The Guodian manuscripts are a cache of literary and philosophical texts from the fourth century BCE, discovered in a Warring States–period tomb in China’s Hubei Province. Through detailed decipherment and textual analysis, Kuan-yun Huang investigates the historical and philosophical contexts of these texts and convincingly proposes their association with Zisi, the grandson of Confucius. Huang not only offers an in-depth portrait of this famous scion from excavated texts and transmitted literary records, but also reveals the connection of the Guodian texts with early intellectual tradition in China, including the teachings of Xunzi, Mencius, Confucius, and the legendary Laozi, as well as the effort of rewriting that transformed Zisi’s original teachings into a conformist line of thinking, which defined and constituted the Confucian tradition of a later time. ------------- In Kuan-yun Huang’s The Lost Texts of Confucius’ Grandson, the shadowy figure of Zisi comes to life as an antinomian thinker whose works fill the lacuna between Confucius and Mencius. What is most compelling about this book is its insistence that in scholarship we must respect the interpretive context. The new putative Zisi materials have to be read in such a way that they are correlated with and situated clearly within what Huang calls “the literary record.” Huang’s synoptic understanding of the literature allows for much “abduction” in his presentation, a kind of academic sleuthing in his best efforts to connect the dots. While an exciting read for those scholars who know the texts and specialize in ancient philosophical literature, at the same time, the story it tells will be of interest to all scholars who work in the field of Chinese studies. —Roger T. Ames Humanities Chair Professor, Peking University Huang carefully explicates what the newly discovered manuscripts teach us about fate, moral cultivation, familial love and obligation, and service in government, as well as other concepts that were originally meant to provide social order in the Warring States kingdoms during the time of Zisi and the generations of thinkers subsequent to him. Through close textual analysis and with each explanation of these ideas, Huang shows that we must shake ourselves loose from earlier assumptions about their significance and embrace what the recently recovered sources tell us. —Jeffrey Riegel Professor Emeritus, University of California, Berkeley The Guodian corpus has transformed our understanding of early Chinese thought. Huang does a masterful job of situating these texts in their historical and philosophical context, relying on the most current scholarly literature as well as insights gained from more recent discoveries, all in a very accessible style. Highly recommended. —Edward Slingerland Professor of Philosophy, University of British Columbia

At the heart of "All Things Flow into Form" (Fan wu liu xing), an ancient Chinese manuscript recently salvaged from the black market, is a concern with the process of self-cultivation, particularly the advancement through the incremental stages and the outcome that awaits one in the end: enlightenment, transparency, and self-possession. Critical to this discussion is a conception of a mind within a mind, the unity of which is obtained through the isolation of an innermost core free from extraneous distractions. Such a state is presented as an ideal for kingship, and the text, despite its possibly very ancient roots, is focused on the ruler's ethical training rather than his political maneuvers, his obligation to Heaven and the spirits rather than his dominance over his subjects. Probing deep into this text, we may observe heretofore unappreciated aspects of many of the transmitted literary sources, and in turn, come to more definite conclusions about the manuscript itself. To the extent that this analysis is successful, it illustrates an approach that can be tested against future efforts to read ancient Chinese texts in the light of newly unearthed documents.

This volume introduces readers to classical Chinese literature from its beginnings (ca. 10th century BCE) to the tenth century CE. It asks basic questions such as: How did reading and writing practices change over these two millennia? How did concepts of literature evolve? What were the factors that shaped literary production and textual transmission? How do traditional bibliographic categories, modern conceptions of genre, and literary theories shape our understanding of classical Chinese literature? What are the recurrent and evolving concerns of writings within the period under purview? What are the dimensions of human experience they address? Why is classical Chinese literature important for our understanding of pre-modern East Asia? How does the transmission of this literature in Japan, Korea, and Vietnam define cultural boundaries? And what, in turn, can we learn from the Chinese-style literatures of Japan, Korea, and Vietnam, about Chinese literature? In addressing these questions, the Oxford Handbook of Classical Chinese Literature departs from standard literary histories and sourcebooks. It does not simply categorize literary works according to periods, authors, or texts. Its goal is to offer a new conceptual framework for thinking about classical Chinese literature by defining a four-part structure. The first section discusses the basics of literacy and includes topics such as writing systems, manuscript culture, education, and loss and preservation in textual transmission. It is followed by a second section devoted to conceptions of genre, textual organization, and literary signification throughout Chinese history. A third section surveys literary tropes and themes. The final section takes us beyond China to the surrounding cultures that adopted Chinese culture and produced Chinese style writing adapted to their own historical circumstances. The volume is sustained by a dual foci: the recuperation of historical perspectives for the period it surveys and the attempt to draw connections between past and present, demonstrating how the viewpoints and information in this volume yield insights into modern China and east Asia.