The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-06-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 88 VOLUME NUMBER: Vol. III, No. 12. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 779-848 ARTICLE: 1. The Madras Braodcasting Centre 2. Careers In Indian Broadcasting 3. Ludwig Von Beethoven AUTHOR: 1. C. W. Goyder 2. Lionel Fielden 3. J. G. N. Brown KEYWORDS: 1. Reverberation Time , Acoustic Material, Signalling System, High Tension Supply, Modulation System, Eastnook, Drama Studio, Indian Music Studio 2. Lionel Fielden, Controller Of Broadcasting, Qualifications, Hours Of Transmission, Candidates 3. Beethoven, Mozart, Vienna, Emotional Expression Document ID: INL - 1938 ( J-D) Vol -I (12)

The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-08-1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 58 VOLUME NUMBER: Vol. I. No. 17. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 850-880 ARTICLES: 1. From Microphone To Receiver Author of Article: 1. Unknown Keywords: 1. Microphones, Binaural reproduction, Diaphragm Document ID:INL-1935-36 (D-D) Vol-I (17)

The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English MONTH & YEAR OF PUBLICATION: 07/01/1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. I, No. 2 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS):88-121, 123-126 ARTICLES: 1. The King Emperor Speaks To His People 2. Mr Verrier Elwin's Christmas Day Broadcast from the Bombay Studio 3. Indian Dancing 4. Recepion Overseas 5. The Development Of Civil Aviation In India 6. Taverns In India In The Olden Times 7. Rural And National Planning Author of Articles: 1. Unknown 2. Unknown 3. Unknown 4. Peter Goss 5. F. Tymms 6. Major H. Hobbs 7. Sir Daniel Hamilton Keywords: 1. Loyalty, Love, Message of Hope 2. Karanjia village, Christmas, London listeners 3. Dancer Uday Shankar, Shiva, gesture, Hindu Dancing 4. Local Listeners, Relay Service, wireless exchange 5. Civil Aviation, Imperial Airways, Indian National Airways, Rangoon 6. Statesman, Great Britain, India, Asia Minor and Persia, Calcutta, taverns 7. British India steamer Dorunda, Gosaba, Mahajan, Panchayat Document ID:INL-1935-36 (D-D) Vol-I (02)

A concise history of jazz The noteworthy composers and musicians, from Jelly Roll Morton and Thelonious Monk to Miles Davis and Charles Mingus Major performers from Louis Armstrong and Ella Fitzgerald to Nat King Cole and Duke Ellington Classic songs and compositions The most influential recordings of all time A complete guide to jazz terminology and lingo Valuable resources for the Curious Listener

For the beginner or the devotee—it's everything the classical music buff needs to know. The major composers from Bach and Bartok to Rachmaninoff and Tchaikovsky Significant performers from Maurice Andre and Leornard Bernstein to Georg Solti and Yo Yo Ma The landmark works from Appalachian Spring to Don Juan A concise history of classical music A deconstruction of the art form The language of classical music Valuable resources for the Curious Listener

About the Book The Good Listener is a bold, new, fiction book about a plan among the animal leaders of the world, who meet at a barn in Los Angeles and develop a plan to end to the world-wide destruction and suffering caused by human beings: the animals have realized that the devastation is almost irreversible and that the animals have one last chance to stop the humans before a mass extinction of the animal kingdom begins. The animals agree to infect a young couple with a special seed obtained from the tar pits, secretly creating a hybrid-child, The Good Listener, a human baby with certain plant and animal characteristics which help the child communicate with every living thing on the earth. While The Good Listener has no eyes, ears, mouth, nor nostrils, it can breathe, see, and hear through its green skin, and is neither male nor female. Insects, birds and animals all come to see the wonderous child, while grasses, trees and plants bloom as the child walks past. The animals hope that The Good Listener will convince the people of the world that they must change their ways before the humans are left in a world with no plants or animals, but the government seizes the child for evaluation after it is seen in public. With The Good Listener’s help, the animals of the sea create a tsunami, attacking Los Angeles; and while the predators of the land attack humans in the city, the rest of the animals flee to the high mountains beginning a new life away from humans. At the same time, the plants release a new type of pollen, which is nutritious to birds and insects, but is flammable, and is also noxious and toxic to humans. To save themselves, the humans must develop a plan respecting, accommodating and incorporating all of the plants, insects, fish and animals of the world, or the humans will become extinct instead of the plants or the animals. The book is an adventure story comprised of numerous animals, several humans and the hybrid-child. The book contains a pre-quill embedded within the storyline, as well as an open-end, allowing a sequel. In addition, several of the animal characters have such unique personalities allowing the development of one or more independent prequel storylines. Alan, the king of the ants and Frank, the lord of the flies, are central figures in the book and likely deserve their own background stories. Finally, the main character, the hybrid-child, is unique and fascinating, creating a never-before seen opportunity to develop a multi-book line of sequels.

A Listener's Guide to Cellista's Transfigurations is the accompaniment to Cellista's album of experimental classical music Transfigurations. Cellista provides a critical companion text to her music that gives her listeners an opportunity to understand the compositional process behind her album. She offers a set of tools and "transfigurative" essays that guide curious ears through a musicological and at times, confessional journey. Readers will also find essays that plumb the subject of transfiguration through autobiographical reflection by the philosopher Dr. Frank Seeburger.

Giacomo Puccini (1858–1924) began his career at the end of the Romantic period and his death signaled the end of the last major age of Italian opera. During his lifetime and in posterity, the composer's popularity surpassed that of his peers, and three of his works — La bohéme, Tosca, and Madama Butterfly — rank among the twenty-first century's ten most-performed operas. With their enchanting melodies, exotic subjects, and realistic plots, Puccini's operas continue to speak to the minds and hearts of listeners. This comprehensive exploration of Puccini's most beloved operas presents concise and entertaining overviews of the composer's works. In addition to exploring the poignant stories that inspired the operas, the guide elaborates on their musical and dramatic content. Part musical analysis and part interpretation, this book is above all a personal appreciation. In addition to offering an ideal companion for opera devotees, the accessible treatment forms an excellent introduction for novices.