In his hard-hitting and controversial book, George Watson examines the foundation texts of socialism to find out what they really say; the result is blasphemy against socialism's canon of saints. Marx and Engels publicly advocated genocide in 1849; Ruskin called himself a violent Tory and a King's man; and Shaw held the working classes in utter contempt. Drawing on an impressive range of sources from Robert Owen to Ken Livingstone, the author demonstrates that socialism was a conservative, nostalgic reaction to the radicalism of capitalism, and not always supposed to be advantageous to the poor. There have even been socialist monarchs - Napoleon III was one. Two chapters of the book study Hitler's claim that 'the whole of National Socialism' was based on Marx, and bring to light the common theoretical basis of the beliefs of Stalin and Hitler which led to death camps. As a literary critic, George Watson's concern is to pay proper respect to the works of the founding fathers of socialism, to attend to what they say and not what their modern disciples wish they had said. The dust grows thick on many of these tomes, while present-day socialists follow a few ossified slogans plucked selectively from the best-known books. Socialist ideas are now rescued from priggish and woolly-thinking moralists so that genuine debate can be revived. This invigorating book forces the reader to abandon long-standing assumptions in political thought. It is certain to ruffle feathers, blue as well as red.

In this enjoyably iconoclastic book, George Watson discusses some of the great heresies of the twentieth century, and the cultural heretics who espoused them, often with surprising results. Watson provides us with examples of 'true', original heretics, many of whom he has met and taught: from Sir Arthur Quiller-Couch, who asserted that his study of the remote past had made a radical of him, rather than any influence of modernism, to Douglas Adams, whom Watson knew as an undergraduate. Watson forces us toquestion various long-cherished political and intellectual assumptions in his witty and conversational style. Is snobbery really such a bad thing? Have we ignored the links between socialism and genocide? He touches entertainingly upon subjects as diverse as literary theory (experimental fiction is often the last resort of those who have nothing to say), and the unoriginal conformism of teenage Marxists (incapable of actually reading Marx, as he is too boring). This is a work which will delight any reader seeking a uniquely personal perspective on the culture, history, and personalities of the twentieth century.

This controversial study of socialist literature, the most significant since 1945, considers the forgotten texts of socialism of the 19th and early 20th centuries, and reveals how socialism was often linked to conservative, racist and genocidal ideas.

Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic. In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.

Sun Yatsen (1866-1925) occupies a unique position in modern Chinese history: he is equally venerated as the founding father of the nation by both the mainland Communist government and its Nationalist rival in Taiwan. The first president of the Republic of China in 1911-12, the peasant-born yet Western-trained Dr Sun was also a dedicated political theorist, constantly in search of the ideal political and constitutional blueprint to underpin his incomplete revolution. A decade before the public emergence in Japan of his ‘Three Principles of the People’, and weeks before even his first slim publication in 1897, Kidnapped in London, Sun was already hard at work in the Reading Room of the British Museum, planning his most ambitious book yet: a comprehensive political treatise in English on the tyrannical misgovernment of the Chinese nation by the Manchus of the Qing Dynasty. Started then abandoned twice over, destined never to be completed, let alone published, we can only conjecture what title this revolutionary book might have had. The Lost Book of Sun Yatsen and Edwin Collins is the first study of this lost work in all scholarship, Western or Chinese. It draws its originality and its themes from three primary sources, all presented here for the first time. The first is a series of interconnected lost writings co-authored by Sun Yatsen between 1896 and 1898. The second is the mass of lost political interviews with, and articles dedicated to, Sun Yatsen and his politics, first published in the British press in the aftermath the dramatic world-famous rescue of Sun from inside the Chinese Legation in London in 1896. The third source is the ‘Apostle of the Simple Life for Children’, the Anglo-Jewish Rabbi Edwin Collins (1858-1936), a devotee and practitioner of Jean-Jacques Rousseau’s Émile and the New Education movement it inspired, who became Sun’s writing collaborator of choice during his years of political exile from China. Drawing on this wealth of neglected material, Patrick Anderson’s book offers a genuinely fresh perspective on Sun Yatsen and his political motivations and beliefs.

Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.