A collection of essays about the joys and struggles of being alone by 22 literary writers including: Lev Grossman, Jhumpa Lahiri, Lena Dunham, Jesmyn Ward, Yiyun Li, and Anthony Doerr If you’re feeling lonely or if you’ve ever felt unseen, if you’re emboldened by solitude or secretly longing for it: Welcome to The Lonely Stories. This cathartic collection of essays illuminates an experience that so few of us openly discuss. Some stories are heartbreaking, such as Jesmyn Ward’s reckoning with the loss of her husband and Dina Nayeri’s reflection on immigrating to a foreign country. Others are witty, such as Lev Grossman’s rueful tale of heading to the woods or Anthony Doerr’s struggles with internet addiction. Still others celebrate the clarity of solitude, like Claire Dederer’s journey toward sobriety and Lidia Yuknavitch’s sensual look at desire. Thoughtful and affirming, The Lonely Stories reveals the complexities of an emotion we’ve all felt—reminding us that we're not alone. Contributors include: Megan Giddings Claire Dederer Imani Perry Jeffery Renard Allen Maggie Shipstead Emily Raboteau Lev Grossman Lena Dunham Yiyun Li Anthony Doerr Helena Fitzgerald Maile Meloy Aja Gabel Jean Kwok Amy Shearn Peter Ho Davies Maya Shanbhag Lang Jhumpa Lahiri Jesmyn Ward Lidia Yuknavitch Dina Nayeri Melissa Febos

Charlotte Emma Gledson's The Lonely Tree and Other Twisted Tales of Torment is a collection of dark, disturbing and explicit stories that break the boundaries of usual horror fiction. Touching on subjects that are 'close to home'; these tales will conjure up feelings of agitation, with the lingering unease that will haunt you throughout your day. These stories are based on the horror and madness of the human mind. 'The book that I am reading right now, is Charlotte Gledson's The Lonely Tree. A treasure of dark tales that will keep me far away from England and the horrors that lie there. She has the ability to wrap you with the beauty of her words, and then darken the entire room around you with the meaning behind them. I would suggest this for any fans of horror and dark gothic tales'. JEFF EZELL - Autho

Finally collected by IT’S ALIVE! and co-published with Dark Horse, The Lonely War of Capt. Willy Schultz was originally serialized in the comic book Fightin' Army in the 1960s. An American solider of German heritage finds himself on the wrong side of World War II in this sweeping epic. This war story is, at its heart, an anti-war story and a story about universal human nature in the hellhole of war. Also includes a new final chapter drawn by Wayne Vansant and a new historical essay by Stephen R. Bissette about the series. This series was written by a sixteen-year-old Will Franz and illustrated by the already-seasoned comic book creator and WWII veteran Sam Glanzman. The entire story arc, collected here and finally finished, is one of the most dramatic, moving, and controversial comic book stories ever told!

The shocking series of crimes committed by lovers Martha Beck and Raymond Fernandez dominated the front pages in 1949. Caught for the double homicide of a widow and her young daughter in Michigan, the first couple of crime became the focus of an intense debate over the death penalty and extradition. Their story climaxed in a sensational trial in New York City and concluded two years later inside Sing Sing's notorious "Death House." Pulp fiction era reporters, who followed every step taken by the accused slayers, christened Beck and Fernandez the "Lonely Hearts Killers"--a nickname that stuck and has since been used to describe an entire category of criminal behavior. Despite the sensationalization of the killer couple's exploits, the story of the Michigan crime that ended their spree has until now remained largely untold. Drawing on rare archival material, this book presents, for the first time anywhere, a detailed account of this lost chapter in the saga of the "Lonely Hearts Killers." Both biography and analysis, this book also attempts to deconstruct the myths and misconceptions and to provide answers to a few unanswered questions about the case.

"The Colorful History of the Lonely" is a collection of poetry speaking of love, romance, longing, loss, and passion in ways guaranteed to be meaningful to anyone who has ever experienced the highs and lows of relationships.

The Lonely Other chronicles the life of a woman constantly facing new amazements. In Wound Chevy at Wounded Knee (Best of the Best American Essays (1994)) Diana Hume Georgia recounts how she lived a trapped and futile life as a white teenage bride on an Indian reservation. As an adult she confronts drunken hunters outside her isolated cabin; she faces her fear of heights by climbing in the White Mountains; she unflinchingly delves into her long-standing engagement with Anne Sexton's poetry, and into her own father's suicide. Always she wonders: Can women learn to travel alone, on roads and in their daily lives, without fear.

If you loved A Man Called Ove, then prepare to be delighted as Jamaican immigrant Hubert rediscovers the world he'd turned his back on this "warm, funny" novel (Good Housekeeping). In weekly phone calls to his daughter in Australia, widower Hubert Bird paints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news—good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on. The news that his daughter is coming for a visit. Now Hubert faces a seemingly impossible task: to make his real life resemble his fake life before the truth comes out. Along the way Hubert stumbles across a second chance at love, renews a cherished friendship, and finds himself roped into an audacious community scheme that seeks to end loneliness once and for all . . . Life is certainly beginning to happen to Hubert Bird. But with the origin of his earlier isolation always lurking in the shadows, will he ever get to live the life he's pretended to have for so long?

This book presents a sociological challenge to the long-held assumption that dying alone is a bad way to die and that for a death to be a good one the dying person should be accompanied. This assumption is represented in the deathbed scene, where the dying person is supported by religious or medical professionals, and accompanied by family and friends. This is a familiar scene to consumers of culture and is depicted in many texts including news media, fiction, television, drama and documentaries. The cultural script underpinning this assumption is examined, drawing on empirical data and published literature. Clarification is offered about what is meant when someone is said to die alone: are they alone at the precise moment of their death, or is it during the period before that? Questions are asked about whose interests are best served by the accompaniment of dying people, whether dying alone means dying lonely and whether, for some individuals, dying alone can be a choice and offer a good death? This book is suitable for scholars and students in the field of dying and death, as well as practitioners who work with dying people, some of whom may wish to be alone.