Susan Whyman's latest book tells the story of William Hutton, a self-taught workman who rose to prominence during the Industrial Revolution in the rapidly-expanding city of Birmingham. This book brings to life a cast of 'rough diamonds', people of worth and character, but lacking in manners and education, who improved their towns and themselves.

Part II of this edition reproduces The Tour of Africa, first published in 1821 by Catherine Hutton. Although framed as a first-person narrative, the three-volume work is in fact a compilation of existing travel accounts. Hutton’s Tour raises challenging questions about intertextuality in nineteenth-century women’s travel writing.

This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.