Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers-despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen. Luis's attention soon turns to something more, and they have sex at a party-while Ari didn't say no, she definitely didn't say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumour mill begins churning and boys at school now see Ari as an easy target, someone who won't say no. Through a mysterious note in her locker and an unexpected Tumblr follower, it becomes apparent that Ari is one of many who who have been assaulted by Luis. And so a group of unlikely students come together, determined to expose Luis for the predator he is. In the process, a once lonely Ari, finds herself with an eclectic group of genuine friends, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she'll have to come to terms with the truth of what he did to her that night-and risk everything to see justice done.

This book engages with a central yet hitherto neglected dimension of the transition to democracy in Spain. It examines the emergence and development of Moderate Francoism from 1964, the year when the Law of Associations was introduced, until 1977, the year of the first democratic elections. The role of the reformists was one of the factors that made possible the dismantling of the dictatorship and was of crucial importance in making possible a bloodless transition to democracy. They acted as a bridge between the regime hard-liners and the democratic opposition, paving the way for King Juan Carlos to implement the 1976 Reform Law that swept away the structures of Francoism. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

This is the first book in English to closely examine the life of Diego Maradona from socio-cultural perspectives, exploring how his status as an icon, a popular sporting hero, and a political figurehead has been culturally constructed, reproduced, and manipulated. The volume looks at representations of Maradona across a wide variety of media, including literature, cinema, popular music, printed and online press, and radio, and in different countries around the world, to cast new light on topics such as the instrumentality of sporting heroes and the links among sport, nationalism, and ideology. It shows how the life of Maradona – from his origins in the barrio through to his rise to god-like status in Naples and as a postcolonial symbol of courage and resistance against imperial powers across the global south, alongside scandal and his fall from grace – powerfully illustrates themes such as the dynamics of gender, justice, and affect that underpin the study of sport, culture, and society. This is essential reading for anybody with an interest in football, sport studies, media studies, cultural studies, or sociology.

Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans explores U.S. Puerto Rican culture in past and recent contexts. The book presents East Coast, Midwest, and Chicago cultural production while exploring Puerto Rican musical, film, artistic, and literary performance. Working within the theoretical frame of cultural, postcolonial, and diasporic studies, Marc Zimmerman relates the experience of Puerto Ricans to that of Chicanos and Cuban Americans, showing how even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction." Defending Their Own in the Cold examines various dimensions of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars such as Jennifer Lopez and Benicio del Toro, visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar, as well as Nuyorican dancer turned Midwest poet Carmen Pursifull. The book includes a comprehensive chapter on the development of U.S. Puerto Rican literature and a pioneering essay on Chicago Puerto Rican writing. A final essay considers Cuban cultural attitudes towards Puerto Ricans in a testimonial narrative by Miguel Barnet and reaches conclusions about the past and future of U.S. Puerto Rican culture. Zimmerman offers his own "semi-outsider" point of reference as a Jewish American Latin Americanist who grew up near New York City, matured in California, went on to work with and teach Latinos in the Midwest, and eventually married a woman from a Puerto Rican family with island and U.S. roots.

This open access book is an original contribution to the knowledge on fishing and research associated with one of the most enigmatic fish of our seas: bluefin tuna, Thunnus thynnus (L.). Based on available evidence, it reconstructs the possible methods used to catch large spawners in the Strait of Gibraltar thousands of years ago and describes the much more recent overfishing that led to a great reduction in the catches of the trap fishery on the area and the disappearance of the northern European fisheries. It is the first book to relate the overfishing of juvenile fishes in certain areas to the decline of large spawners in other very distant areas, revealing one of the main underlying causes of this decline, which has remained a mystery to the fishing sector and scientists alike for over 50 years. This finding should serve to prevent similar cases from arising in the future.

From the bestselling author of the National Book Award Finalist The Lesbiana’s Guide to Catholic School comes a revenge story told with nuance, heart, and the possibility of healing. An ideal next read for fans of Laurie Halse Anderson. Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers—despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen. Luis’s attention soon turns to something more, and they have sex at a party—while Ari didn’t say no, she definitely didn’t say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning—thanks, she’s sure, to Luis’s ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won’t say no. Then Ari finds a mysterious note in her locker that eventually leads her to a group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she’ll have to come to terms with the truth of what he did to her that night—and risk everything to see justice done.

Gregory Heyworth's Desiring Bodies considers the physical body and its relationship to poetic and corporate bodies in the Middle Ages and Renaissance. Beginning in the odd contest between body and form in the first sentence of Ovid's protean Metamorphoses, Heyworth identifies these concepts as structuring principles of civic and poetic unity and pursues their consequences as refracted through a series of romances, some typical of the genre, some problematically so. Bodies, in Ovidian romance, are the objects of human desire to possess, to recover, to form, or to violate. Part 1 examines this desire as both a literal and socio-political phenomenon through readings of Marie de France's Lais, Chr tien de Troyes' Clig s and Perceval, and Chaucer's Canterbury Tales, texts variously expressing social, economic, and political culture in romance. In part 2, Heyworth is concerned with missing or absent bodies in Petrarch's Rime sparse, Shakespeare's Romeo and Juliet, and Milton's Paradise Lost and the generic rupture they cause in lyric, tragedy, and epic. Throughout, Heyworth draws on social theorists such as Kant, Weber, Simmel, and Elias to explore the connection between social and literary form. The first comparative, diachronic study of romance form in many years, Desiring Bodies is a persuasive and important cultural history that demonstrates Ovid's pervasive influence not only on the poetics but on the politics of the medieval and early modern Western tradition. "Desiring Bodies answers the question that might dog Comparative Literature as a discipline, i.e. 'so what?'. In a bravura display of cultural and linguistic range, Heyworth turns his own supple, Ovidian intelligence to Ovidian irruptions from within the civilizing project of romance. Heyworth writes with intense literary inwardness, adroitly turned learning, and pitch-perfect prose." --James Simpson, Harvard University "Gregory Heyworth's Desiring Bodies: Ovidian Romance and the Cult of Form is a wide-ranging, impressively learned, first-rate study with a provocative and weighty central argument." --Monika Otter, Dartmouth College "Gregory Heyworth's Desiring Bodies is a highly original study. It is also very daring--breathtakingly so, at times--in its deep engagement with major canonical writers and texts of the Middle Ages and the Renaissance, from twelfth-century Latin comedy to Milton's Paradise Lost. His remarkable essay is achieved within a stimulating cultural and artistic exegesis of a single Ovidian line in which Heyworth finds his own large subject--the famous first line of the Metamorphoses, in which the poet announces the intention to tell 'of forms changed into new bodies.'" --John Fleming, Princeton University "Ambitious in its aims, convincing in its arguments, and frequently surprising in its readings, Desiring Bodies asks us to reconsider how literary works both respond to and adapt the remains of the literary past. By establishing Ovid as the defining figure of formal metamorphoses across literary history, Heyworth opens new possibilities for imagining literary history as a history of literary form." --Jennifer Summit, Stanford University

A text which evaluates the Sandinista rule and looks at Nicaraguan history in the light of the revolutionary process. The book assesses the election defeat of the revolutionary party, the FSLN, within the context of the sense of national dignity engendered via centuries of Nicaraguan history.