Born in the Castilian town of Ávila in 1515, Teresa entered the Carmelite convent of the Incarnation when she was twenty-one. Tormented by illness, doubts and self-recrimination, she gradually came to recognize the power of prayer and contemplation - her spiritual enlightenment was intensified by many visions and mystical experiences, including the piercing of her heart by a spear of divine love. She went on to found seventeen Carmelite monasteries throughout Spain. Teresa always denied her own saintliness, however, saying in a letter: 'There is no suggestion of that nonsense about my supposed sanctity.' This frank account is one of the great stories of a religious life and a literary masterpiece - after Don Quixote, it is Spain's most widely read prose classic.

The life and many afterlives of one of the most enduring mystical testaments ever written The Life of Saint Teresa of Avila is among the most remarkable accounts ever written of the human encounter with the divine. The Life is not really an autobiography at all, but rather a confession written for inquisitors by a nun whose raptures and mystical claims had aroused suspicion. Despite its troubled origins, the book has had a profound impact on Christian spirituality for five centuries, attracting admiration from readers as diverse as mystics, philosophers, artists, psychoanalysts, and neurologists. How did a manuscript once kept under lock and key by the Spanish Inquisition become one of the most inspiring religious books of all time? National Book Award winner Carlos Eire tells the story of this incomparable spiritual masterpiece, examining its composition and reception in the sixteenth century, the various ways its mystical teachings have been interpreted and reinterpreted across time, and its enduring influence in our own secular age. The Life became an iconic text of the Counter-Reformation, was revered in Franco’s Spain, and has gone on to be read as a feminist manifesto, a literary work, and even as a secular text. But as Eire demonstrates in this vibrant and evocative book, Teresa’s confession is a cry from the heart to God and an audacious portrayal of mystical theology as a search for love. Here is the essential companion to the Life, one woman’s testimony to the reality of mystical experience and a timeless affirmation of the ultimate triumph of good over evil.

Autobiographical writings on faith frequently come from the lives of ordinary persons whose struggles with faith are often lived at the margins of the church, academy, and society. Yet these voices have the potential to reshape the ways in which each of these fields function. To find out what it means to stand before God with all of one’s humanity on display is to engage in not only the act of confession, but to demonstrate a bold theological reflection that needs to be more explicitly understood. By turning to spiritual autobiographies as theological source texts, we learn to place our emphasis where it matters most, on the people whose lives of faith move us deeply and cause us to re-examine our own lives in light of their witness. Moving through a range of ancient, early modern, and contemporary spiritual writers in order to demonstrate a profound connection that unites them all, this book portrays how a critical self-examination of one’s most personal, internal fractures (our “poverty” as it were) is the only way to develop a life of faith—the dual meaning of the word “confession,” which expresses both a revealing of one’s sins, or brokenness, and the articulation of what one believes.

The definitive three-volume edition of St Teresa of Avila's prose and poetry, in Professor E. Allison Peers's justly celebrated translation.

The works of Spanish nun SAINT TERESA OF AVILA (1515-1582) rank among the most extraordinary mystical writings of Roman Catholicism and among the classics of all religious traditions... and her own life story is considered one of the finest autobiographies in any language. From her carefree childhood through her life as an ascetic Carmelite nun, from her visions of Satan through her worship of God, this is her passionate yet earthy retelling of her struggles with temptation, her work founding and ruling convents, and her devotion to God. Hailed by those seeking spiritual succor as one of the most accessible guides to achieving a closer relationship to God through prayer, this extraordinary book remains a commanding entry to numinous Christianity.

Following the success of John of the Cross (Continuum 2010) and Return to the Mystical (Continuum 2011), Dr Peter Tyler completes his 'mystical trilogy' with a penetrating analysis of the life, work and context of St Teresa of Avila – this most popular and influential of all saints. To coincide with her anniversary year in 2015 he presents an accessible volume on the saint including the background to her life and times, her mystical theology, instructions on prayer and relevance for today. The book consists of three parts – the context of Teresa's life; an examination of the texts themselves and finally an exploration of Teresa's relevance to our 'postmodern world' including chapters on Teresa and psychology, mindfulness, meditation and personal development. This book is a major contribution to Teresian scholarship and a welcome addition to her anniversary celebrations.

This text contains eight essays on the theme of perspective and perception in several of George Eliot's novels.

The Autism of Gxd: An Atheological Love Story is truly a love story--the story of Ruth Dunster's autistic search for an authentic, personal, and theological "Gxd." In this, it resembles Augustine's Confessions, as a theological autobiography. It becomes atheological, however, as Dunster reckons with what Denys Turner terms "The Darkness of God." This awareness leads her through the poetry of Medieval mystics to the mythic "death of God" theology of Thomas J. J. Altizer. The search for faith is nonetheless very real in this strange territory. Dunster hears her autistic Gxd speaking in art, poetry, novels, and music; and this further leads her into the territory of Literature, Theology, and the Arts, where, in Blanchot's words, "the answer is the poem's absence." Indeed, Dunster calls the book "a strange poem, or even a hymn." Weaving an autistic mythology out of a rigorous survey of clinical autism, this book abounds in challenge and paradox. It offers a fascinating view into how an autistic poet becomes a theologian; and what more mainstream theologies might learn from this "disabled Gxd."