by the author (New York Times Book Review).

Groundbreaking historical and international anthology of women's prison writings.

Notorious New Jersey is the definitive guide to murder, mayhem, the mob, and corruption in the Garden State. With tabloid punch, Jon Blackwell tells riveting accounts of Alexander Hamilton falling mortally wounded on the dueling grounds of Weehawken; Dutch Schultz getting pumped full of lead in the men’s room of the Palace Chop House in Newark; and a gang of Islamic terrorists in Jersey City mixing the witch’s brew of explosives that became the first bomb to rock the World Trade Center. Along with these dramatic stories are tales of lesser-known oddities, such as the nineteenth-century murderer whose skin was turned into leather souvenirs, and the state senator from Jersey City who faked his death in a scuba accident in the 1970s in an effort to avoid prison. Blackwell also sheds light on some historical whodunits—was Bruno Hauptmann really guilty of kidnapping the Lindbergh baby? Who was behind the anthrax attacks of 2001? Not forgotten either are notorious characters who may actually be innocent, including Rubin “Hurricane” Carter, and those who have never been convicted of wrongdoing although they left office in scandal, including Robert Torricelli and James McGreevey. Through 100 historic true-crime tales that span over 300 years of history, Blackwell shows readers a side of New Jersey that would make even the Sopranos shudder.

"This first history of prison literature, featuring the first extensive bibliography of works by American convicts, presents a revealing view of America as seen from the bottom. Franklin redefines American literature, its history, and literary criteria. Arguing that Afro-American culture is central rather than peripheral to our literature, Franklin traces the influence of slave songs and narratives from the convict work song through I am a Fugitive from a Georgia Chain Gang to the Autobiography of Malcolm X to the poetry of the Attica rebels. In addition to rediscovering dozens of first-rate unknown or forgotten authors, Franklin shows the impact of imprisonment on such major writers as Jack London, Chester Himes, Malcolm Braly, Julian Hawthorne, Agnes Smedley, and especially Herman Melville, whose fiction is given a striking reinterpretation. Here is a landmark work for anyone interested in American literature, Afro-American culture, Marxist theory, penology, and the relations between crime and art"--Jacket.

The death penalty arouses our passions as does few other issues. Some view taking another person’s life as just and reasonable punishment while others see it as an inhumane and barbaric act. But the intensity of feeling that capital punishment provokes often obscures its long and varied history in this country. Now, for the first time, we have a comprehensive history of the death penalty in the United States. Law professor Stuart Banner tells the story of how, over four centuries, dramatic changes have taken place in the ways capital punishment has been administered and experienced. In the seventeenth and eighteenth centuries, the penalty was standard for a laundry list of crimes—from adultery to murder, from arson to stealing horses. Hangings were public events, staged before audiences numbering in the thousands, attended by women and men, young and old, black and white alike. Early on, the gruesome spectacle had explicitly religious purposes—an event replete with sermons, confessions, and last-minute penitence—to promote the salvation of both the condemned and the crowd. Through the nineteenth century, the execution became desacralized, increasingly secular and private, in response to changing mores. In the twentieth and twenty-first centuries, ironically, as it has become a quiet, sanitary, technological procedure, the death penalty is as divisive as ever. By recreating what it was like to be the condemned, the executioner, and the spectator, Banner moves beyond the debates, to give us an unprecedented understanding of capital punishment’s many meanings. As nearly four thousand inmates are now on death row, and almost one hundred are currently being executed each year, the furious debate is unlikely to diminish. The Death Penalty is invaluable in understanding the American way of the ultimate punishment.