After a war of twists and turns and a brief convalescence, Arcus is finally ready to return to Lainur’s capital. There he’ll meet Ceylan’s father, King Crosellode, and be rewarded for his valiant efforts—although he’s not the only one due for an audience with the king. While rumors about Arcus continue to spread, the Empire evaluates its own part in the war. Will the nation remain a sleeping lion, or begin plotting its next move? And what of the cryptic quest to seek out an emerald on Chain’s behalf, which Arcus received in a dream? Without any clues as to what it might mean, he hardly knows where to begin. But one thing’s for sure: he’s going to be busy for a long while yet.

The Raythefts are an old, minor noble house defined by magical talent and martial service. When six-year-old Arcus Raytheft, firstborn son to the family, proves disappointingly inept at magic, he is stripped of his inheritance and written off by his parents. His adoptive sister Lecia still adores him, but as the new heir, she is forbidden to interact with anyone who might drag her down. But when one inheritance is lost, fate arranges another: Arcus remembers another life, in a world where science prevails and magic belongs to the realm of fiction. Suddenly endowed with the life experience of a grown man and pressed to find a purpose as his family turns against him, Arcus resolves to find a way to break the laws of magic and Raytheft tradition over his knee!

Arcus is still leveraging his otherworldly scientific knowledge to improve his magic. On hearing news that Lecia, his beloved sister, had been kidnapped, Arcus set off to rescue her, only to be thrown into the Holy Tower. There, he runs into an old friend...or rather, enemy. They say no one can escape the Tower, but if he doesn’t, there’s no telling what might happen to Lecia...

Cursed with a naturally low supply of aether, Arcus Raytheft is disinherited and shunned by his family. Things start to change when he experiences another man’s life through a dream—a dream that shows him marvelous technological wonders that don’t exist in his world. Armed with this new knowledge, Arcus sets about showing his parents that they were wrong about him. Surely an arsenal of mind-blowing spells will be enough to convince them you don’t need aether to succeed?

Ryo is delighted to be reincarnated into the fantastical world of Phi, where he thinks he’ll get to live a quiet life learning to use his newfound water magic. Going with the flow here, however, means something very different. Ryo is immediately pitted against the wild lands he winds up in and the slew of deadly monsters that call the remote subcontinent home. You’d think he’d forget about taking it easy when he’s stuck fighting for his life, but lucky for Ryo, he’s naturally optimistic, clever, and blessed with the hidden “Eternal Youth” trait. Twenty years pass in the blink of an eye, and each encounter along the way pushes him one step closer to the pinnacle of human magic. Little does he realize that’s only the opening chapter of his tale. A fateful meeting soon thrusts Ryo to the forefront of history, forever changing the course of his life... Thus begins the adventures of the strongest water magician the world has ever seen—who also likes to do things at his own pace!

Ancient Egypt has long been a source of fascination in Western popular culture. Movies such as The Mummy (1932, 1959), Biblical epics like The Ten Commandments (1923, 1956), and pharaonic films like Cleopatra (1934, 1963) and The Egyptian (1954) have all recreated the glamour and allure of Egyptian art and civilization for Western audiences. This work traces how these and other films were inspired by writers like Bram Stoker and Sir Arthur Conan Doyle and by the art of Victorian painters. Similarly, it shows how the soundtracks to such films belong to a Romantic musical tradition stretching back beyond Verdi and Mozart. Exploring these artistic endeavors addresses the question of whether the fantasy of ancient Egypt represents racist misunderstandings of a far more significant reality, or a way for Western culture to understand itself.