In January of 1920, the Eighteenth Amendment to the United States Constitution went into effect and the sale and manufacture of intoxicating spirits was outlawed. America had officially gone “dry.” For the next thirteen years, bootleggers and big city gangsters satisfied the country’s thirst with moonshine and contraband alcohol. On the US-Mexico border, a steady stream of black market booze flowed across the Rio Grande. Tasked with combating the liquor trade in the borderlands of the American Southwest were the “line riders” of the United States Customs Service and their colleagues in the Immigration Border Patrol. From late-night shootouts on the Rio Grande and the back alleys of El Paso, Texas, to long-range horseback pursuits across the deserts of Arizona, this book tells the little-known story of the long and deadly “liquor war” on the border during the 1920s and 1930s and highlights the evolution of the Border Patrol amidst the chaos of Prohibition. Spanning a nearly twenty-year period, from the end of World War I to repeal of the Eighteenth Amendment and beyond, The Line Riders reveals an often overlooked and violent chapter in American history and introduces the officers that guarded the international boundary when the West was still wild.

Line Rider is the true story of the life of Joseph Harrison Pearce (1873-1958), written by his own hand. During his lifetime, the “wild west” from the storybooks still lived and breathed in one of the last places to be modernized—Arizona. Joe, as he calls himself, took various roles throughout his adventurous life, including sheep herder, cowman, courter, tracker, line rider, and, most famously, that venerated breed of law man know as the Arizona Ranger. His story leads him to encounters with cattle rustlers, gamblers, saloons, stampedes, horse thieves, Indian trackers, outlaws, and nearly every other subject that later made its way into western legend. But this story is absolutely real, told in his own voice in vivid detail.

The concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large. Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Brégent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States' relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.