When Jillian was born, it was foretold that her destiny would be intertwined with that of her childhood friend, Elchinar. Now Jillian and Elchinar are grown, and the Golden Death has struck their village of Nooria. When Elchinar and the other Mariners embark on a voyage on the mysterious Gwenendene River, to seek for the Golden Deaths only cure, no one in Nooria could have foretold how that voyage would affect the entire village, or how it would dictate the destinies of Jillian and Elchinar in unforeseen ways, proving above all that love is a wondrous thing.

This is an imaginative exploration of the art of David Jones which addresses Christian teaching through engagement with selected artistic works: a poem, a painted inscription and a wood engraving. Elizabeth R. Powell's study does not just enable readers to understand Jones but also to use his kind of loving attention in their own lives – which, Jones would argue, is theology's most important task. Through close readings of material objects, Powell draws the reader into the participatory, performative and dialogical possibilities of the craft of theology. She frames an older style of theology in a distinctive and modern way, as a graced human practice and a place of transforming relation with the divine. Powell argues that Jones's art works offer places of beauty in which to 'become beauty' along the way. Located at the cross-section of theology, literature and the arts, this volume shows that being interdisciplinary is nothing less than finding ways for theology and humanity to be more richly itself.

The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.