A groundbreaking Black artist and his career in the Jim Crow South This book is the first biography of Graham Jackson (1903-1983), a virtuosic musician whose life story displays the complexities of being a Black professional in the segregated South. David Cason discusses how Jackson navigated a web of racial and social negotiations throughout his long career and highlights his little-known role in events of the twentieth century. Widely known for an iconic photo taken of him playing the accordion in tears at Franklin D. Roosevelt’s funeral, which became a Life magazine cover, Jackson is revealed here to have a much deeper story. He was a performer, composer, and high school music director known for his skills on the piano and organ. Jackson was among the first Black men to enlist in the Navy during World War II, helping recruit many other volunteers and raising over $2 million for the war effort. After the war he became a fixture at Atlanta music venues and in 1971, Governor Jimmy Carter proclaimed Jackson the State Musician of Georgia. Cason examines Jackson’s groundbreaking roles with a critical eye, taking into account how Jackson drew on his connections with white elites including Roosevelt, Coca-Cola magnate Robert Woodruff, and golfer Bobby Jones, and was censured by Black Power figures for playing songs associated with Confederate memory. Based on archival, newspaper, and interview materials, The Life and Music of Graham Jackson brings into view the previously unknown story of an ambitious and talented artist and his controversial approach to the politics and culture of his day. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

"This book is the first biography of Graham Jackson, a virtuosic musician whose life story displays the complexities of being a Black professional in the segregated South"--

Georgia's music history is diverse in that it covers gospel singer Thomas Dorsey, soul singer James Brown, opera singer Jessye Norman, country singer Alan Jackson, folk singer Hedy West and symphony and choral conductors Robert Shaw and Yoel Levi. They Heard Georgia Singing provides brief musical biographies of the men and women who have made major contributions to Georgia musical history either as natives or as personalities within the context of Georgia music.

African Americans in Portsmouth built a strong, insulated community because they were cognizant of the need to look inward. Whether assisting the pre-Civil War escapes through the Underground Railroad, forming banks, publishing a newspaper, or providing recreational facilities, Portsmouth's African Americans created one of the most stable middle-class black communities in America. Early 20th-century leaders such as Dr. William Reid, Nancy T. Wheeler, and the Reverend Harvey N. Johnson Sr. were civic models and guiding forces for a community emerging from the ravages of slavery, and enduring the hardships of segregation. Black America: Portsmouth, Virginia captures the world of an ever-changing community and a people who persevered, no matter the odds.

Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.

In the late nineteenth century one man changed Oxford forever. T. G. Jackson built the Examination Schools, the Bridge of Sighs, worked at a dozen colleges, and restored a score of other Oxford icons. He also built for many of the major public schools, for the University of Cambridge, and at the Inns of Court. A friend of William Morris, he was a pioneering member of the arts and crafts moment. A distinguished historian, he also restored dozens of houses and churches - and ensured the survival of Winchester Cathedral. As an architectural theorist he was a leader of the generation that rejected the Gothic Revival and sought to develop a new and modern style of building. Drawing on extensive archival work, and illustrated with a hundred images, this is the first in-depth analysis of Jackson's career ever written. It sheds light on a little-known architect and reveals that his buildings, his books, and his work as an arts and craftsman were not just important in their own right, they were also part of a wider social change. Jackson was the architect of choice for a particular group of people, for the 'intellectual aristocracy' of late Victorian England. His buildings were a means by which they could articulate their identity and demonstrate their distinctiveness. They reformed the universities and the schools whilst he refashioned their image. Essential reading for anyone interested in Victorian architecture and nineteenth-century society, this book will also be of interest to all those who know and love Oxford or Cambridge.

The second woman to earn a PhD from Columbia University—and the first from south of the Mason-Dixon Line to do so—Kentucky native Katherine Jackson French broke boundaries. Her research kick-started a resurgence of Appalachian music that continues to this day, but French's collection of traditional Kentucky ballads, which should have been her crowning scholarly achievement, never saw print. Academic rivalries, gender prejudice, and broken promises set against a thirty-year feud known as the Ballad Wars denied French her place in history and left the field to northerner Olive Dame Campbell and English folklorist Cecil Sharp, setting Appalachian studies on a foundation marred by stereotypes and misconceptions. Katherine Jackson French: Kentucky's Forgotten Ballad Collector tells the story of what might have been. Drawing on never-before-seen artifacts from French's granddaughter, Elizabeth DiSavino reclaims the life and legacy of this pivotal scholar by emphasizing the ways her work shaped and could reshape our conceptions about Appalachia. In contrast to the collection published by Campbell and Sharp, French's ballads elevate the status of women, give testimony to the complexity of balladry's ethnic roots and influences, and reveal more complex local dialects. Had French published her work in 1910, stereotypes about Appalachian ignorance, misogyny, and homogeneity may have diminished long ago. Included in this book is the first-ever publication of Katherine Jackson French's English-Scottish Ballads from the Hills of Kentucky.

Often called the Picasso, Stravinksy, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Here, Franko reframes Graham's most famous creations by showing how she wove together strands of love, passion, politics, and myth to create an American school of choreography and dance.

Michael Jackson may be the King of Pop, but his influence extends much further. From his childhood years with the Jackson 5 through his astonishing solo career, he consistently broke sales records, pioneered the modern music video, and infused dance into rock and pop. While his life story has been well chronicled, Michael Jackson FAQ explores the stories behind his achievements. Did he play any instruments? How much of his own music did he compose? Who were his greatest influences in both music and dance? His art is his legacy, and Michael Jackson FAQ takes an in-depth look at Jackson's work with the Jackson 5 and the Jacksons in addition to his solo catalog. Learn why current artists such as Justin Timberlake, Lady Gaga, Justin Bieber, and countless boy bands still emulate his sound, look, and showmanship. Questions are tackled – such as whether Off the Wall or Thriller better stands the test of time. From his childhood in Gary, Indiana, through the posthumous albums, this book covers lesser-known but important stories such as how Jackson influenced disco and hip-hop, how his singing style transitioned from childhood to adulthood, and how he learned to moonwalk.