In two decades of traveling throughout Mexico, Central America, and Europe, French priest Charles Étienne Brasseur de Bourbourg (1814–1874) amassed hundreds of indigenous manuscripts and printed books, including grammars and vocabularies that brought to light languages and cultures little known at the time. Although his efforts yielded many of the foundational texts of Mesoamerican studies—the pre-Columbian Codex Troana, the only known copies of the Popol Vuh and the indigenous dance drama Rabinal-Achi, and Diego De Landa’s Relación de la cosas de Yucatán—Brasseur earned disdain among scholars for his theories linking Maya writings to the mythical continent of Atlantis. In The Manuscript Hunter, translator Katia Sainson reasserts his standing as the founder of modern Maya studies, presenting three of his travel writings in English for the first time. While civil wars raged throughout Mexico and Central America and foreign interests sought access to the region’s rich resources, Brasseur focused on uncovering Mesoamerica’s mysterious past by examining its ancient manuscripts and living oral traditions. His “Notes from a Voyage in Central America,” “From Guatemala City to Rabinal,” and Voyage across the Isthmus of Tehuantepec document his travels in search of these texts and traditions. Brasseur’s writings weave vivid geographical descriptions of Central America and Mexico during the mid-1800s with keen social and political analysis, all steeped in vast knowledge of the region’s history and interest in its indigenous cultures. Coupled with Sainson’s thoughtful introduction and annotations, these captivating, accessible accounts reveal Brasseur de Bourbourg’s true accomplishments and offer an unrivaled view of the birth of Mesoamerican studies in the nineteenth century. Brasseur’s writings not only depict Central America and Mexico through the eyes of a European traveler at a key moment, but also illuminate the remarkable efforts of one man to understand and preserve Mesoamerica’s cultural traditions for all time.

This is the first full biography of James Rendel Harris (1852-1941), Bible and patristic scholar, manuscript collector, Quaker theologian, devotional writer, traveller, folklorist, and relief worker. Drawing on published and unpublished sources gathered in the United States, Europe, and the Middle East, many of which were previously unknown, Alessandro Falcetta tells the story of Harris's life and works set against the background of the cultural and political life of contemporary Britain. Falcetta traces the development of Harris's career from Cambridge to Birmingham, the story of his seven journeys to the Middle East, and of his many campaigns, from religious freedom to conscientious objection. The book focuses upon Harris's innovative contributions in the field of textual and literary criticism, his acquisitions of hundreds of manuscripts from the Middle East, his discoveries of early Christian works – in particular the Odes of Solomon – his Quaker beliefs and his studies in the cult of twins. His enormous output and extensive correspondence reveal an indefatigable genius in close contact with the most famous scholars of his time, from Hort to Harnack, Nestle, the 'Sisters of Sinai', and Frazer.

Debate about the authorship of the manuscript known to us as De Doctrina Christiana has bedevilled Milton studies over recent years. In this book four leading scholars give an account of the research project that demonstrated its Miltonic provenance beyond reasonable doubt. But the authors do much more besides, locating Milton's systematic theology in its broader European context, picking open the stages and processes of its composition, and analysing its Latinity.

Electronic Records in the Manuscript Repository defines the problems related to electronic records and digital documents, describes the steps the curator should take to manage those electronic records and digital documents, and suggests ways to learn the specific skills and perspectives needed to do the job well. It provides an introduction to vocabulary, basic concepts, and best practices to date by collecting and contextualizing data from several real-world projects, and it contains almost 30 pages of references to resources that the curator can consult for information on specific topics. Dow starts with a review of archival concepts, including a look at archival practices, and then discusses the problems created by electronic materials in that context, as well as the research in progress to tackle these problems.

This volume deals with South Indian Sanskrit manuscripts, predominantly on palm leaf and rarely older than three to four centuries, and their role in a manuscript culture that had a significant impact on Indian intellectual history for around two millennia.

In 1958, American historian of religion Morton Smith made an astounding discovery in the Mar Saba monastery in Jerusalem. Copied into the back of a seventeenth-century book was a lost letter attributed to Clement of Alexandria (ca. 150-215 CE) that contained excerpts from a longer version of the Gospel of Mark written by Mark himself and circulating in Alexandria, Egypt. More than fifty years after its discovery, the origins of this Secret Gospel of Mark remain contentious. Some consider it an authentic witness to an early form of Mark, perhaps even predating canonical Mark. Some claim it is a medieval or premodern forgery created by a monastic scribe. And others argue it is a forgery created by Morton Smith himself. All these positions are addressed in the papers contained in this volume. Nine North American scholars, internationally recognized for their contributions to the study of Secret Mark, met at York University in Toronto, Canada, in April 2011 to examine recent developments in scholarship on the gospel and the letter in which it is found. Their results represent a substantial step forward in determining the origins of this mysterious and controversial text. List of Contributors: Scott G. Brown Tony Burke Stephen C. Carlson Bruce Chilton Craig A. Evans Paul Foster Charles W. Hedrick Peter Jeffery Allan J. Pantuck Marvin Meyer Hershel Shanks Pierluigi Piovanelli

To this day, no comprehensive academic study of the development of guidebooks to Rome over time has been performed. This book treats the history of guidebooks to Rome from the Middle Ages up to the early twentieth century. It is based on the results of the interdisciplinary research project Topos and Topography, led by Anna Blennow and Stefano Fogelberg Rota. From the case studies performed within the project, it becomes evident that the guidebook as a phenomenon was formed in Rome during the later Middle Ages and early Renaissance. The elements and rhetorical strategies of guidebooks over time have shown to be surprisingly uniform, with three important points of development: a turn towards a more user-friendly structure from the seventeenth century and onward; the so-called ’Baedeker effect’ in the mid-nineteenth century; and the introduction of a personalized guiding voice in the first half of the twentieth century. Thus, the ‘guidebook tradition’ is an unusually consistent literary oeuvre, which also forms a warranty for the authority of every new guidebook. In this respect, the guidebook tradition is intimately associated with the city of Rome, with which it shares a constantly renovating yet eternally fixed nature.