Vincent Van Gogh once wrote when his paintings weren't selling; ‘I cannot help it that my paintings do not sell. The time will come when people will see that they are worth more than the price of the paint.’ I wish they would take me as I am. - Vincent Van Gogh. Jean-Paul Sartre voiced, if victory is told in detail, one can no longer distinguish it from a defeat. What we all want from life! That's the question we should ask ourselves every day as when we earn all the wealth and prosperity of this world then we try focusing on our soul satisfaction but how ravishing it would be if we felt peaceful even in the devastating storm! That even if everything is getting apart and broken around you but a deep solitude is having a permanent home in your soul; and you are so lost that you have no other desires and greed to make you feel satisfied. Vincent William Van Gogh, a Dutch Post-Impressionist Painter, is the most famous and influential figure in the history of modern art but inside he was just a broken artist, combating everything in agony & loneliness but improving himself with his actions. Most people are aware of this genius personality but he held a deep gloominess in his heart. While researching, I asked myself multiple times, Vincent Van Gogh died penniless, in depression, agony, in asylum, & intense loneliness but without any support, food or love, he created the marvellous paintings of all time; so what made him go for so long. Have you ever thought about whether destiny really exists or not? Everything is uncertain then what is fixed. What truly made him Vincent Van Gogh even despite everything that was against him, he created his world's best work even with nothing and we are still complaining because we don't have perfect resources for our work. What made him genius! What fortune he created even with nothing! That's astounding and loving to know! Our research was on Vincent Van Gogh because when everyone is blaming they have less resources, Vincent carved his fortune with nothing and what he weaved in his heart, is a matter of secret to be opened to the entire world and that's a proud moment because if he could accomplish perfection with nothing then why we can’t even with something. Time is an illusion as it makes you realise you have more and you have it but you don't have it until you claim it by utilizing it well. It's damn true and practical that everything is out of control, except your soul. So, if everything around is a mess and you are still at tranquillity then you are with your soul. Your profession is not what brings home your weekly pay check, your profession is. What you're put here on earth to do, with such passion and such intensity that it becomes spiritual in calling. - Vincent Van Gogh.

To Lead a Good Life... is a self-help book, featuring a collection of sixty-two, motivational stories, inspirational essays, and lessons on effective leadership. From cover to cover, it offers unique examples of people with a little moxie, finding their strength, courage, and passion.

One of the most celebrated artists of Western art, the Post-Impressionist Vincent van Gogh created masterpieces that are now famous for their striking colour, emphatic brushwork and contoured forms. Although the artist died in obscurity, his artworks would go on to change the course of modern art, powerfully influencing Expressionism and the works of leading artists. A first of its kind in digital print, the ‘Masters of Art’ series allows readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents the complete paintings and letters of the Dutch master. For all art lovers, this stunning collection offers a personal and unique digital portrait of one of the world’s greatest artists. (Version 2) Features: * the complete paintings of Vincent van Gogh — over 800 paintings, fully indexed and arranged in chronological order * features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * beautiful 'detail' images, allowing you to explore van Gogh's celebrated works in detail * numerous images relating to van Gogh’s life and works * includes over 800 letters — explore the artist’s vast and scholarly correspondence with his brother Theo * EVEN includes the detailed biography by van Gogh’s sister-in-law * hundreds of images in stunning colour - highly recommended for tablets, iPhone and iPad users, or as a valuable reference tool on traditional eReaders * UPDATED with improved and larger images Please visit: www.delphiclassics.com for more information and to browse our range of titles CONTENTS: The Highlights STILL LIFE WITH CABBAGE AND CLOGS AVENUE OF POPLARS IN AUTUMN THE POTATO EATERS SKULL WITH BURNING CIGARETTE SELF-PORTRAIT WITH STRAW HAT THE WHITE ORCHARD PORTRAIT OF THE POSTMAN JOSEPH ROULIN STILL LIFE: VASE WITH TWELVE SUNFLOWERS VINCENT’S HOUSE IN ARLES (THE YELLOW HOUSE) THE CAFÉ TERRACE ON THE PLACE DU FORUM, ARLES, AT NIGHT PORTRAIT OF DR. GACHET VINCENT’S BEDROOM IN ARLES VINCENT’S CHAIR WITH HIS PIPE THE RED VINEYARD SELF-PORTRAIT WITH BANDAGED EAR THE STARRY NIGHT WHEAT FIELD WITH CYPRESSES IRISES WHEAT FIELD WITH CROWS The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Letters THE CORRESPONDENCE OF VINCENT VAN GOGH The Biography MEMOIR OF VINCENT VAN GOGH by Johanna Gesina van Gogh Please visit: www.delphiclassics.com for more information

NEW YORK TIMES BESTSELLER • “The definitive biography for decades to come.”—Leo Jansen, curator, the Van Gogh Museum, and co-editor of Vincent van Gogh: The Complete Letters Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize–winning biography of Jackson Pollock, have written another tour de force—an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in the world; his intense relationship with his brother Theo; and his move to Provence, where he painted some of the best-loved works in Western art. The authors also shed new light on many unexplored aspects of Van Gogh’s inner world: his erratic and tumultuous romantic life; his bouts of depression and mental illness; and the cloudy circumstances surrounding his death at the age of thirty-seven. Though countless books have been written about Van Gogh, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh’s life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • The Wall Street Journal • San Francisco Chronicle • NPR • The Economist • Newsday • BookReporter “In their magisterial new biography, Van Gogh: The Life, Steven Naifeh and Gregory White Smith provide a guided tour through the personal world and work of that Dutch painter, shining a bright light on the evolution of his art. . . . What [the authors] capture so powerfully is Van Gogh’s extraordinary will to learn, to persevere against the odds.”—Michiko Kakutani, The New York Times “Brilliant . . . Steven Naifeh and Gregory White Smith are the big-game hunters of modern art history. . . . [Van Gogh] rushes along on a tide of research. . . . At once a model of scholarship and an emotive, pacy chunk of hagiography.”—Martin Herbert, The Daily Telegraph (London)

Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”

A carefully selected edition of the letters of Van Gogh. For this great artist it is unusually difficult to separate his life from his work. These letters reveal his inner turmoil and strength of character, and provide an extraordinary insight into the intensity and creativity of his artistic life.

Including unpublished material recorded from Henri Nouwen's lectures, this book comes at the request of the Henri Nouwen's literary estate from someone who knew him as a teacher and friend. Carol Berry brings her own experience in both ministry and art education to bear as she unpacks the much misunderstood spiritual context of Vincent van Gogh's work, and reinterprets van Gogh's art in light of Nouwen's lectures.

A man takes a trip to a wheat field in Auners-sur-Oise, France, on July, 27, 1890, with the intention of helping Vincent Van Gogh kill himself. When Van Gogh asks who he is, the stranger simply replies, "Why not paint my portrait?"--thus turning time on its heels as the fictional biography leaps into the Parisian art world of Cézanne, Apollinaire, and Picasso.

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