This reading of Bernard Shaw focuses on his habit of seeing the world in terms of contraries, a habit related to his basic rejection of absolutes, his distaste for finality. The author examines nine of Shaw's finest plays: Man and Superman, Major Barbara, John Bull's Other Island, The Doctor's Dilemma, Pygmalion, Misalliance, Heartbreak House, Saint Joan, and Back to Methuselah. The book takes seriously Shaw's claim that all of his characters are "right from their several points of view." We are compelled to respect the qualities and values of opposing and very different characters in these plays, and we also have a sense of their complementary defects. J. L. Wisenthal's commentary sheds light on Shaw's techniques of portrayal as well as his dialectical habit of mind. This finely written essay is for all lovers of Shaw and the theater.

From the bestselling author of The Dovekeepers comes a love story about one of history's most captivating 'invisible' women: Rachel, the mother of Impressionist painter Camille Pissarro. Growing up on the idyllic island of St Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel's mother, a pillar of their tight-knit refugee community of Jews who escaped the European Inquisition, has never forgiven her daughter for refusing to live by the rules. But Rachel's fate is not in her own hands: in order to secure the future of her father's business, she is married off to a widower with three children. When her husband dies suddenly and his handsome nephew Frédéric arrives from France to settle the estate, Rachel seizes control of her life, beginning a defiant, passionate love affair that sparks a scandal affecting her entire family, including her favourite son, Camille Pissarro, who will one day become a founder member of the Impressionists and one of history's greatest artists. Set in a world of lush, exquisite beauty, The Marriage of Opposites shows Alice Hoffman at the height of her considerable powers. The marriage of Rachel and Frédéric is an unforgettable story of an extraordinary woman and her forbidden love. Praise for Alice Hoffman's The Dovekeepers: 'Beautiful, harrowing . . . A major contribution to twenty-first-century literature' Toni Morrison 'Hoffman reminds us with every sentence that words have the power to transport us to alternate worlds, to heal a broken heart, and to tie us irrevocably to the people we love' Jodi Picoult 'A book as monumental as its subject, magical, moving . . . A genuine masterpiece' Daily Mail

The Marriage of Opposites: by Alice Hoffman | Summary & Analysis Preview: The unusual family of French Impressionist master Jacob Abraham Camille Pizzarro takes center stage in The Marriage of Opposites. The book is set in the early to late 1800s, focusing on the artist and his equally strong-willed mother, Rachel Monsanto Pomié Petit Pizzarro. Rachel longs for Paris although her grandparents long ago fled France for St. Thomas, an island in what is now the US Virgin Islands, where Jews could be citizens. Her grandparents brought only an apple tree to remind them of the orchards they once owned. Her father, Moses Monsanto Pomié, tells Rachel stories of Paris often despite the fact he has never been there. Although no one is persecuting them at the moment, the rapidly growing Jewish community on St. Thomas tries to keep a low profile to ensure that things stay that way. Rachel, however, is determined not to be a mouse. She wants to soar like a hawk… PLEASE NOTE: This is a summary and analysis of the book and NOT the original book. Inside this Instaread Summary & Analysis of The Marriage of Opposites • Summary of book • Introduction to the Important People in the book • Analysis of the Themes and Author’s Style

The recognition and reconciliation of ‘opposites’ lies at the heart of our most personal and global problems and is arguably one of the most neglected developmental tasks of Western education. Such problems are ‘wicked’ in the sense that they involve real-life decisions that have to be made in rapidly changing contexts involving irreducible tensions and paradoxes. By exploring our human tendency to bifurcate the universe, Education for Wicked Problems & the Reconciliation of Opposites proposes a way to recognise and (re)solve some of our most wicked problems. Applying an original theory of bi-relational development to wicked problems, Adam proposes that our everyday ways of knowing and being can be powerfully located and understood in terms of the creation, emergence, opposition, convergence, collapse and trans-position of dyadic constituents such as nature/culture, conservative/liberal and spirit/matter. He uses this approach to frame key debates in and across domains of knowledge and to offer new perspectives on three of the most profound and related problems of the twenty-first century: globalisation, sustainability and secularisation. This book is a comprehensive study of dyads and dyadic relationships and provides a multidisciplinary and original approach to human development in the face of wicked problems. It will be of great interest to students and academics in education and psychosocial development as well as professionals across a range of fields looking for new ways to recognise and (re)solve the wicked problems that characterise their professions.

Through Pierre Bourdieu's work in Kabylia (Algeria), he develops a theory on symbolic power.

Discusses the works of William Blake, William Wordsworth, Samuel Taylor Coleridge, George Gordon, Lord Byron, Percy Bysshe Shelley, John Keats, Thomas Lovell Beddoes, John Clare, George Darley, and others.

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early illuminated works, and reveals the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism, which contends that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that pantheism is important to understanding his early works because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures.