This collection of studies is the result of a six-year interdisciplinary research project undertaken by an international team, and constitutes a completely new approach to environmental, cultural and settlement changes around the mid-first millennium AD in Central Europe.

Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox

The Oxford Handbook of Medieval Central Europe summarizes the political, social, and cultural history of medieval Central Europe (c. 800-1600 CE), a region long considered a "forgotten" area of the European past. The 25 cutting-edge chapters present up-to-date research about the region's core medieval kingdoms -- Hungary, Poland, and Bohemia -- and their dynamic interactions with neighboring areas. From the Baltic to the Adriatic, the handbook includes reflections on modern conceptions and uses of the region's shared medieval traditions. The volume's thematic organization reveals rarely compared knowledge about the region's medieval resources: its peoples and structures of power; its social life and economy; its religion and culture; and images of its past.

Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.

This volume examines interdisciplinary boundaries and includes texts focusing on material culture, philological analysis, and historical research. What they all have in common are zones that lie in between, treated not as mere barriers but also as places of exchange in the early Middle Ages. Focusing on borderlands, Continuation or Change uncovers the changing political and military organisations at the time and the significance of the functioning of former borderland areas. The chapters answer how the fiscal and military apparatus were organised, identify the turning points in the division of dynastic power, and assign meaning to the assimilation of certain symbolic and ideological elements of the imperial tradition. Finally, the authors offer answers to what exactly a "statehood without a state" was in regard to semi-peripheral and peripheral areas that were also perceived through the prism of the idea of a world system, network theory, or the concept of so-called negotiating borderlands. Continuation or Change is a useful resource for upper-level undergraduates, postgraduates, and scholars interested in medieval warfare, Eastern European history, medieval border regions, and cross-cultural interaction.

In The Long Sixth Century in Eastern Europe, Florin Curta offers a social and economic history of East Central, South-Eastern and Eastern Europe during the 6th and 7th centuries.

"This collection of studies is the result of a six-year interdisciplinary research project undertaken by an international team of archaeologists, historians, numismatists and paleobotanists. It constitutes a completely new approach to environmental, cultural and settlement changes during the Migration Period in Central Europe. Part One discusses written sources, theories regarding migration, and environmental change in the first millennium AD. In Part Two, archaeological sources relating to Central Europe in the Migration Period are analysed, while Part Three is devoted to new discoveries between the Oder and the Vistula, including traces of Germanic settlement in northern Poland in the early seventh century. In Part Four, evidence for cultural and settlement changes in neighbouring areas is characterized in a comparative light."--

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.