Without a doubt one of the most important, influential and acclaimed artists since the 1960s, Leonard Cohen is admired by fans, musicians and composers the world over. His death in 2016 at the age of 82 was front-page news globally. The deeply personal nature of his work, and its profound insight into humans and human nature see him revered as a lyrical genius, and for good reason. His ongoing themes of depression, love, religion and relationships struck a chord with fans all over the world and his albums (as well as his books of poetry) sold accordingly. The Little Guide to Leonard Cohen features quotes from the man himself, as well as contributions from many great artists and commentators. Cohen had many celebrity fans, including Bob Dylan, Kurt Cobain, Judy Collins and more. This book contains many insightful, witty and meaningful quotes by and about Leonard Cohen, as well as fascinating facts, song lists and more. SAMPLE QUOTE: 'My reputation as a ladies' man was a joke. It caused me to laugh bitterly through the 10,000 nights I spent alone.' - Leonard Cohen SAMPLE FACT: 'Hallelujah' has been recorded by more than 200 artists, in many languages. Many of the cover versions have outsold Cohen's original.

In January 2024, Succession won four Golden Globes - including Best Drama - from a record 13 nominations, cementing the truth in stone: no other show since The Sopranos has come close to its influence, impact and intelligence. Fuelled by the uncertainty of the global pandemic and the ugly political aftermath of the 2016 and 2020 U.S. elections, Succession's premise is simple but devastating: rip a despicable yet powerful family apart using jaw-droppingly innovative and original one-liners, led by a wealth of top TV talent. The Little Guide to Succession is an essential and hilarious read for fans of the Roy family and the rest of the business class ensemble's infamous and now-iconic wicked wit and quickfire quips. All the best quotes here, ready to be deployed at your command from this compact celebration of Succession. "You can't make a Tomlette without breaking some Gregs." Tom, to Greg (emailed to Greg 67 times in one evening), season two, episode nine, "DC". "You're a clumsy interloper, no one trusts you and the only guy pulling for you is dead. Now you're just married to the ex-boss's daughter and she doesn't even like you. You are fairly, squarely fucked." Karl, to Tom, when he "respectfully" threw his hat into the ring for interim CEO, season four, episode four, "Honeymoon States". "You look like a dildo dipped in beard trimmings." Roman, to designer-stubbled Stewy, season two, episode two, "Vaulter". 3,021 The number of times the word "fuck" is said throughout the show's four seasons. That's an average of 76 "fucks" per episode, or one every 1.2 minutes.

Leonard Cohen has aimed high: to be all Jewish heroes at once. Like Jacob, he struggled with angels. Like David, he sang psalms and seduced women. But he never ceased doing what he did best: going from city to city and reviving our hearts. Leonard Cohen: The Man Who Saw the Angels Fall follows the singer’s cosmopolitan life from Montreal and New York to the Greek island of Hydra and examines his perpetual dialogues with himself, God, and avalanches. We see how six decades of radiant pessimism and a few thousand nights in hotel rooms transformed a young Jewish poet who longed to be a saint into an existentialist troubadour in love with women and a gravelly-voiced crooner who taught a thousand ways of dissolving into love. After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.

This new Rough Guide is devoted to pop music, the tacky, catchy yet enduring music we grew up listening to when we should have been listening to something more profound. We celebrate the hits, the singers, the impresarios and the songs which have made up the soundtrack to our lives. So come along pop pickers, put on your blue suede shoes (or your tartan trousers or puffball skirt, it's your call) and take a stroll down Electric Avenue. Not aarf! Features include: bull; The Stars A celebration of those performers, from Robbie Williams to Andy Williams (and Madonna to Mungo Jerry), who have had us singing along or, in the case of Dean Friedman and Kajagoogoo, left us wondering what the world is coming to.

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

In The Wordless Leonard Cohen Songbook, master engraver George A. Walker provides a new perspective on a man whose words have captivated generations. Walker’s latest wordless narrative presents a suite of 80 wood engravings commemorating the life and artistic accomplishments of Leonard Cohen, the Montreal-born poet, novelist, and singer-songwriter whose career has spanned almost six decades. Best read to music, The Wordless Leonard Cohen Songbook presents images of Cohen’s iconic public persona alongside vivid interpretations of his ever-evolving work. The engravings compose a biographical mosaic that invites readers backstage, behind the curtains of Cohen’s critical and commercial acclaim. Some scenes are drawn from history; other depictions arise from imagination and interpretation. These images encourage us to search beyond the visual elements and to see in them a poem, a song, a meaningful turn of phrase. They urge us to look beyond the black and white and to consider Cohen’s life and work through the lens of our own experience. The Wordless Leonard Cohen Songbook originated in celebration of Cohen’s 80th birthday as a limited edition of 80 copies hand printed in Walker’s studio in Leslieville, Toronto.

Anthony Reynolds’ fascinating and detailed biography draws on scores of new interviews conducted with Cohen’s band members past and present, his business associates, editors, friends, fans, producers, colleagues, enemies and peers. As well as their revealing accounts, the author has gained access to hours of previously unpublished interviews with Cohen as well as video archive recordings from several decades. The book also includes an authoritative summary of every Cohen album, with insights and recollections supplied from the musicians who appeared on the recordings. Gradually, despite Cohen’s own good-natured evasiveness over the past 40 years, a surprisingly frank portrait begins to emerge of the legendary figure who commands unparalleled loyalty from his fans and followers, young and old. From the distant days of his penniless beginnings as a much-praised poet in Montreal, through the travels, affairs and religious crisis to his latest tours, Cohen’s extraordinary life and body of work is examined as never before. The book includes many previously unpublished photographs.

“A treasure trove for Leonard Cohen fans—the dazzling, wide-ranging collection of interviews that Jeff Burger has unearthed not only offers the songwriter’s story in his own words but reveals that Cohen’s language in conversation can be every bit as magnificent as his lyrics.” —Alan Light, author of The Holy or the Broken This book collects more than fifty interviews with Leonard Cohen, one of the most admired performers of the last half century, conducted worldwide between 1966 and 2012, and also includes a foreword by singer Suzanne Vega and eight pages of rarely seen photos. In it, the artist talks about “Bird on the Wire,” “Hallelujah,” “Famous Blue Raincoat,” and his other classic songs. He candidly discusses his famous romances, his years in a Zen monastery, his ill-fated collaboration with producer Phil Spector, and his long battle with depression. He also comments on his sometimes controversial poetry and novels, the financial crisis that nearly wiped out his savings, and his remarkable late-career resurgence. Here you’ll find interviews that first appeared in the New York Times and Rolling Stone, but also conversations that have not previously been printed in English, as well as many illuminating reminiscences that contributors supplied specifically for this definitive anthology. Jeff Burger is the editor of Springsteen on Springsteen. He has contributed to Barron’s, Family Circle, GQ, the Los Angeles Times, Reader’s Digest, and more than seventy-five other magazines, newspapers, and books. He lives in Ridgewood, New Jersey.

'In 1979 Leonard Cohen set off on his Field Commander Cohen world tour accompanied by Harry Rasky. Rasky was a young filmmaker and it would be one of the wildest years of his life. From soaking in a Jacuzzi with Cohen, drinking wine and discussing the meaning of life to the pair running away from armed police in Germany suspected of being Bader-Meinhof terrorists this is the full story of that tour and a rare insight into Leonard Cohen the poet, musician and man. Harry Rasky created the acclaimed documentary The Song of Leonard Cohen and he has now delved into his personal archives and diaries to write this intimate and moving portrait of Cohen. Including previously unseen photos, as well as Cohen's own commentary on his writing and his development as a writer no other book gets so close to Leonard Cohen the writer.Also containing a special bonus chapter, The Dylan Diaries, based on Harry Rasky's notes from an abandoned 1966 documentary project with Bob Dylan that captures Dylan's chaotic creativity at the time.

After suffering a devastating loss, Claudia writes letters to family and friends, the famous and the infamous, as a means to explore the events in her own life and find meaning in human connections. In this third memoir by Claudia Sternbach, she once again knits together fragments — this time using letters written to the likes of Goldie Hawn, Leonard Cohen, Vermeer, the Real Housewives of Beverly Hills and more — to shape a story of a woman attempting to make sense of the life she is living and those who have been a part of it — knowingly or not. Her letters show us that we are all connected even by the thinnest of threads, that exploring those connections helps give shape and understanding to our past, and shines a light on what the future may hold. In a time where emails are thought of as too time-consuming, and text messages seem to be our main way of communicating, Sternbach reminds us that the art of letter writing should not be tossed aside so quickly.