#1 NEW YORK TIMES BESTSELLER A Washington Post Notable Book Excerpted in The New Yorker A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs. Finally in paperback and featuring seven new song commentaries, the #1 New York Times bestseller celebrates the creative life and unparalleled musical genius of Paul McCartney. Spanning sixty-four years—from his early days in Liverpool, through the historic decade of The Beatles, to Wings and his solo career—Paul McCartney’s The Lyrics revolutionized the way artists write about music. An unprecedented “triumph” (Times UK), this handsomely designed volume pairs the definitive texts of over 160 songs with first-person commentaries on McCartney’s life, revealing the diverse circumstances in which songs were written; how they ultimately came to be; and the remarkable, yet often delightfully ordinary, people and places that inspired them. The Lyrics also includes: · A personal foreword by McCartney · An unprecedented range of songs, from beloved standards like “Band on the Run” to new additions “Day Tripper” and “Magical Mystery Tour” · Over 160 images from McCartney’s own archives Edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, The Lyrics is the definitive literary and visual record of one of the greatest songwriters of all time.

The Sunday Times bestseller and Waterstones Book of the Year, now in paperback ‘Paul McCartney says this is as close as he will get to an autobiography and no wonder – his life is in every line of these songs ... pure joy’ Sunday Times, Book of the Year With seven songs added for this edition: ‘Bluebird,’ ‘Day Tripper,’ ‘English Tea,’ ‘Every Night,’ ‘Hello, Goodbye,’ ‘Magical Mystery Tour’ and ‘Step Inside Love’ Spanning seven decades – from his early Liverpool days, through the historic decade of The Beatles, to Wings and his long solo career – Paul McCartney’s The Lyrics has transformed the way artists write about music, pairing the definitive texts of 161 songs with intimate, autobiographical commentaries on McCartney’s life and music. Arranged alphabetically, these commentaries reveal the diverse circumstances in which the songs were written, how they ultimately came to be, and the remarkable – often ordinary – people and places that inspired them. Dozens of vignettes re-create the working-class Liverpool of McCartney’s youth, where delivery boys ran parcels on docks, as in ‘On My Way to Work,’ and elderly ladies in the neighbourhood inspired ‘Eleanor Rigby.’ McCartney also introduces us to his early literary influences, among them Shakespeare, Lewis Carroll and Allen Ginsberg, as well as Alan Durband, his beloved English teacher, and his mother, Mary, who passed away when he was just fourteen – and whose memory has infused his work ever since. Yet the two most powerful presences in The Lyrics after the author himself are his songwriting partner, John Lennon, and his ‘Golden Earth Girl,’ Linda Eastman McCartney. Here McCartney describes how he met John at a church fête in 1957; their adventures with George Harrison and Ringo Starr in the early 1960s; and how, at the end of the decade, they, and The Beatles, broke up. Thus began a second act of now more than fifty years, with Linda and family life as driving forces – inspiring songs from ‘Maybe I’m Amazed,’ written just after the breakup of The Beatles, to the 2012 ballad ‘My Valentine,’ addressed to McCartney’s wife and partner, Nancy Shevell McCartney. Edited and introduced by Pulitzer Prize–winning poet Paul Muldoon, and enhanced by more than a hundred images from McCartney’s personal archives – including handwritten texts, mementos, and photographs – and seven new song commentaries, The Lyrics is a book for the ages, and the definitive literary and visual record of one of the greatest songwriters of all time.

The Discourse of Scholarly Communication examines the place and purpose of modern scholarship and its dialectical relationship with the ethos of Enlightenment. Patrick Gamsby argues that while Enlightenment/enlightenment is often used in the mottos of numerous academic institutions, its historical, social, and philosophical elements are largely obscured. Using a theoretical lens, Gamsby revisits the ideals of the Enlightenment alongside the often-contradictory issues of disciplinary boundaries, access to research, academic labor in the production of scholarship (author, peer reviewer, editor, and translator), the interrelationship of form and content (lectures, textbooks, books, and essays), and the stewardship of scholarship in academic libraries and archives. It is ultimately argued that for the betterment of the scholarly communication ecosystem and the betterment of society, anti-Enlightenment rules of scholarship such as ‘publish or perish’ should be dispensed with in favor of the formulation of a New Enlightenment.

“Millions of eyes were suddenly upon us, creating a picture I will never forget.” —Paul McCartney Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Featuring 275 images from the six cities—Liverpool, London, Paris, New York, Washington, D.C., and Miami—of these legendary months, 1964: Eyes of the Storm also includes: • A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit • Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964 • “Beatleland,” an essay by Harvard historian and New Yorker essayist Jill Lepore, describing how The Beatles became the first truly global mass culture phenomenon Handsomely designed, 1964: Eyes of the Storm creates an intensely dramatic record of The Beatles’ first transatlantic trip, documenting the radical shift in youth culture that crystallized in 1964. “You could hold your camera up to the world, in 1964. But what madness would you capture, what beauty, what joy, what fury?” —Jill Lepore

Us and Them chronicles the depth to which Canada and Canadians were part of The Beatles’ story—their formation, growth and break up. Entertaining and well researched, Us and Them places John, Paul, George and Ringo as a band and as solo artists in a uniquely Canadian setting; it blends rich stories, facts, analysis, and even dabbles in several plausible but little known accounts that create a new ripple in The Beatles’ history. After consuming Us and Them, readers will never again listen to albums Sgt. Pepper’s Lonely Hearts Club Band and the White Album, or singles “Come Together”, “Give Peace a Chance”, “All Things Must Pass”, “Imagine” and “Mull of Kintyre” without thinking about these masterworks in a Canadian context. Us and Them is a thorough account of the Fab Four's relationship with Canada, filling an important gap in their narrative and discography.

Paul McCartney has lived an extraordinary life in popular music and popular culture. His careers as a Beatle, as a solo musician and band leader in Wings, and in areas outside music have varied tremendously and are well-documented. That Was Me explores the impact of Paul McCartney as a musician outside the Beatles, identifying the continued excitement in generations of fans and listeners, and his perennial efforts to perform and record music. Richard Driver argues that his solo career is multi-faceted and extremely diverse, ranging from breaking sharply with the style and output of the Beatles to experimenting in orchestral and operatic music and returning to music designed to emulate and reproduce the style, success, and popularity of the Beatles. Through McCartney we can literally and symbolically view and revisit the popular music phenomenon that was the Beatles, and popular music from the 1950s to today.

Arguably the greatest album by the best rock band ever, The Beatles - also known as The White Album – proved to be a watershed recording. This extraordinary double album reflects a remarkable, turbulent time. They were attempting to follow on from the psychedelic masterpiece Sgt Pepper’s Lonely Hearts Club Band; manager Brian Epstein had died, long-term relationships were coming to an end, and they had become disillusioned with the Maharishi. The album heralded changes in style and marked the start of the falling apart of the previously tight-knit group. A wildly diverse album, its creation and dynamics are revealed. But as the sixties came to an end, so too did the band. The album also followed on from their first highly criticised TV flop, Magical Mystery Tour, the success of the first global satellite triumph of ‘All You Need Is Love’, and the highly ambitious Apple business venture. George Martin ducked out and conflict broke out between band members. But, among all the pressures and stress, they found time to write and record an incredible array of songs that synergised into a spectacularly successful album with a fascinating story. This is the tale of every track and every facet of this remarkable record. Opher Goodwin is the author of many books on rock music and science fiction and taught the first History of Rock Music classes in the UK. He was fortunate to spend the sixties in London, the epicentre of the underground explosion of rock music and culture, where he was able to see everyone from Pink Floyd, Hendrix and Cream to The Doors, Captain Beefheart and Roy Harper. He was also fortunate to spend time in the Abbey Road Studios, where the Beatles recorded. He never fully recovered but now lives happily in East Yorkshire, UK.

This book presents economic policies to combat the challenges posed by financial crisis, the COVID-19 pandemic, and the climate crisis. How the role of the markets, the state, and social cohesion have come into question is explored, alongside broader issues, such as inequality. Particular attention is given to policies relating to the funding and financing of investment to confront the climate emergency, enhancing productivity and technical innovation, the significance of the commons in the context of the state, and macroeconomic policies to underpin sustainability. This book aims to present a framework for a sustainable future, with policy suggestions that promote both environmental and economic sustainability. It will be relevant to students and researchers interested in the political economy and sustainable development.

A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through 154 of his most meaningful songs. From his early Liverpool days, through the historic decade of The Beatles, to Wings and his long solo career, The Lyrics pairs the definitive texts of 154 Paul McCartney songs with first-person commentaries on his life and music. Spanning two alphabetically arranged volumes, these commentaries reveal how the songs came to be and the people who inspired them: his devoted parents, Mary and Jim; his songwriting partner, John Lennon; his "Golden Earth Girl," Linda Eastman; his wife, Nancy McCartney; and even Queen Elizabeth, among many others. Here are the origins of "Let It Be," "Lovely Rita," "Yesterday," and "Mull of Kintyre," as well as McCartney's literary influences, including Shakespeare, Lewis Carroll, and Alan Durband, his high-school English teacher. With images from McCartney's personal archives―handwritten texts, paintings, and photographs, hundreds previously unseen―The Lyrics, spanning sixty-four years, becomes the definitive literary and visual record of one of the greatest songwriters of all time.

This book is the first comprehensive scholarly study of religious images in popular music. Examining bestsellers from 1906 to 1971, the work explores the role religious images have in the secularization of American culture. Popular music lyrics that express an adherence to a sacred order are couched in inoffensive, content-less language. These lyrics of civility reflect and shape the increasing secularization of American culture in the twentieth century. The analysis focuses primarily on the way these lyrics reduce the meaning of the terms and theology of the Biblical faith. The aesthetic of civility carries over into theology, the narratives, and the accompanying instrumental arrangements of songs that adhere to the Biblical sacred order. On the other hand, lyrics that reject the Biblical tradition use content-filled, offensive language. The result is that displaced adherents withdraw from the Biblical tradition and turn to alternative cultural religions, or idols of attraction, including popular music, that offer meaning to fill a void in the individual. The secularization of American society, therefore, is not a withdrawal from the idea of religion itself. The analysis focuses on the two dominant themes in songs that include religious images: prayer and heaven. The author explores the songs of the two world wars, the hit parade era, the rhythm and blues and doo-wop of the 1950s, the new folk singer movement, soul music and rock music of the 1960s, and the revival rock of the early 1970s. The work demonstrates the capacity of one form of popular culture to separate adherents from a subculture through diluting the meaning of the language of the subculture's elemental thought. (Ph.D. dissertation, Bowling Green State University, 1994; revised with new preface, bibliography, and index)