The chronicle of Tennessee Williams and James Laughlin’s unlikely yet enduring literary and personal relationship. In December 1942, two guests at a Lincoln Kirstein mixer bonded over their shared love of Hart Crane’s poetry. One of them was James Laughlin, the founder of a small publishing company called New Directions, which he had begun only seven years earlier as a sophomore at Harvard. The other was a young playwright named Thomas Lanier Williams, or "Tennessee," as he had just started to call himself. A little more than a week after that first encounter, Tennessee sent a letter to Jay—as he always addressed Laughlin in writing— expressing a desire to get together for an informal discussion of some of Tennessee’s poetry. "I promise you it would be extremely simple," he wrote, "and we would inevitably part on good terms even if you advised me to devote myself exclusively to the theatre for the rest of my life." So began a deep friendship that would last for forty-one years, through critical acclaim and rejection, commercial success and failure, manic highs, bouts of depression, and serious and not-so-serious liaisons. Williams called Laughlin his "literary conscience," and New Directions serves to this day as Williams’s publisher, not only for The Glass Menagerie and his other celebrated plays but for his highly acclaimed novels, short stories, and volumes of poetry as well. Their story provides a window into the literary history of the mid-twentieth century and reveals the struggles of a great artist, supported in his endeavors by the publisher he considered a true friend.

Like an alchemist, Tennessee would dip his pen in reality and make fiction out of it. This journey through his life focuses on the influence of specific people and places on selected works.

A stunningly intimate exploration of the writer and gay cultural icon and of his lifelong search for authenticity. The story of Christopher Isherwood’s life is one of pilgrimage: away from the constraints of inheritance and empire and toward authenticity and spiritual illumination. Isherwood—the author of Goodbye to Berlin, which inspired Cabaret, and A Single Man—was born the heir to a crumbling English estate. He died an icon of gay liberation in California while his partner of thirty years, Don Bachardy, painted his death portrait. Isherwood began his career depicting the psychological wreckage of World War I. While living in Berlin, he began to write his reputation-making fiction and (with W. H. Auden) plays inspired by the city’s nightlife, its artistic underbelly, its fevered politics. When Hitler took power, he fled with his German boyfriend, who was pursued and arrested by the Gestapo. Isherwood left Europe and found work as a screenwriter in Hollywood, where he became the disciple of a Hindu monk, Swami Prabhavananda. Together they translated the Bhagavad Gita. Isherwood shed his family ghosts and became a chief instigator of the cultural shift that made gay liberation possible. Every step of the journey served his writing; one of our greatest diarists, he recorded his experiences and transformed them in fiction and memoir. Katherine Bucknell charts the quest of the restless, penetrating, blackly comic mind through books, films, foreign lands, love affairs, and collaborations toward self-understanding and happiness. Here is Christopher Isherwood Inside Out.

A Times, Spectator, TLS and BBC Music Magazine Book of the YearOver eight decades, Ravi Shankar was India's greatest cultural ambassador who took Indian classical music to the world's leading concert halls and festivals, charting the map for those who followed. Renowned for his association with The Beatles - teaching George Harrison sitar - Shankar turning the Sixties generation on to Indian music, astonishing the crowds at Woodstock, Monterey Pop and the Concert for Bangladesh with his virtuosity. He radically reshaped jazz and Western classical music as well as writing film scores, including Pather Panchali and Gandhi, and transformed awareness of Indian culture in the process.Indian Sun is the first biography of Ravi Shankar. Benefitting from unprecedented access to family archives, Oliver Craske paints a vivid picture of a captivating, restless workaholic, who lived a passionate and extraordinary life - from his childhood in his brother's dance troupe, through intensive study of the sitar, to his revival of the national music scene; and from the 1950s, a pioneering international career that ultimately made his name synonymous with India.

*A Town and Country Must-Read Book of Summer?* *A BUZZFEED BEST BOOK OF JUNE* *A Washington Post “Book to Read This Summer”* *AN ADVOCATE BEST LGBTQ+ BOOK OF 2022* *A USA Today "Book to Celebrate Pride Month"* *A New York Times "Editor's Pick"* *A Kirkus Reviews Hottest Book of Summer* A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination—its history, its meaning and its cultural significance—told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written, Fire Island is the definitive book on an iconic American destination and an essential contribution to queer history.

The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns was important to the English Romantic poets, in the context of debates about Abolition in the US, in the Victorian era he was widely utilised as a model for different kinds of popular poetry and he has been utilised as a contestant in debates surrounding Scottish and, indeed, British politics, in peacetime and in wartime down to the present day. The writer's afterlife includes not only a large number of biographies but a whole culture of commemoration in art, architecture, fiction, material culture, museum-exhibition and even forged manuscripts and memorabilia as well as appearances, apparently, via Spiritualist seances. The politics of his work channel the fierce debates of late eighteenth-century Scottish ecclesiastical controversy as well as the ages of American, Agrarian and French revolutions. All of this ground is traversed in this Handbook, the largest critical compendium ever assembled about Robert Burns.

'Remarkable... entertaining... deft... moving... refreshing' Daily Telegraph 'Textured literary portraits of the masculine mind and body' Raymond Antrobus, author of The Perseverance 'Impeccably well researched and hugely enjoyable' Nicole Flattery, author of Nothing Special In October 1960, James Baldwin and John Cheever spoke on a panel together at San Francisco State College. The troubled state of American society was under discussion, which Baldwin incisively diagnosed as a 'failure of the masculine sensibility'. Strange Relations explores this crisis in mid-century masculinity and the lives and works of four bisexual writers who fought to express and embody alternate possibilities. Building on Walt Whitman's philosophy of the love between men, Ralf Webb considers the ways in which Tennessee Williams and Carson McCullers, as well as Cheever and Baldwin, resisted in their art, as well as in their relationships, the damaging expectations of contemporary gender and sexuality. With a curious, intelligent and sensitive gaze, Ralf Webb sheds new light on each writer. Together, these artists offer a powerful and moving argument for a transformative new masculinity, grounded in fluidity, love and intimacy. 'Webb's writing is of a quality rarely seen, and his book returns you to the world slightly changed, equipped with another angle of vision on the quiddity of man' Diarmuid Hester, author of Nothing Ever Just Disappears 'Wise, hopeful, and exquisitely written' Will Tosh, author of Straight Acting