'An essential part of the library for anyone interested in the great political and military upheavals in the 15th century.' – Graeme Rimer, Retired Former Academic Director of the Royal Armouries 'A creditable effort to examine a neglected aspect of medieval warfare.' – Jim Bradbury, Cambridge University Press 'Everything you need to know about being a soldier in the Wars of the Roses.' – The Mail Bookshop What was it like to fight in a Wars of the Roses battle? What kind of men fought at St Albans, Northampton, Wakefield, Towton, Tewkesbury and Bosworth? How was the medieval soldier recruited, paid, equipped, fed and billeted? And how was a battle contested once both sides resorted to all-out conflict? First published in 1998, this classic study of the medieval soldier in the Wars of the Roses examines these and other questions using various documentary sources and recent evidence. Eyewitness accounts, contemporary chronicles, personal letters, civic records, archaeology and surviving military equipment are used to paint a fascinating picture of the medieval soldier. Evidence gleaned from the mass war grave found close to the battlefield of Towton in North Yorkshire sheds new light on those that lived and died in the civil wars. But what do we know about the psychology of those involved? And how did soldiers feel about killing their fellow Englishmen? Andrew Boardman explores the grim reality of medieval soldiering on land and sea during this crucial period of aristocratic violence and dynastic upheaval. He makes us question the current historical record, such as it is, and our perceptions of chivalry and warfare in Lancastrian and Yorkist England. The text is supported by many contemporary illustrations, diagrams and maps, making this updated work an indispensable guide to medieval soldiering in the late fifteenth century.

This authoritative A–Z encyclopedia of the Wars of the Roses provides accurate and concise descriptions of the major battles and events and the principal historical figures and issues involved. For centuries, historians agreed about the Wars of the Roses, seeing them as four decades of medieval darkness and chaos, when the royal family and the nobility destroyed themselves fighting for control of the royal government. Even Shakespeare got into the act, dramatizing, popularizing, and darkening this viewpoint in eight plays. Today, based on new research, this has become one of the most hotly controversial periods in English history. Historians disagree on fundamental issues, such as dates and facts, as well as interpretation. Most argue that the effects of the wars were not as widespread as once thought, and some see the traditional view of the era as merely Tudor propaganda. A few even claim that England during the late 15th century was "a society organized for peace." Historian John A. Wagner brings readers up to date on the latest research and thinking about this crucial period of England's history.

A concise and entertaining explanation of how other accounts, and popular culture such as films, have misrepresented medieval warfare. We don't know how medieval soldiers fought. Did they just walk forward in their armor smashing each other with their maces and poleaxes for hours on end, as depicted on film and in programs such as Game of Thrones? They could not have done so. It is impossible to fight in such a manner for more than several minutes as exhaustion becomes a preventative factor. Indeed, we know more of how the Roman and Greek armies fought than we do of the 1300 to 1550 period. So how did medieval soldiers in the War of the Roses, and in the infantry sections of battles such as Agincourt and Towton, carry out their grim work? Medieval Military Combat shows, for the first time, the techniques of such battles. It also breaks new ground in establishing medieval battle numbers as highly exaggerated, and that we need to look again at the accounts of actions such as the famous Battle of Towton, which this work uses as a basic for its overall study.

The author of the New York Times bestseller The Plantagenets and The Templars chronicles the next chapter in British history—the historical backdrop for Game of Thrones The inspiration for the Channel 5 series Britain's Bloody Crown The crown of England changed hands five times over the course of the fifteenth century, as two branches of the Plantagenet dynasty fought to the death for the right to rule. In this riveting follow-up to The Plantagenets, celebrated historian Dan Jones describes how the longest-reigning British royal family tore itself apart until it was finally replaced by the Tudors. Some of the greatest heroes and villains of history were thrown together in these turbulent times, from Joan of Arc to Henry V, whose victory at Agincourt marked the high point of the medieval monarchy, and Richard III, who murdered his own nephews in a desperate bid to secure his stolen crown. This was a period when headstrong queens and consorts seized power and bent men to their will. With vivid descriptions of the battles of Towton and Bosworth, where the last Plantagenet king was slain, this dramatic narrative history revels in bedlam and intrigue. It also offers a long-overdue corrective to Tudor propaganda, dismantling their self-serving account of what they called the Wars of the Roses.

Between 1455 and 1485, 15th century England was ravaged by war. The dynastic struggle was between supporters of two rival branches of the royal House of Plantagenet: the houses of Lancaster and York The "Red" and "White" Roses. These books are of people and places, listing them and trying to locate their situations on maps of the counties ( Shires ).

A gripping account of the Wars of the Roses battle of Towton - the most brutal day in English history. 'Vivid, humane and superbly researched' David Starkey 'The story has never been told so well or so excitingly' Desmond Seward The Battle of Towton in 1461 was unique in its ferocity and brutality, as the armies of two kings of England engaged with murderous weaponry and in appalling conditions to conclude the first War of the Roses. Variously described as the largest, longest and bloodiest battle on English soil, Towton was fought with little chance of escape and none of surrender. Fatal Colours includes a cast of strong and compelling characters: a warrior queen, a ruthless king-making earl, even a papal legate who excommunicates an entire army. Combining medieval sources and modern scholarship, George Goodwin colourfully recreates the atmosphere of 15th century England and chronicles the vicious in-fighting as the increasingly embittered royal factions struggle for supremacy.

This set is an excellent companion to J. R. Strayer's edited Dictionary of the Middle Ages (CH, Nov'87; Supplement I, ed. by W. C. Jordan, CH, Sep'04, 42-0044). The focus on warfare allows the editors to offer larger entries on major topics (e.g., "Agincourt," "Crusades," "Feudalism") and introduce many complementary topics. The editors are concerned with Europe; they expand coverage into Asia or Africa only because of the connection to medieval Europe. Coverage also includes an abundance of entries pertaining to Central and Eastern Europe. Most of the 1,000-plus entries are about a page in length, but a few approach 50 pages. Medium and large-size entries, such as "Chivalry," "Germany," and "Slavic Lands," discuss primary sources and very valuable historiographies. A thorough index helps readers locate the Knights Templar under "Orders, Military, Levantine Orders." Cross-references and bibliographies follow each of the signed entries. Locating reliable and scholarly information on the Knights Templar and Vlad Tepes (Dracula) is tricky. Some of the bibliographies include sources in foreign languages. For example, the references for the Black Army of Hungary are in Hungarian. Noticeably missing are entries for the many wars. This set is particularly suited to research libraries. Summing Up: Highly recommended. Lower-level undergraduates through professionals/practitioners; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by W. M. Fontane.

This fascinating account of an unsung English monarch and military leader is “a pleasing and well-informed appraisal of the first Yorkist king” (Dr. Michael Jones, author of Bosworth 1485: Psychology of a Battle). Indisputably the most effective general of the Wars of the Roses in fifteenth-century England, King Edward IV died in his bed, undefeated in battle. Yet he has never been accorded the martial reputation of other English warrior kings such as Henry V. It has been suggested that perhaps he lacked the personal discipline expected of a truly great army commander. But, as the author shows in this perceptive and highly readable new study, Edward was a formidable military leader whose strengths and subtleties have never been fully recognized—perhaps because he fought most of his battles against his own people in a civil war. This reassessment of Edward’s military skill—and of the Wars of the Roses in which he played such a vital part—provides fascinating insight into Edward the man as well as the politician and battlefield commander. Based on contemporary sources and the latest scholarly research, Edward IV and the Wars of the Roses stands as “a valuable and thought-provoking addition to the canon, which ought to become required reading for anyone interested in the reign of the first Yorkist monarch” (The Ricardian).

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.

The leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare