Medial Afterlives of H.P. Lovecraft brings together essays on the theory and practice of adapting H.P. Lovecraft’s fiction and the Lovecraftian. It draws on recent adaptation theory as well as broader discourses around media affordances to give an overview over the presence of Lovecraft in contemporary media as well as the importance of contemporary media in shaping what we take Lovecraft’s legacy to be. Discussing a wide array of medial forms, from film and TV to comics, podcasts, and video and board games, and bringing together an international group of scholars, the volume analyzes individual instances of adaptation as well as the larger concern of what it is possible to learn about adaptation from the example of H.P. Lovecraft, and how we construct Lovecraft and the Lovecraftian today in adaptation. Medial Afterlives of H.P. Lovecraft is focused on an academic audience, but it will nonetheless hold interest for all readers interested in Lovecraft today.

This two-volume set LNCS 14383 and LNCS 14384 constitutes the refereed proceedings of the 16th International Conference on Interactive Digital Storytelling, ICIDS 2023, held in Kobe, Japan, during November 11–15, 2023. The 30 full papers presented in this book together with 11 short papers were carefully reviewed and selected from 101 submissions. Additionally, the proceedings includes 22 Late Breaking Works. The papers focus on topics such as: theory, history and foundations; social and cultural contexts; tools and systems; interactive narrative design; virtual worlds, performance, games and play; applications and case studies; and late breaking works.

How copyright law and the practice of narrative-based property development influenced each other before 1978

This book brings together essays that ask how one may chart more productive engagements with the methodological foundations of literary studies, a discipline that is finding itself in a moment of severe crisis. The temptation to reduce methodological debates to method wars constitutes one of the main obstacles for what ought to be the common goal of our discipline: to articulate the possible and indeed necessary futures of literary studies. How do we think about the future of literary studies in the funerary climate that has engendered the belief that we need to fight our internal wars for survival? How might (must?) our understanding of what literary criticism is and does change? How do we formulate possible futures for literary studies while grappling with the significant problems that our present poses? The chapters in this volume stage hopeful interventions that seek to contribute to the effort to explore the futures of literary studies by way of and conceived as a collective endeavor. Together, the authors advance a call for better, more useful, more active, more networked, and, yes, even for abandoned versions of the always multiple and joyously contradictory discipline that is called literary studies. This book will be beneficial to students and scholars of English literature, literary theory and literary studies. The chapters in this book were originally published as a special issue of Textual Practice and are accompanied by a new Preface.

Sherlock Holmes is an iconic figure within cultural narratives. More recently, Conan Doyle has also appeared as a fictional figure in contemporary novels and films, confusing the boundaries between fiction and reality. This collection investigates how Holmes and Doyle have gripped the public imagination to become central figures of modernity.

This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen’s national and international reputation; her critical reception; creative appropriations of her writings; and Austen’s afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen’s novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women’s Writing.

As we move through the 21st century, the importance of science fiction to the study of English Literature is becoming increasingly apparent. The Science Fiction Handbook provides a comprehensive guide to the genre and how to study it for students new to the field. In particular, it provides detailed entries on major writers in the SF field who might be encountered on university-level English Literature courses, ranging from H.G. Wells and Philip K. Dick, to Doris Lessing and Geoff Ryman. Other features include an historical timeline, sections on key writers, critics and critical terms, and case studies of both literary and critical works. In the later sections of the book, the changing nature of the science fiction canon and its growing role in relation to the wider categories of English Literature are discussed in depth introducing the reader to the latest critical thinking on the field.

In an era fascinated by horror, this book examines some of the most significant global TV horror, from children’s television and classic series to contemporary shows taking advantage of streaming and on-demand to reach audiences around the world.

Arkham Asylum for the Criminally Insane is a staple of the Batman universe, evolving into a franchise comprised of comic books, graphic novels, video games, films, television series and more. The Arkham franchise, supposedly light-weight entertainment, has tackled weighty issues in contemporary psychiatry. Its plotlines reference clinical and ethical controversies that perplex even the most up-to-date professionals. The 25 essays in this collection explore the significance of Arkham's sinister psychiatrists, murderous mental patients, and unethical geneticists. It invites debates about the criminalization of the mentally ill, mental patients who move from defunct state hospitals into expanding prisons, madness versus badness, sociopathy versus psychosis, the "insanity defense" and more. Invoking literary figures from Lovecraft to Poe to Caligari, the 25 essays in this collection are a broad-ranging and thorough assessment of the franchise and its relationship to contemporary psychiatry.

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-First Annual Collection the very best SF authors explore ideas of a new world in the year's best short stories. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.