Revolution came in different stages in the gradual development of the brain in humans. The entire focus, instead of betterment of life got diverted to living a self-absorbed and narcissistic life at the cost of others. Ambitions turned into hatred, revenge, and self-sustenance by killing. Revolutions gave more and more weapons in the hands of humans to wipe out everything that they did not want. It became a race of massacres, which became only a number without any value. Industrial Revolution, meant for comfort, peace, and harmony, turned into a competition to see who had more. Right from the Mahabharat War around 3500 B.C. and then World Wars I & II, the top leaders of the world took pride in devastation and killing. A man never looked at a woman as a human being and used her as an object to satisfy his lust. Torturing other humans was enjoyed over a toast of wine. Dharma, the righteous path explained in the Vedas, the Bhagavad Gita, and then the Ten Commandments, is grossly misunderstood, misinterpreted, and distorted. They taught sacrifice and virtues, and order that will make life and the universe possible. Even nature was not spared. “Selfishness” has become the order of the day. What is the view of the young?

""A library is but the soul's burial-ground. It is the land of shadows."" Henry Ward Beecher Emerging from this land of shadows Lady Darkbrook, Elven Librarian of The Great Library of Albathar, launches a quest across the bitter landscape of her war-torn world to find the first of four magical tomes. Desiring a lasting peace above all else, she and her reluctant companion, Prince Corcoran, travel up pirate-controlled rivers, traverse down the dark alleys of ancient cities, trek through foreboding woods and race across desolate plains to find The Incunabulum Sentanum, The Tome of The Elements. For within this tome resides not only the power to end the wars but also the power to unmake the world itself!

Why do people pass? Fifteen writers reveal their experiences with passing. For some, “passing” means opportunity, access, or safety. Others don’t willingly pass but are “passed” in specific situations by someone else. We Wear the Mask, edited by Brando Skyhorse and Lisa Page, is an illuminating and timely anthology that examines the complex reality of passing in America. Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn’t tell friends about her black ex-husband or that her children were, in fact, biracial. The anthology includes writing from Gabrielle Bellot, who shares the disquieting truths of passing as a woman after coming out as trans, and MG Lord, who, after the murder of her female lover, embraced heterosexuality. Patrick Rosal writes of how he “accidentally” passes as a waiter at the National Book Awards ceremony, and Rafia Zakaria agonizes over her Muslim American identity while traveling through domestic and international airports. Other writers include Trey Ellis, Marc Fitten, Susan Golomb, Margo Jefferson, Achy Obejas, Clarence Page, Sergio Troncoso, Dolen Perkins-Valdez, and Teresa Wiltz.

A study guide for Paul Laurence Dunbar's "We Wear the Mask", excerpted from Gale's acclaimed Poetry for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

When her dad brings home a mask that looks like the boogeyman that has haunted her dreams, Jasmine resolves to get rid of it, but the mask will not go willingly.

English teachers Knol and Karsten have composed these moving reflections inspired by a wide range of writers, many of whom they have brought into their classrooms. And while some of their selections will no doubt be familiar to the reader, each of these meditations will kindle new insights. Attuned to the power of the written word, these seasoned teachers contemplate sacred themes, exploring passages from books that they love in light of passages from Scripture.

Winner of the John S. Tuckey 2017 Lifetime Achievement Award for Mark Twain Scholarship from The Center for Mark Twain Studies American novelist E.L. Doctorow once observed that literature “endows places with meaning.” Yet, as this wide-ranging new book vividly illustrates, understanding the places that shaped American writers’ lives and their art can provide deep insight into what makes their literature truly meaningful. Published on the eve of the 50th anniversary of the Historic Preservation Act, Writing America is a unique, passionate, and eclectic series of meditations on literature and history, covering over 150 important National Register historic sites, all pivotal to the stories that make up America, from chapels to battlefields; from plantations to immigration stations; and from theaters to internment camps. The book considers not only the traditional sites for literary tourism, such as Mark Twain’s sumptuous Connecticut home and the peaceful woods surrounding Walden Pond, but also locations that highlight the diversity of American literature, from the New York tenements that spawned Abraham Cahan’s fiction to the Texas pump house that irrigated the fields in which the farm workers central to Gloria Anzaldúa’s poetry picked produce. Rather than just providing a cursory overview of these authors’ achievements, acclaimed literary scholar and cultural historian Shelley Fisher Fishkin offers a deep and personal reflection on how key sites bore witness to the struggles of American writers and inspired their dreams. She probes the global impact of American writers’ innovative art and also examines the distinctive contributions to American culture by American writers who wrote in languages other than English, including Yiddish, Chinese, and Spanish. Only a scholar with as wide-ranging interests as Shelley Fisher Fishkin would dare to bring together in one book writers as diverse as Gloria Anzaldúa, Nicholas Black Elk, David Bradley, Abraham Cahan, S. Alice Callahan, Raymond Chandler, Frank Chin, Elizabeth Cook-Lynn, Countee Cullen, Frederick Douglass, Paul Laurence Dunbar, Jessie Fauset, William Faulkner, F. Scott Fitzgerald, Allen Ginsberg, Jovita González, Rolando Hinojosa, Langston Hughes, Zora Neale Hurston, Lawson Fusao Inada, James Weldon Johnson, Erica Jong, Maxine Hong Kingston, Irena Klepfisz, Nella Larsen, Emma Lazarus, Sinclair Lewis, Genny Lim, Claude McKay, Herman Melville, N. Scott Momaday, William Northup, John Okada, Miné Okubo, Simon Ortiz, Américo Paredes, John P. Parker, Ann Petry, Tomás Rivera, Wendy Rose, Morris Rosenfeld, John Steinbeck, Harriet Beecher Stowe, Henry David Thoreau, Mark Twain, Yoshiko Uchida, Tino Villanueva, Nathanael West, Walt Whitman, Richard Wright, Hisaye Yamamoto, Anzia Yezierska, and Zitkala-Ša. Leading readers on an enticing journey across the borders of physical places and imaginative terrains, the book includes over 60 images, and extended excerpts from a variety of literary works. Each chapter ends with resources for further exploration. Writing America reveals the alchemy though which American writers have transformed the world around them into art, changing their world and ours in the process.

A look at the multiple personalities we have as individuals, good vs evil, Dr. Jekyl and Mr. Hyde, dualisim, Surrender, the full armor of God, Romans 7 and 8.

Ninety-one selections from major Negro writings of the 19th and 20th centuries prefaced by an introduction to each author.