"Peter Linebaugh's groundbreaking history has become an inescapable part of any understanding of the rise of capitalism. In eighteenth-century London the spectacle of a hanging was not simply a form of punishing transgressors. Rather it evidently served the more sinister purpose -- for a privileged ruling class -- of forcing the poor population of London to accept the criminalization of customary rights and new forms of private property. Necessity drove the city's poor into inevitable conflict with the changing property laws such that all the working-class men and women of London had good reason to fear the example of Tyburn's triple tree.In this new edition Peter Linebaugh reinforces his original arguments with responses to his critics based on an impressive array of historical sources. As the trend of capital punishment intensifies with the spread of global capitalism, The London Hanged also gains in contemporary relevance." -- Publisher.

In a time characterized by increasing attempts of propertied classes to criminalize the customary rights of the working classes, the gallows at Tyburn became the dramatic focus of a struggle between the rich & the poor within a century of unparalleled growth in trade & commerce.

Peter Linebaugh's groundbreaking history has become an inescapable part of any understanding of the rise of capitalism. In eighteenth-century London the spectacle of a hanging was not simply a form of punishing transgressors. Rather it evidently served the most sinister purpose-for a prvileged ruling class-of forcing the poor population of London to accept the criminalization of customary rights and the new forms of private property. Necessity drove the city's poor into inevitable conflict with the changing property laws, such that all the working-class men and women of London had good reason to fear the example of Tyburn's Triple Tree. In this new edition Peter Linebaugh reinforces his original arguments with responses to his critics based on an impressive array of historical sources. As the trend of capital punishment intensifies with the spread of global capitalism, The London Hanged also gains in contemporary relevance.

The Social Topography of a Rural Community is a micro-history of an exceptionally well-documented seventeenth-century English village: Chilvers Coton in north-eastern Warwickshire. Drawing on a rich archive of sources, including an occupational census, detailed estate maps, account books, private journals, and hundreds of deeds and wills, and employing a novel micro-spatial methodology, it reconstructs the life experience of some 780 inhabitants spread across 176 households. This offers a unique opportunity to visualize members of an English rural community as they responded to, and in turn initiated, changes in social and economic activity, making their own history on their own terms. In so doing the book brings to the fore the social, economic, and spatial lives of people who have been marginalized from conventional historical discourse, and offers an unusual level of detail relating to the spatial and demographic details of local life. Each of the substantive chapters focuses on the contributions and experiences of a particular household in the parish-the mill, the vicarage, the alehouse, the blacksmith's forge, the hovels of the labourers and coalminers, the cottages of the nail-smiths and ribbon-weavers, the farms of the yeomen and craftsmen, and the manor house of Arbury Hall itself-locating them precisely on specific sites in the landscape and the built environment; and sketching the evolving 'taskscapes' in which the inhabitants dwelled. A novel contribution to spatial history, as well as early modern material, social and economic history more generally, this study represents a highly original analysis of the significance of place, space, and flow in the history of English rural communities.

The Critical Companion to Contemporary Marxism is an international and interdisciplinary volume which aims to provide a thorough and precise panorama of recent developments in Marxist theory in the US, Europe, Asia and beyond. Drawing on the work of thirty of the most authoritative scholars, the Companion spans all the humanities and social sciences, with particular emphasis on philosophy. The work is divided into three parts: 'General Trends', which provides a broad intellectual and historical context; 'Currents', which tracks the trajectories of twenty specific currents or disciplinary fields; and 'Figures', which examines in detail the work of fifteen key actors of Marxist or para-Marxist theory (Adorno, Althusser, Badiou, Benjamin, Bhaskar, Bourdieu, Deleuze, Derrida, Foucault, Gramsci, Habermas, Jameson, Lefebvre, Uno, Williams). The Companion is set to be unsurpassed for many years, in breadth and depth, as the definitive guide to contemporary Marxism.

Theatre and Prison investigates how theatre-makers stage critical questions about the use of prison in society. Using examples from popular culture, dramatic texts and applied theatre it analyses how theatre and performance reveals economies of punishment, affects penal reform and both challenges and participates in narratives of reformation.

James Boswell (1740–1795), best known as the biographer of Samuel Johnson, was also a lawyer, journalist, diarist, and an insightful chronicler of a pivotal epoch in Western history. This fascinating collection, edited by Paul Tankard, presents a generous and varied selection of Boswell’s journalistic writings, most of which have not been published since the eighteenth century. It offers a new angle on the history of journalism, an idiosyncratic view of literature, politics, and public life in late eighteenth-century Britain, and an original perspective on a complex and engaging literary personality.