In September 1776, two men from Connecticut each embarked on a dangerous mission. One of the men, a soldier disguised as a schoolmaster, made his way to British-controlled Manhattan and began furtively making notes and sketches to bring back to the beleaguered Continental Army general, George Washington. The other man traveled to New York to accept a captain's commission in a loyalist regiment before returning home to recruit others to join British forces. Neither man completed his mission. Both met their deaths at the end of a hangman's rope, one executed as a spy for the American cause and the other as a traitor to it. Neither Nathan Hale nor Moses Dunbar deliberately set out to be a revolutionary or a loyalist, yet both suffered the same fate. They died when there was every indication that Britain would win the American Revolution. Had that been the outcome, Dunbar, convicted of treason and since forgotten, might well be celebrated as a martyr. And Hale, caught spying on the British, would likely be remembered as a traitor, rather than a Revolutionary hero. In The Martyr and the Traitor, Virginia DeJohn Anderson offers an intertwined narrative of men from very similar backgrounds and reveals how their relationships within their families and communities became politicized as the imperial crisis with Britain erupted. She explores how these men forged their loyalties in perilous times and believed the causes for which they died to be honorable. Through their experiences, The Martyr and the Traitor illuminates the impact of the Revolution on ordinary lives and how the stories of patriots and loyalists were remembered and forgotten after independence.

In this engrossing exploration of martyrdom, Lacey Baldwin Smith takes us on a riveting journey through history as he examines one of the most baffling characteristics of the human species: its willingness to die to sanctify a deity, to defend a cause, or simply to prove a point. In telling the stories of his chosen martyrs, by delving into their psyches, politics, and remarkable personalities, he illuminates the complex and elusive subject of martyrdom as it has evolved over two and a half millennia. The story starts with Socrates, the Western world's first recorded martyr, and moves on to Judaic and early Christian martyrs: the Maccabees and their heroic suffering; Jesus of Nazareth and the impact of the crucifixion on his message; and Saint Perpetua, who died spectacularly in a Roman amphitheater. The narrative then transports us to England: to Archbishop Thomas Becket and his sensational murder at the altar of his own cathedral in Canterbury; to Sir Thomas More, who died Henry VIII's "good servant but God's first" ; to the Protestant martyrs under Catholic Mary Tudor; and to Charles I, the only English king to be tried and executed as a traitor. The concluding chapters cover modern martyrdom as it has become increasingly secularized and entangled with treason. They include John Brown, whose "body lies a-mouldering in the grave but whose soul" goes marching on, Mahatma Gandhi and his school for martyrs, the Holocaust and its impact on modern Jewish thought, Dietrich Bonhoeffer and the unsuccessful attempts to assassinate Hitler, and Julius and Ethel Rosenberg's execution for giving secret information about the atomic bomb to the USSR. The book ends with the troubling figure of SS Lieutenant Kurt Gerstein and the ultimate question: Is there such a person as a totally disinterested martyr? Fools and traitors to some, heroes to others, all the men and women who appear here have helped shape our definition of martyrdom. The questions Lacey Baldwin Smith raises, and the way he brings the past to life, make this a uniquely compelling book.

This volume draws together a selection of high-quality presentations at the 13th International Bonhoeffer Congress held in January 2020 in Stellenbosch, South Africa. The theme of the conference was “How a coming generation is to go on living? Bonhoeffer and the response to our present crisis and hope.” The selected essays engage thoroughly and creatively with this concern to take responsibility not only for our own personal and communal life in all of its complexity and richness but also for the ethos and society that future generations will inherit from us. The pertinence of Bonhoeffer's question is addressed in these contributions anew as we experience threats on a global level to socio-political, economic and inter-religious stability and solidarity. Attention is also given to some important challenges experienced in the so-called global South, and the reality of climate change and ecological devastation implies that the question of how future generations are going to go on living is linked to the fact that we live on a planet that is in jeopardy. Also included as an appendix is the powerful sermon preached by the South African Anglican archbishop of Cape Town Thabo Makgoba at the opening worship service of the congress.

A fragmentary catalogue of poetic derangements that reveals the ways in which mania communicates with an extreme will to annihilation What kind of circumstances provoke an obsessive focus on the most minute object or activity? And what causes such mania to blossom into the lethal conviction that everything must be annihilated? There is no turning away from the imperative to study this riddle in all its mystifying complexity and its disturbing contemporary resonance—to trace the obscure passage between a lone state of delirium and the will to world-erasure.. A fragmentary catalogue of the thousand-and-one varieties of manic disposition (augomania, dromomania, catoptromania, colossomania…), Omnicide enters the chaotic imaginations of the most significant poetic talents of the Middle East in order to instigate a new discourse on obsession, entrancement, excess, and delirium. Placing these voices into direct conversation, Jason Bahbak Mohaghegh excavates an elaborate network of subterranean ideas and interpretive chambers, byways, and burrows by which mania communicates with fatality. Like secret passages leading from one of the multitudinous details of a bustling Persian miniature to the blank burning immanence of the desert, each is a contorted yet effective channel connecting some attractive universe (of adoration, worship, or astonishment) to the instinct for all-engulfing oblivion (through hatred, envy, indifference, rage, or forgetting). A captivating fractal of conceptual prisms in half-storytelling, half-theoretical prose, a rhythmic, poetic, insidious work that commands submission, Omnicide absorbs the reader into unfamiliar and estranging landscapes whose every subtle euphoric aspect threatens to become an irresistible invitation to the end of all things.

The nineteenth-century Métis politician and mystic Louis Riel has emerged as one of the most popular - and elusive - figures in Canadian culture. Since his hanging for treason in 1885, the self-declared David of the New World has been depicted variously as a traitor to Confederation; a French-Canadian and Catholic martyr; a bloodthirsty rebel; a pan-American liberator; a pawn of shadowy white forces; a Prairie political maverick; a First Nations hero; an alienated intellectual; a victim of Western industrial progress; and even a Father of Confederation. Albert Braz synthesizes the available material by and about Riel, including film, sculpture, and cartoons, as well as literature in French and English, and analyzes how an historical figure could be portrayed in such contradictory ways. In light of the fact that most aesthetic representations of Riel bear little resemblance not only to one another but also to their purported model, Braz suggests that they reveal less about Riel than they do about their authors and the society to which they belong. The most comprehensive treatment of the representations of Louis Riel in Canadian literature, The False Traitor will be a seminal work in the study of this popular Canadian figure.

In this “gritty, heart-pounding” (John Gwynne) conclusion to the New York Times bestselling fantasy trilogy, The Covenant of Steel, Alwyn must make a difficult decide between his heart and his morals as he prepares for his final battle. It’s been a long journey for Alwyn Scribe. Born a bastard and raised an outlaw, he’s now a knight and the most trusted advisor to Lady Evadine Courlain. Together they’ve won countless battles and helped to bring order to a fractured kingdom. Yet Evadine is not the woman Alwyn once knew. As puritanical fury increasingly replaces her benevolent faith, Alwyn begins to question what her true motives really are. As the kingdom braces itself for one final battle, Alwyn’s conscience fights its own war with his heart. Now, more than ever, he must decide whose side he’s really on. "This makes a rich treat for George R. R. Martin fans." —Publishers Weekly (starred review) on The Pariah

This is a survey of martyrs over the past five hundred years with an emphasis on their 'last words.' Some of the trial statements or gallows speeches are remarkable for their eloquence under the circumstances. The approach of the book is chronological, from the burning at the stake of Joan of Arc in Rouen 1431 to the assassination of Yitzak Rabin in Tel Aviv in 1995. Religion was an important factor at the beginning and at the end. Modern martyrdom was, however, never solely religious. Non-conformity was usually seen in terms of politics rather than religion. Included are some forty individuals, European, American and Asian. The sections are organized thematically--martyrs of the Reformation era, revolutionary, royal and abolitionist martyrs, and finally universal martyrs. The majority of the martyrs died for nationalism and freedom. The book begins and ends with a discussion of the meaning and significance of martyrdom with a distinction made between victim and martyr.

DigiCat Publishing presents to you this special edition of "A Little Traitor to the South" (A War Time Comedy with a Tragic Interlude) by Cyrus Townsend Brady. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

'We're coming. The martyrs are awakening. Spirits are gathering. This will be our time...' In York and London, strange shapes are taking form, emerging from the shadows. And who is the man who lies in a pitch-black room, listening to a voice that seems to speak from the darkness itself? Jud Lester knows that something evil is afoot. He also knows that it can't be investigated by any normal brand of counter-intelligence... This is a case for CRYPT: a team of elite teenage agents who use their extra sensory perception and arsenal of high-tech gadgets to investigate crimes that the police can't solve.