This unprecedented collection of 27,000 quotations is the most comprehensive and carefully researched of its kind, covering all fields of science and mathematics. With this vast compendium you can readily conceptualize and embrace the written images of scientists, laymen, politicians, novelists, playwrights, and poets about humankind's scientific achievements. Approximately 9000 high-quality entries have been added to this new edition to provide a rich selection of quotations for the student, the educator, and the scientist who would like to introduce a presentation with a relevant quotation that provides perspective and historical background on his subject. Gaither's Dictionary of Scientific Quotations, Second Edition, provides the finest reference source of science quotations for all audiences. The new edition adds greater depth to the number of quotations in the various thematic arrangements and also provides new thematic categories.

"'The process of transfer to private ownership of government land or government-supervised Indian land was the woof thread on the loom of the frontier,' the author writes in his preface. 'This thread was continually interlaced with hard experiences in the struggle for existence, thus weaving the fabric of the social and economic history of the American frontier. My aim in this book is to trace this thread from government ownership of the land into private hands.' Although Thomas Jefferson reckoned that the march of population from the Appalachians to the Pacific would take one hundred generations, by 1935 the western wilderness, created by law in the 1780s as the 'unreserved and unappropriated public domain,' had all but vanished. It is the human side of this process of land distribution that Professor Dick examines--'how the land-hungry pioneer interpreted the land laws, or ignored them; his success in "handing up laws" to Congress by frontier usage when existing statutes were inadequate for his needs; his custom of illegally exploiting the natural resources; and the final end of exploitation and the coming of a policy of conservation.' After a brief discussion of colonial land policies and the formation of the public domain in the post-Revolutionary period, the author describes the adoption of the surveying system, the actual work of the surveyors, and how the land was distributed to settlers. There follow chapters on the squatter; the use of land by lumbering interests; the struggle for pre-emption; the campaign of the West for free land and the passage of the Homestead Act; the problems which accompanied the acquisition of land from foreign governments; the occupation and exploitation of the mineral lands; the occupation and use of the grasslands with a discussion of the range wars; land given for internal improvements such as railroads; the openings of Indian reservations with their land rushes or drawings; the final occupancy of the dry land for use by dry-land farming or irrigation; and finally the coming of conservation and the establishment of the permanent public domain in the form of national forests and grazing land. Professor Dick's work goes beyond present books on land in the realm of human interest, for it deals with the people themselves, not with acts of Congress or legal decisions. It also goes deeper than previously published works into such areas as the development of claim clubs, squatting, and the holding of public land by individuals for extended use or speculation while waiting to sell at an advance over the government price."--Dust jacket.

Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.

DigiCat Publishing presents to you this special edition of "The California Birthday Book" (Prose and Poetical Selections from the Writings of Living California Authors with a Brief Biographical Sketch of each) by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

'Fiendishly well-plotted, hugely entertaining – one feels Agatha Christie would have been delighted' – LUCY FOLEY, bestselling author of The Hunting Party I’m Mrs Christie. I think you are expecting me… Baghdad, 1928. Agatha leaves England for the far-flung destination, determined to investigate an unresolved mystery: two year ago, the explorer and the writer Gertrude Bell died there from a drugs overdose. At the time, the authorities believed that Bell had taken her own life, but a letter now unearthed reveals she was afraid someone wants to kill her... In her letter, Bell suggests that if she were to die the best place to look for her murderer would be Ur, the archaeological site in ancient Mesopotamia famous for its Great Death Pit. But as Agatha stealthily begins to look into the death of Gertrude Bell, she soon discovers the mission is not without its risks. And she has to use all her skills to try and outwit a killer who is determined to stay hidden among the desert sands... 'A heart of darkness beats within this sparkling series. Fizzy with charm yet edge with menace, Andrew Wilson's Christie novels do Dame Agatha proud' A. J. FINN, bestselling author of The Woman in the Window 'Beautifully written. Both lyrical and compelling. I felt as though I was walking by Agatha Christie's side' JANE CORRY 'An affectionate homage to Agatha Christie’s desert dramas with a cheeky nod to Paul Bowles’ The Sheltering Sky. A superior blend of fact and fiction, it’s a hugely entertaining riot of red herrings, poisonous plots and boiling passions under the white hot desert sun. A must for connoisseurs of Golden Age crime fiction’ SEAN O'CONNOR 'There is no reason why this excellent series shouldn’t run till the sun don’t shine' EVENING STANDARD 'While Wilson tempts providence by inviting comparison with the real Agatha Christie, on the evidence of this book he succeeds admirably' DAILY MAIL 'He shares with the great Dame the gift of sheer readability' S MAGAZINE 'Five stars . . . Brilliantly plotted, stylishly written. A treat!' AMANDA CRAIG

Indian Country analyzes the works of Anglo writers and artists who encountered American Indians in the course of their travels in the Southwest during the one-hundred-year period beginning in 1840. Martin Padget looks first at the accounts produced by government-sponsored explorers, most notably John Wesley Powell's writings about the Colorado Plateau. He goes on to survey the writers who popularized the region in fiction and travelogue, including Helen Hunt Jackson and Charles F. Lummis. He also introduces us to Eldridge Ayer Burbank, an often-overlooked artist who between 1897 and 1917 made thousands of paintings and drawings of Indians from over 140 western tribes. Padget addresses two topics: how the Southwest emerged as a distinctive region in the minds of late-nineteenth- and early-twentieth-century Americans, and what impact these conceptions, and the growing presence of Anglos, had on Indians in the region. Popular writers like Jackson and Lummis presented the American Indians as a "primitive culture waiting to be discovered" and experienced firsthand. Later, as Padget shows, Anglo activists for Indian rights, such as Mabel Dodge Luhan and Mary Austin, worked for the acceptance of other views of Native Americans and their cultures.