The Henry VII and Elizabeth of York marriage bed, rediscovered in 2010, is an exceptional piece of late medieval English royal furniture: no other equivalent example of secular domestic furniture is known to have survived, and, indeed, precious little woodwork from this period remains outside of ecclesiastical settings. As a tour-de-force of medieval royal woodwork, the bed offers an unprecedented insight into elite domestic furniture from this period. Since its rediscovery, the bed has been subjected to a wide array of investigation by furniture specialists, medieval historians, design historians and scientists. Emerging from a decade-long multidisciplinary research project, this book is the first sustained account of the bed: it shows how numerous disciplines covering the arts and conservation sciences can be brought together to assess and interpret such rare historic survivals. Broken down into thematic chapters, the book explores the bed’s form and structure, context, iconography, wood, paint, physical history, provenance - including its curious reproduction by George Shaw in Victorian England - and relationship with known surviving Tudor furniture, as well as Georgian and Victorian Gothic Revival beds. Although thought to be a nineteenth-century fake, this book presents historical, archival and scientific evidence to show, beyond doubt, the bed’s late medieval age. While grounded upon research presented at a 2019 conference funded by the Institute of Conservation and held at the Victoria and Albert Museum in London, the book incorporates additional historical and scientific discoveries made since the conference. Written by a range of scientists, historians and specialist researchers, this volume is a multi-disciplinary work of immeasurable value to readers from numerous disciplines.

A portrait of the doomed queen’s image and influence that provides “a detailed look at real life in Tudor England” (Manhattan Book Review). Romantic victim? Ruthless other woman? Innocent pawn? Religious reformer? Fool, flirt, and adulteress? Politician? Witch? During her life, Anne Boleyn, Henry VIII’s ill-fated second queen, was internationally famous—or notorious. Today, she still attracts passionate adherents and furious detractors. It was in London that most of the drama of Anne Boleyn’s life and death was played out, most famously in the Tower of London, the scene of her coronation celebrations, her trial, and her execution, and the place where her body lies buried. In her few years as a public figure, Anne Boleyn was influential as a patron of the arts and of French taste, as the center of a religious and intellectual circle, and for her purchasing power, both directly and as a leader of fashion. It was primarily to London, beyond the immediate circle of the court, that her carefully spun image as queen was directed during the public celebrations surrounding her coronation. In the centuries since Anne Boleyn’s death, her reputation has expanded to give her an almost mythical status in London, inspiring everything from pub names to music hall songs and novels—not to mention merchandise including pincushions with removable heads. Over fifty Twitter accounts use some version of her name. This book looks at both the effect London and its people had on the course of Anne Boleyn’s life and death—and the effects she had, and continues to have, on them.

One of the most powerful monarchs in British history, Henry VIII ruled England in unprecedented splendour. In this remarkable composite biography, Alison Weir brings Henry's six wives vividly to life, revealing each as a distinct and compelling personality in her own right. Drawing upon the rich fund of documentary material from the Tudor period, The Six Wives of Henry VIII shows us a court where personal needs frequently influenced public events and where a life of gorgeously ritualised pleasure was shot through with ambition, treason and violence. 'At last we have the truth about Henry VIII's wives. This book is as reliable and scholarly as it is readable' Evening Standard

The Black Death that arrived in the spring of 1348 eventually killed nearly half of England's population. In its long aftermath, wages in London rose in response to labor shortages, many survivors moved into larger quarters in the depopulated city, and people in general spent more money on food, clothing, and household furnishings than they had before. Household Goods and Good Households in Late Medieval London looks at how this increased consumption reconfigured long-held gender roles and changed the domestic lives of London's merchants and artisans for years to come. Grounding her analysis in both the study of surviving household artifacts and extensive archival research, Katherine L. French examines the accommodations that Londoners made to their bigger houses and the increasing number of possessions these contained. The changes in material circumstance reshaped domestic hierarchies and produced new routines and expectations. Recognizing that the greater number of possessions required a different kind of management and care, French puts housework and gender at the center of her study. Historically, the task of managing bodies and things and the dirt and chaos they create has been unproblematically defined as women's work. Housework, however, is neither timeless nor ahistorical, and French traces a major shift in women's household responsibilities to the arrival and gendering of new possessions and the creation of new household spaces in the decades after the plague.

NEW YORK TIMES BESTSELLER • Bestselling historian Alison Weir tells the poignant, suspenseful and sometimes tragic story of Elizabeth, eldest daughter of the Yorkist King Edward IV and sister of the Princes in the Tower, a woman whose life was inextricably caught up in the turmoil of the Wars of the Roses and the establishment of the usurping Tudor dynasty. She was the wife of Henry VII and mother of Henry VIII. Many are familiar with the story of the much-married King Henry VIII of England and the celebrated reign of his daughter, Elizabeth I. But it is often forgotten that the life of the first Tudor queen, Elizabeth of York, Henry’s mother and Elizabeth’s grandmother, spanned one of England’s most dramatic and perilous periods. Now New York Times bestselling author and acclaimed historian Alison Weir presents the first modern biography of this extraordinary woman, whose very existence united the realm and ensured the survival of the Plantagenet bloodline. Her birth was greeted with as much pomp and ceremony as that of a male heir. The first child of King Edward IV, Elizabeth enjoyed all the glittering trappings of royalty. But after the death of her father; the disappearance and probable murder of her brothers—the Princes in the Tower; and the usurpation of the throne by her calculating uncle Richard III, Elizabeth found her world turned upside-down: She and her siblings were declared bastards. As Richard’s wife, Anne Neville, was dying, there were murmurs that the king sought to marry his niece Elizabeth, knowing that most people believed her to be England’s rightful queen. Weir addresses Elizabeth’s possible role in this and her covert support for Henry Tudor, the exiled pretender who defeated Richard at the Battle of Bosworth and was crowned Henry VII, first sovereign of the House of Tudor. Elizabeth’s subsequent marriage to Henry united the houses of York and Lancaster and signaled the end of the Wars of the Roses. For centuries historians have asserted that, as queen, she was kept under Henry’s firm grasp, but Weir shows that Elizabeth proved to be a model consort—pious and generous—who enjoyed the confidence of her husband, exerted a tangible and beneficial influence, and was revered by her son, the future King Henry VIII. Drawing from a rich trove of historical records, Weir gives a long overdue and much-deserved look at this unforgettable princess whose line descends to today’s British monarch—a woman who overcame tragedy and danger to become one of England’s most beloved consorts. Praise for Elizabeth of York “Weir tells Elizabeth’s story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.”—The New York Times Book Review “In [Alison] Weir’s skillful hands, Elizabeth of York returns to us, full-bodied and three-dimensional. This is a must-read for Tudor fans!”—Historical Novels Review “This bracing biography reveals a woman of integrity, who . . . helped [her husband] lay strong groundwork for the success of the new Tudor dynasty. As always in a Weir book, the tenor of the times is drawn with great color and authenticity.”—Booklist “Weir once again demonstrates that she is an outstanding portrayer of the Tudor era, giving us a fully realized biography of a remarkable woman.”—Huntington News

First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages. The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces. Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.

The fourth volume in this annotated collection of texts relating to the 'progresses' of Queen Elizabeth I around England includes accounts of dramatic performances, orations, and poems, and a wealth of supplementary material dating from 1596 to 1603.

This book tells the story of the queen whose marriage to King Henry VII ended England's Wars of the Roses and inaugurated the 118-year Tudor dynasty. Best known as the mother of Henry VIII and grandmother of Elizabeth I, this Queen Elizabeth contributed far beyond the act of giving birth to future monarchs. Her marriage to Henry VII unified the feuding houses of Lancaster and York, and her popularity with the people helped her husband survive rebellions that plagued his first decade of rule. Queen Elizabeth's gracious manners and large family created a warm, convivial Court marked by a rather exceptional fondness between the royal couple. Her love for music, literature, and architecture also helped inspire England's Renaissance.

Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the king and his immediate family, the royal household and the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household. ~ ~ As none of Henry VIII's clothes survive, evidence is drawn primarily from the great wardrobe accounts, wardrobe warrants, and inventories, and is interpreted using evidence from narrative sources, paintings, drawings and a small selection of contemporary garments, mainly from European collections. ~ ~ Key areas for consideration include the king's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dr given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the king's clothes.

England's most famous and ruthless king... WHAT READERS ARE SAYING about YOUNG HENRY: 'Perfect' ⭐⭐⭐⭐⭐ 'Excellent' ⭐⭐⭐⭐⭐ 'Well researched, unbiased - very good indeed!' ⭐⭐⭐⭐⭐ When Henry became the unexpected heir to the precarious Tudor throne he inherited both his brother's wardrobe and his wife, the Spanish princess Katherine of Aragon. He became king in April 1509 with many personality traits inherited from his father - the love of magnificence, the rituals of kingship, the excitement of hunting and gambling and the construction of grand new palaces. After those early glory days of feasting, fun and frolic, the continuing lack of a male Tudor heir runs like a thin line of poison through Henry's reign. After he fell in love with Anne Boleyn, he gambled everything on her providing him with a son and heir. From that day forward everything changed. Based on contemporary accounts, Young Henry provides a compelling vision of the splendours, intrigues and tragedies of the royal court, presided over by the ruthless and insecure Henry VIII. 'Explains a lot about the man who became Henry VIII...Robert Hutchinson vividly shows us the monster in the making and teaches us to feel a modicum of pity for his plight' DAILY MAIL 'Brings the future king's personality vividly to life, with all of its brilliantly contrasting and capricious elements' BBC HISTORY MAGAZINE 'Shines a light on Henry's youth, and details the people and the events that drove him....it is good to be reminded of the evils of absolute monarchy' TRIBUNE